A Catholic Organist’s Book of Hymns
TheLiturgical Year
3Part Hymns & Chorale Preludes
Using the Catholic Organist’s Book of Hymns Hymn tunes can often be sung with different texts. This book has the tunes listed alphabetically for easy searching. Hymns are arranged by the TUNE name in this book
Visit our website for more information about how to use this book. We offer support materials and links on our site, www.frogmusic.com. For example, At www.frogmusic.com you will find lists of hymns that are sung to the tunes in this book. Quite a few hymn tunes can be sung to different words, providing variety when picking hymns for Mass and staying with tunes the people are already familiar with and like to sing. HYFRODOL Alleluia! Sing to Jesus! Love Divine, All Loves Excelling Come Thou Long-Expected Jesus,
Reading this book on an iPad or a tablet? Use FIND and SEARCH on the program you are using to view the music to find the music for the TUNE of the hymn. TUNE names are listed with a location (page) number that you would use to find that hymn tune using the FIND or SEARCH window of Acrobat Reader, Preview or the program you use to read PDF files.
Registrations There are 10 basic registrations suggested for stops that may be found on most organs. The stop settings are part of the Playing the Church Organ™ series of books, beginning with Book 1, which is basic training for organists, which can be used with almost any organ. But you do not need to purchase that book. If you send us the name of the organ and a model number or stop list, we may already have a stop list for you on file - for custom built organs (including pipe organs), just email us a spreadsheet with listing the keyboard, stops on that division including their footage. We will send back a list of stops for you to set to pistons. Stop registrations look like this on the pages: 1/6 2/1 Press registration piston Memory 1, Piston 6. Press registration piston Memory 2, Piston 1. This is for an organ with 10 general pistons. This is for an organ with 5 general pistons. Don’t forget, if you do not have stop registration pistons? Send us a spreadsheet listing the stops on the organ you play, and we will send you a list to set by hand. These arrangements do not require any changes of stops while playing, so pistons are not required.
[email protected] All arrangements ©2014 Frog Music Press. You, as an individual online subscriber or book owner, have permission to print any and all music from this book for your own personal use. Parish subscribers may print for all organists in the parish. Contact us at
[email protected] or 423 887 7594 with any questions you might have.
TheLiturgical Year
Hymns from Advent to All Saints
GRAEFFENBURG
70 2
71
ADORO TE DEVOTE
2 4
3
GREENSLEEVES
72 2
73
ALTA TRINITA BEATA
4 2
5
GROSSER GOTT
78 6
79
7
HAMBURG
80 2
81
9
HANOVER
82 2
83
11
HELMSLEY
84 2
85
Chorale Prelude
AUS DER TIEFE
3 Part Organ Hymn
Tune
16 2
17
HYFRODOL
88 2
89
AZMON
18 2
19
HUMILITY
90 2
91
BEACH SPRING
20 2
21
HYMN TO JOY
92 2
93
BESAÇON
22 2
23
ICH GLAUBE AN GOTT
94 2
95
CAROL
24 2
25
IRBY
96 2
97
CHRIST IST ERSTANDEN
26 2
27
JESU MEINE ZUVERSICHT
98 2
99
CLARIBEL
28 2
29
JUDAS MACCABEUS
100 2 101
CORONATION
30 2
31
KING’S WESTON
102 2 103
CRADLE SONG
32 2
33
KOMM GOTT SCHOPFER
104 2 105
CROSS OF JESUS
34 2
35
KREMSER
106 2 107
CWM RHONDA
36 2
37
LAMBILOTTE
108 2 109
DIADAMATA
38 2
39
LASST UNS ERFREUEN
110 2 111
DIX
40 2
41
LAUDATE DOMINUM
112 2 113
DRAKES BROUGHTON
42 2
43
LIEBSTER JESU
114 2 115
DUGUET
44 2
45
LLANFAIR
116 2 117
EASTER HYMN
46 2
47
LLANGLOFFAN
118 2 119
EIN FESTE BURG
48 2
49
LOBE DEN HERREN
120 2 121
ELLACOMBE ELEEACOMBE
50 2
51
LOURDES HYMN
122 2 123
ENGLEBERG
52 2
53
MELITA
124 2 125
ERHALT UNS HERR
54 2
55
MERTON
126 2 127
EST IST EIN ROS’
56 2
57
MESSIAH
128 2 129
EUCHARISTIC HYMN
58 2
59
MORNING STAR
130 2 131
EVENTIDE
60 2
61
MUELLER
132 2 133
FULDA
62 2
63
MUNICH
134 2 135
GAUDEAMUS PARITER
64 2
65
NETTLETON
136 2 137
GELOBT SEI GOTT
66 2
67
O FILII ET FILIAE
138 2 139
GLORIA
68 2
69
O HEILAND, REISS DIE
140 2 141
GRAEFFENBURG
70 2
71
O PERFECT LOVE
142 2 143
GREENSLEEVES
72 2
73
O STORE GUD
144 2 145
GROSSER GOTT
78 6
79
O WALY WALY
146 2 147
ANIMA CHRISTI ANTIOCH
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ATTENDE DOMINE
6 4 8 2
10 2 14 4
15
HERZLIEBSTER JESU
86 2
87
O PERFECT LOVE
142 2 143
STILLE NACHT
212 2 213
O STORE GUD
144 2 145
STUGGART
214 2 215
O WALY WALY
146 2 147
SUNRISE
216 2 217
OPTATUS
148 2 149
UNDE ET MEMORES
218 2 219
OLD 124TH
150 2 151
VENI SANCTI SPIRITUS
220 2 221
PANGE LINGUA
152 2 153
VICTIMAE PASCHALI
222 2 223
PASSION HYMN
154 2 155
VICTORY
224 2 225
PEROSI
156 2 157
W ZLOBIE LEZY
226 2 227
PICARDY
158 2 159
WACHET AUF
228 2 229
PLEADING SAVIOR
160 2 161
WAS LEBT
230 2 231
QUEBEC
162 2 163
WEM IN LEIDEN STAGEN
232 2 233
RESIGNATION
164 2 165
WERE YOU THERE
234 2 235
ROCKINGHAM
166 2 167
WERNER
236 2 237
RUSTINGTON
168 2 169
WINCHESTER NEW
238 2 239
SALZBURG
170 2 171
WONDROUS LOVE
240 2 241
SINE NOMINE
172 2 173
ZEUCH MICH, ZEUCH MICH 242 2 243
SLANE
174 2 175
SONG 13
176 2 177
STABAT MATER
180 4 181
ST. AGNES
182 2 183
ST. BEES
184 2 185
ST. CATHERINE
186 2 187
ST. DENIO
188 2 189
ST. GEORGE’S WINDSOR
190 2 191
ST. GREGORY ANIMA
192 2 193
ST. KEVIN
194 2 195
ST. LEONARD
196 2 197
ST. PETER
198 2 199
ST. STEPHEN
200 2 201
ST. THEODULPH
202 2 203
ST. THOMAS
204 2 205
ST. THOMAS (WILLIAMS)
206 2 207
STEINER
208 2 209
STELLA
210 2 211
STILLE NACHT
212 2 213
STUGGART
214 2 215
SUNRISE
216 2 217
Brief Advice We organists tire of hymns, practicing them on the organ, playing them for choir rehearsal, teaching them to cantors. But the congregation hears them once, twice, three times and, after the third time the choir and cantors complain, “Do we have to sing that one again? “Can’t we sing something new?” If you want the congregation to sing, the answer is no. Hymns that are loved are simply hymns that are repeated over and over again, becoming life-long friends to those in your congregation. It is essential for you to keep this in mind. Play chorale preludes on the hymns to prepare the congregation for the first time they sing it. Then introduce singing the hymn Once they are comfortable singing it, then play the chorale prelude to introduce the hymn. They will enjoy that, too. Introducing a hymn by playing just the last line just does not work. Name That Tune started with the first note and so should you when introducing a hymn. Playing the entire hymn gives people who have recognized those first few notes time to find a hymnal and find the page. More people will sing the hymn. It is better to cut a verse from the end of a hymn because you have run out of time with more people singing, than playing a brief introduction and sing the entire hymn with fewer people holding open hymn books and singing.
Playing theHymnTunes. Play the Chorale Preludes without noticeable breaks that might confuse the congregation and make them think that it is time to sing until you reach the last measure. Play the Organ Hymns with clean, clear breaks during the rests that will serve as the upbeat of the conductor’s hand, indicating the exact tempo and giving them time to take a breath for wonderful, flowing hymn singing. Avoid slowing down at the end of the choral prelude and at the end of verses except for the final verse. Keep the flow of the rhythm going! Final verses of triumphant hymns can benefit from a bit slower tempo to make an even grander sound. Fast hymn playing fails to give singers time to breathe. In the back of this book you will find more playing suggestions.
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A Catholic Organist’s Book of Hymns
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