PERCUSSION MANUAL RULES AND REGULATIONS for
GROUPS I, II, III, IV, AND V Including the
REQUIRED MUSIC LIST FOR GROUP I
2013-14 -- 2018-19
This Association is governed by an elected State Board consisting of three music teachers and one school administrator from each of the eight zones in Indiana. Rules and Regulations of all events are determined through procedures as prescribed in the ISSMA Music Festivals Manual. All festivals are administered and coordinated through the ISSMA office. Please direct all inquiries to:
Indiana State School Music Association, Inc. www.issma.net
All Directors Please Note It is important to refer to the Solo and Ensemble required manuals listed on the official ISSMA web site to validate and retrieve the most current information. Any publication posted on the ISSMA, Inc. website will supersede any previously printed edition. Unless a particular editor or arranger is specified, any standard, unabridged, unarranged edition is acceptable.
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TABLE OF CONTENTS Acknowledgements ...........................................................................................................4 Drum Set Solo - Event No. 99 ...........................................................................................5-6 Mallet Solo (Xylophone, Marimba, Vibraphone) - Event No. 100 ...................................6-7 Glockenspiel or Bell Lyra - Event No. 101 for Groups IV and V only ..................................7 Snare Drum Solo - Event No. 102 ................................................................................7-9 Timpani Solo - Event No. 103 ......................................................................................9-11 Multiple Percussion Solo - Event No. 104 .......................................................................12 Multi-Tenor Solo - Event No. 105 .................................................................................12 Percussion Ensembles - Event No. 110 (3 to 6 performers) ........................................12 Mallet Ensembles - Event No. 111 (3 to 6 performers) .............................................12 Large Mallet Ensembles - Event No. 112 (7 to 20 performers) ..........................................12 Large Concert Percussion Ensembles - Event No. 113 (7 to 20 performers) .........12 Large Marching Percussion Ensembles - Event No. 115 (7 to 20 performers) ................12 Specifics for All Percussion Ensemble Events .........................................................13-14 Guideline for Stick and Mallet Selection .....................................................................15-16 Required Music Selections Drum Set Solos - Event No. 99 ..............................................................................17 Xylophone, Marimba, and Vibraphone Solos - Event No. 100 ...........................17-19 Snare Drum Solos - Event No. 102 ..................................................................19-21 Timpani Solos - Event No. 103 .............................................................................22 Multiple Percussion Solos - Event No. 104 .......................................................22-23 Multi-Tenor Solos - Event No. 105 .........................................................................23 Percussion Ensembles - Event No. 110 ........................................................23-24 Mallet Ensembles - Event No. 111 ...................................................................24-26 Large Mallet Ensembles - Event No. 112 ..........................................................24 Large Concert Percussion Ensembles - Event No. 113 ..................................26-28 Large Marching Percussion Ensembles - Event No. 115 .....................................29 Audio Example Links .......................................................................................................30 Drum Set Style Patterns Group V .................................................................................................................31 Group IV and III ...............................................................................................32-33 Group II ..........................................................................................................34-35 Group I ............................................................................................................36-37 Mallet Scales and Arpeggios .........................................................................................38 Timpani Roll Requirement ..............................................................................................38 Snare Rudiment Required List with Minimum Tempos .................................................39 Snare Drum Rudiments (International Drum Rudiments) ........................................40-41 Recommended Supplementary Material ..................................................................42-47 Key to Publisher Codes ..............................................................................................48-54
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The Indiana State School Music Association gratefully acknowledges the professional efforts of the Percussion Manual Revision Committee and all the contributors who offered suggestions for this publication. Jim Williams and his committee devoted many hours in research and meetings to develop all the material included. This publication includes the required music selections as well as educational instructions and explanations to aid teachers and students in their quest to develop total percussion musicianship.
Percussion Committee
Jim Williams, Chairman Luke Aylsworth Brandan Baker John Coller Keith Cozart Dr. Penny Dimmick Wilber England Karl Gilbert Herbert Hedstrom Bill Leather Kevin Miles Dr. Erwin Mueller Jeff Parthun Jason Pruden Robb Thiel Murray Weaver
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PERCUSSION SOLO EVENTS I.
Drum Set Solo – Event No. 99 A.
Event Requirements 1.
Any three of the appended “Drum Set Rhythmic Patterns” (depending on the Group Level entered, beginning on page 31) must be performed from MEMORY.
2.
Group Requirements should be as follows:
3. B.
C.
a.
Group V will play any three of the following Drum Set Rhythmic Patterns: one Rock Time, one Swing Time, and either Basic Latin or Show Style. (Student’s choice)
b.
Groups IV and III will play any three of the following Drum Set Rhythmic Patterns: Rock Time; Jazz Time; Brush Time; Bossa Nova; Cha Cha; Funk; Samba. (Gp IV – Student’s choice; Gp. III Judge’s choice)
c.
Groups II and I will play any three of the following Drum Set Rhythmic Patterns: Rock Time; Jazz Time; Brush Time; Jazz Waltz; Bossa Nova; Cha Cha; Mambo; Samba; Funk; Beguine. (Judge’s choice)
Performers should continue playing patterns until requested to stop by the judge.
Tuning, Stick Choice, Drum Set-Up 1.
Tuning of an indefinite pitched instrument and size relationship of sticks to that instrument are extremely subjective. Consequently, the adjudicator should evaluate as to rhythmic articulation and clarity. (For stick choice, see appended “Guideline for Stick and Mallet Selection,” page 15. NOT REQUIRED – ONLY A RECOMMENDED GUIDELINE.)
2.
Tune drum set in order of “Pitch” from highest to lowest – snare drum, small tom-tom, large floor tom-tom, and bass drum.
3.
Drum set set-up should give the performer a comfortable playing position and accessibility to all pieces of equipment.
Accuracy of Notes and Rhythms 1.
Correct pitches on correct drum.
2.
Correct interpretation of rhythms. a.
Optional interpretation of eighth and sixteenth notes when applied to jazz phrasing:
(1)
(2) D.
Interpretation, General Musicianship and Balance of Sound 1.
Correct interpretation of style (jazz, rock, latin, etc.)
2.
Evaluation should be made only on the indicated expression marks.
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.
II.
E.
3.
Additional expression marks may be indicated on the music by the performer or teacher and are acceptable but not required.
4.
Evaluation of the observation of dynamics.
5.
Balance of sound – the ability of the performer to dynamically control the various drums and cymbals of the drum set (e.g., the bass drum and/or ride cymbal too loud or the small tom-tom too soft)
Technique – Facility on Set 1.
Matched or traditional grip is acceptable on the drum set.
2.
Technique – the ability of the student to perform with skill on the drum set (stiff/relaxed – fast/slow).
3.
Facility on the drum set – the ability of the performer to get around on the set (smoothly or awkwardly).
F.
General Effect (Preparation) - Evaluation of the performer’s adherence to the details or aspects of a composition which results in a fine musical performance.
G.
Time Keeping – Evaluation of the ability of the performer to keep a steady beat.
Mallet Solo (Xylophone, Marimba, Vibraphone) Event No. 100 A.
Required Scales – Arpeggios 1.
Three (3) Scales – Arpeggios (depending on the group level entered) must be performed from MEMORY. (See appended list of “Mallet Scales – Arpeggios,” page 38, for tempi, rhythm options, and range.)
2.
Group Requirements
3. B.
a.
Group V and IV - Any three scales and arpeggios up to four flats and four sharps, one octave. (student’s choice)
b.
Group III, Scales – Arpeggios; C, F, G, B-flat, D, E-flat, A, A-flat, E. (judge’s choice)
c.
Groups II and I, Scales – Arpeggios; C, F, G, B-flat, D, E-flat, A, A-flat, E, D-flat, B, G-flat, Fsharp, C-flat, C-sharp. (judge’s choice)
Size of instrument may limit the Scale – Arpeggio range with no penalty to the performer.
Choice of Mallets and Correct Playing Area Considering that the performer has no pre-performance knowledge of the acoustics of the room, the adjudicator must not allow his evaluation of choice of mallets to be influenced by either excellent or poor acoustics. (See appended “Guideline for Stick and Mallet Selection,” page 15. NOT REQUIRED – ONLY A RECOMMENDED GUIDELINE.) 1.
Choice of mallets – Considering the highly subjective nature of this area, the adjudicator should base his evaluation on the following criteria: a.
Balance of solo with accompaniment.
b.
Dictates of music: (1) Indicated on the solo (2) Rhythmic articulation and clarity
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(3) Legato, staccato, etc. (4) See appended “Guideline for Stick and Mallet Selection,” page 15. 2.
Correct playing area
C.
D.
E.
Center of bar.
b.
End of bar (not on node).
Accuracy of Notes and Rhythms 1.
Correct notes.
2.
Correct interpretation of the rhythms.
Expression, Phrasing, Tempo, Dynamics 1.
Evaluation should be made only on the indicated expression marks.
2.
Additional expression marks may be indicated on the music by the student or teacher and are acceptable but not required.
Mechanical Skills (Technique) and Physical Approach 1.
F.
a.
Acceptable grips a.
Two mallets – Traditional grip.
b.
Four mallets – Traditional, “Musser,” “Stevens,” or “Burton” grips acceptable.
General Effect (Preparation) Evaluation of the contestant’s adherence to the details or aspects of a composition which results in a fine musical performance.
III. Glockenspiel or Bell Lyra – Event No. 101 for Groups IV and V only Event No. 101 is not offered at the Group III, II or I level. A.
Groups IV and V will perform Scales – Arpeggios as listed under Group Requirements for Event No. 100 (Mallet Solo), page 6.
B.
All captions for Events No. 101 are the same as Event No. 100. (See II. Mallet Solo, page 6.)
IV. SNARE DRUM SOLO – Event No. 102 A.
Required Rudiments 1.
Three of the PAS 40 rudiments will be performed selecting not more than one from each category. The rudiments must be memorized at State Level only. (see appended “List of Rudiments” and their metronome markings for each Group Level, page 39-41)
2.
Group Requirements a.
Group V – The student will choose three rudiments designated for Group V selecting not more than one from each category. b. Group IV – The student will choose three rudiments designated for Group IV selecting not more than one from each category. c. Group III – The judge will choose three rudiments designated for Group III selecting not more than one from each category.
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d. Group II – The judge will choose three rudiments designated for Group II selecting not more than one from each category. e. Group I – The judge will choose three rudiments designated for Group I selecting not more than one from each category. Memorization is required for Group I performance at State Level event. 3.
4. B.
Acceptable Methods of Demonstration a.
Fortissimo, gradual decrescendo to pianissimo, gradual crescendo to fortissimo, at performer’s maximum controlled tempo. (See appended “List of Rudiments” for minimum tempi.)
b.
Run-down – slow, gradual accelerando to fast gradual ritard to slow. (See “List of Rudiments” for minimum fast tempi.)
A uniform rhythm, as specified in the appended “List of Rudiments,” must be maintained throughout the demonstration of each rudiment.
Tone, Snare Adjustment, Head Tension The tuning of a snare or field drum and the size relationship of sticks to drums are extremely subjective. Consequently, the adjudicator should evaluate this category as to rhythmic articulation and clarity. (See appended “Guideline for Stick and Mallet Selection,” page 15. NOT REQUIRED – ONLY A RECOMMENDED GUIDELINE.)
C.
Rhythmic Accuracy 1.
Rudimental Solos a.
Correct interpretation of the 7-Stroke Roll:
(1) Short 7-Stroke Roll
(2) Long 7-Stroke Roll
(Tempo and uniformity are governing factors.) b.
Correct interpretation of the 15-Stroke Roll:
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2.
Jazz Style Solos in a Moderate Tempo a. Optional interpretation of eighth and sixteenth notes when applied to jazz phrasing:
(1)
(2)
D.
E.
Expression, Phrasing, Tempo, Dynamics 1.
Evaluation should be made only on the indicated expression marks.
2.
Additional expression marks may be indicated on the music by the performer or teacher and are acceptable but not required.
Mechanical Skills (Technique) and Physical Approach 1.
Acceptable hand positions: a. b.
2.
Angle of the drum should be compatible with the hand position; however, drum angles are extremely subjective. Consequently, the judge should evaluate this category as to rhythmic articulation and clarity. The suggestions regarding playing surface angle are only a guide. a. b.
3. F.
Traditional (Unmatched) Matched (Left hand identical to the right hand of the traditional grip)
Traditional – Playing surface should be slanted, high side to the player’s left. Matched – Playing surface should be horizontal.
Style of the rolls used (rudimental or multiple-bounce) must be consistent with the style of the solo or as indicated by the composer.
General Effect (Preparation) Evaluation of the performer’s adherence to the details or aspects of a composition which results in a fine musical performance.
V.
Timpani Solo – Event No. 103 A.
Event Requirements 1.
Tuning Requirements a.
Groups V and IV – Tune pitches needed in performer’s solo.
b.
Group III – Tune an interval of a perfect fifth up from one of the following initial pitches: G, A-flat, or B-flat. (judge’s choice) 1)
G to D
2)
A-flat to E-flat
3)
B-flat to F.
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c.
Groups II and I – Tune one interval, either a major third, perfect fourth, or perfect fifth up from an initial pitch of G, A-flat, or B-flat. (judge’s choice) 1)
2)
3)
d.
Major third (a)
G to B
(b)
A-flat to C
(c)
B-flat to D
Perfect fourth (a)
G to C
(b)
A-flat to D-flat
(c)
B-flat to E-flat
Perfect fifth (a)
G to D
(b)
A-flat to E-flat
(c)
B-flat to F
Adjudicators will indicate the initial pitch to be tuned on timpano 2. (The performer will utilize an accepted pitch source to obtain initial pitch.) The second pitch of the interval requested by the adjudicator is to be tuned on timpano 3 without further assistance, i.e., by ear. 1
B.
2
3
4
(set of timpani)
2.
Tuning of the timpani will be accomplished from memory solely by the performer.
3.
Acceptable pitch sources: a.
Pitch pipe (unaccompanied solo)
b.
Tuning fork (unaccompanied solo)
c.
Accompanying instrument (accompanied solo).
Roll Requirement The “Roll Technique” exercise (see appended “Timpani Roll Requirement,” page 38) is to be performed from memory on a pitch determined by the tuning requirements of V-A-1.
C.
Choice of Mallets and Correct Playing Area Considering that the performer has no pre-performance knowledge of the acoustics of the room, the adjudicator must not allow his evaluation of choice of mallets to be influenced by either excellent or poor acoustics. Choice of timpani mallets for a particular solo is extremely subjective. Consequently, the adjudicator should evaluate as to rhythmic articulation and clarity. (See appended “Guideline for Stick and Mallet Selection,” page 15. NOT REQUIRED – ONLY A RECOMMENDED GUIDELINE.)
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1.
Objective criteria to be used to evaluate this area: a.
Balance of solo with accompaniment
b.
Dictates of music: (1) As indicated on the music (2) Rhythmic articulation and clarity
c. 2.
See “Guideline for Stick and Mallet Selection,” page 15.
Correct Playing Area a.
The general playing area – approximately four to five inches from the edge of the kettle.
b.
Dictates of the music:
(1) Legato – General playing area used (2) Staccato – Playing area may be moved slightly toward the center of the kettle (3) Pianissimo – Playing area may be moved slightly toward the edge of the kettle (4) Special effects – As indicated on the solo. D.
E.
F.
Accuracy of Notes and Rhythms 1.
Correct notes and/or pitches on kettles.
2.
Correct interpretation of the rhythms.
Expression, Phrasing, Tempo, Dynamics 1.
Evaluation should be made only on the indicated expression marks.
2.
Additional expression marks may be indicated on the music by the student or teacher and are acceptable but not required.
Mechanical Skills (Technique) and Physical Approach 1.
Acceptable grips a.
Matched
b.
Thumbs up: (1) “French” – Use of finger for impetus (2) “German” – Use of wrist for impetus.
G.
General Effect (Preparation) Evaluation of the performer’s adherence to the details or aspects of the composition which results in a fine musical performance.
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VI. Multiple Percussion Solo – Event No. 104 A.
Event Requirements No requirement for tuning, rudiments, or Scales – Arpeggios – in the Multiple Percussion event.
B.
Tuning of an indefinite pitched instrument and the size relationship of sticks to that instrument are extremely subjective. Consequently, the adjudicator should evaluate as to rhythmic articulation and clarity.
C.
All captions for Multiple Percussion Solos other than tone and intonation will be the same as for the Timpani Solo Event, No. 103 (page 9).
VII. Multi-Tenor Solo – Event No. 105 A.
Required Rudiments Rudiments are to be performed the same as specified for Event No. 102, Snare Drum (page 7).
B.
Tuning of an indefinite pitched instrument and the size relationship of sticks to that instrument are extremely subjective. Consequently, the adjudicator should evaluate as to rhythmic articulation and clarity.
C.
All captions for Multi Tenor Solos other than tone and intonation will be the same as for the Snare Drum Solo Event, No. 102 (page 7).
PERCUSSION ENSEMBLE EVENTS I.
Percussion Ensembles – Event No. 110 (3 to 6 performers)
II.
Mallet Ensembles – Event No. 111 (3 to 6 performers) Small Ensembles shall perform without direction. Small ensembles that are directed by an individual from any place in the audition room shall be penalized one division rating except that a student director is permitted when he/she is a performing member of the small ensemble.
III. Large Mallet Ensembles – Event. No. 112 (7 to 20 performers) IV. Large Percussion Ensembles – Event No. 113 (7 to 20 performers) Large Ensembles (Events 112, 113, and 115) may be directed by a student director who might or might not be a performing member of the ensemble. V.
Large Marching Percussion Ensembles - Event No. 115 (7 to 20 performers)
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SPECIFICS FOR ALL PERCUSSION ENSEMBLE EVENTS A.
Tone and Intonation (Refer to this category under “Snare Drum Solo, Mallet Solo, Timpani Solo, Multiple Percussion Solo, Multi-Tenor Solo, and Drum Set Solo.”)
B.
1.
Tuning of an indefinite pitched instrument and the size relationship of the sticks to that instrument are extremely subjective. Consequently, the adjudicator should evaluate as to rhythmic articulation and clarity.
2.
Tune drum set in order of “Pitch” from highest to lowest – snare drum, small tom-tom, large tom-tom, floor tom-tom, bass drum.
3.
Appropriate substitution for unique and difficult to obtain instruments is acceptable without penalty.
Set-Up, Choice of Mallets, Sticks, Beaters and Correct Playing Area 1.
Considering the vast choice of beaters, mallets, and sticks available and the extreme subjectivity of this area, evaluation should be made according to rhythmic articulation and clarity. (See appended “Guideline for Stick and Mallet Selection,” page 15. NOT REQUIRED – ONLY A RECOMMENDED GUIDELINE.)
2.
Correct playing area:
3.
C.
D.
a.
Mallets – center of bar or end of bar (not on node)
b.
Timpani – General playing area, approximately four to five inches from the edge of the kettle
c.
Snare Drum – Dependent upon dynamic level desired or dictates of music.
Set-up: a.
All instruments should be easily accessible to the performer
b.
Section leader should be visible to all musicians.
Accuracy of Notes, Rhythms and Precision 1.
Accuracy of Notes – Drum set notation is generally written considering the placement of the drums rather than the pitch of the drums themselves and is not standardized. Therefore, the adjudicator must refer to the music for its legend and correct interpretation.
2.
Correct notes performed on mallet instruments.
3.
Correct pitches performed on timpani.
4.
Correct interpretation of the rhythms.
Expression, Phrasing, Tempo, Dynamics and Balance 1.
Evaluation should be made only on the indicated expression marks.
2.
Additional expression marks may be indicated on the music by the student or teacher and are acceptable but not required.
3.
Evaluation of tempos played and the observation of dynamics.
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E.
F.
Mechanical Skills (Technique) and Physical Approach 1.
Refer to this category under the “Snare Drum Solo, Mallet Solo, Timpani Solo, Multiple Percussion Solo and the Drum Set Solo.”
2.
Matched or traditional grip acceptable.
General Effect (Preparation) Evaluation of the performer’s adherence to the details or aspects of a composition which results in a fine musical performance.
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GUIDELINE FOR STICK AND MALLET SELECTION There is an infinite number of possibilities to choose from when selecting mallets and sticks. The following suggestions are meant only as a guide. These selections are NOT required. The committee is only attempting to aid the non-percussionist music educator and his students. Considering the highly subjective nature of this area, the selection of sticks and mallets should be based on: A.
Balance of solo with accompaniment
B
Dictates of the music: 1. 2. 3.
Indicated on the printed solo or ensemble part Rhythmic articulation and clarity Striving to obtain legato, staccato, etc.
Many fine stick and mallet manufacturers are in operation today. However, the following list has been compiled for the sake of reference.
SUGGESTED STICKS AND MALLETS (only suggestions; not required) Snare Drum Sticks (Concert Use)
Innovative Percussion IP1 Pro-Mark SD-1 (general) Vic Firth SD-1 (general) Pro-Mark OWL (light) Vic Firth SD-2 (light)
Snare Drum Sticks (Drum Set Use)
Vic Firth 5A Pro-Mark 5A
Timpani Mallets
Grover TM4 (cartwheel-soft) Vic Firth T2 (cartwheel-soft) Grover TM1 (general) Vic Firth T1 (general) Grover TM2 (staccato-hard) Vic Firth T4 (ultra-staccato-very hard)
Xylophone
Innovative Percussion IP 901 (soft) Vic Firth M14 (soft) Pro-Mark PK63 Innovative Percussion IP 902 (general) Vic Firth M6 (general) Pro-Mark PK60 (general) Innovative Percussion IP 905 Vic Firth M7 (loud) Pro-Mark PK61 (loud)
Bells/Glockenspiel
Innovative Percussion IP 902 (soft) Innovative Percussion IP 906 (general) Vic Firth M6 (general) Pro-Mark PK60 (general) Innovative Percussion IP 907 (brass-loud) Vic Firth M11 (brass-loud) Pro-Mark PK62 (brass-loud)
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Marimba
Innovative Percussion IP 100 (soft) Vic Firth M1 (soft) Pro-Mark PSM10 (soft) Innovative Percussion IP 240 (medium) Vic Firth M2 (medium) Pro-Mark PSM25 (medium) Innovative Percussion IP 400 (hard) Pro-Mark PSM40 (hard)
Vibes
Innovative Percussion RS 201 (soft) Pro-Mark PK91 (soft) Innovative Percussion RS 251 (general) Vic Firth M3 (general) Pro-Mark PK93 (general) Innovative Percussion RS 301 (hard) Vic Firth M9 (loud) Pro-Mark PK95 (very loud) Vic Firth M10 (very loud)
Chimes
Grover PM4 Mike Balter CM3
Bass Drum
Vic Firth TG01 (general) Innovative Percussion CB 1 Vic Firth TG 05 (pair for rolls) Innovative Percussion CB 5 (pair for rolls)
Gong
Innovative Percussion CG-2 (small) Mike Balter GM-1 (general) Innovative Percussion CG-1 (large)
Suspended Cymbal
Various yarn marimba mallets depending on desired volume and color. Do not use timpani mallets on suspended cymbals even when noted as such in the score.
Temple Blocks/Wood Blocks
Pro-Mark PK 21 (soft) Pro-Mark PK 23 (medium) Pro-Mark PK 35 (hard) Innovative Percussion IP 902 (hard)
Bongos
Use fingers when possible (or) Pro-Mark 716 (timbale stick) Vic Firth WTAP (timbale stick)
Brushes
Vic Firth WB (general) Pro-Mark TB3 (general) Vic Firth BJR (heavy)
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PERCUSSION SOLO & ENSEMBLE GROUP I REQUIRED MUSIC SELECTIONS DRUM SET SOLOS
XYLOPHONE - MARIMBA - VIBRAPHONE SOLOS
EVENT NO. 99 001 Boursault, E./Lefevre, G.-Dechiffrages pour Batterie, Book 2 (#4, 11, 15, 16, 21, 31) (any one) 002 Elias, S.-Sieve’s Tweed 003 Fink, R.-Drum Set Suite (any two mvts.) 004 Henry, A.-C.K. 005 Holmquist, J.-Drum Set Etudes, Book III (#1, 2, 6, 7, 9, 10, 14, 17, 18) (any one) 006 Houllif, M-Afro Cuban 007 Houllif, M.-Ain’t It Rich 008 Houllif, M.-Con-Fusion 009 Houllif, M.-El Vino 010 Houllif, M.-Geneology 011 Houllif, M.-Homage 012 Houllif, M.-Just For the Funk Of It 013 Houllif, M.-Philly 014 Houllif, M.-Reggae Rock 015 Houllif, M.-Rudimentary, My Dear Watson 016 Houllif, M.-Samba-ly 017 Houllif, M.-Shufflin’ Feat 018 Kastuck S.-Syncopated Swing 019 Keezer, R.-Chop City 020 Kettle, R.-Blue Rondo a la Max (9 Solos for Drum Set) 021 Kettle, R.-For Philly Joe (9 Solos for Drum Set) 022 Kettle, R.-Folk-Cycle (9 Solos for Drum Set) 023 Kettle, R.-Metric Variations (9 Solos for Drum Set) 024 Kettle, R.-Snavelying (9 Solos for Drum Set) 025 Kettle, R.-Sonant XVII (9 Solos for Drum Set) 026 Kettle, R.-Trebling (9 Solos for Drum Set) 027 LaRosa, M.-Drum Set Etude #2 028 LaRosa, M.-Rhapsody for Solo Drum Set 029 Morey, C.-All Set 030 Nearpass, J.-BCR 031 Nearpass, J.-Dave’s Samba 032 Paul, D.-Bossa Bop 033 Paul, D.-50 MPH 034 Paul, D.-For Pete’s Sake 035 Paul, D.-Hang Ten 036 Paul, D.-3/4 Bop 037 Perry, C.-Tripling 038 Rogers, Dennis -Conceptual Changes 039 Rogers, Dennis -Groovistic Funk 040 Rogers, Dennis -Jazz Rag 041 Rogers, Dennis -Quadrafunk 042 Rogers, Dennis -Quartz Time 043 Snider, L.-To Rock For Admiral Shunk 044 Stephans, M.-Downside-Up 045 Thompson, R.-Blakey’s End (Jazz Solos) 046 Thompson, R.-Elvin Like 047 Thompson, R.-Max’s Mode 048 Thompson, R.-Tony’s Way 049 White, E.-Two Sketches
EVENT NO. 100
LED EDI FIN KAS NAK KEN KEN KEN KEN KEN KEN KEN KEN KEN KEN KEN KEN KAS KEN BTP BTP BTP BTP BTP BTP BTP SOM SOM KEN NEA NEA PAU PAU PAU PAU PAU KEN SMP SMP SMP SMP SMP BAR STD KEN KEN KEN KEN KEN
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001 Abe, K.-Frogs 002 Abe, K.-Dream of the Cherry Blossoms 003 Abe, K.-Michi 004 Abe, K.-Works for Marimba (any piece) 005 Albeniz/Stevens-Asturias Leyenda 006 Bach/Hatch-Fugue II (Bach for the Marimba) 007 Bach/Hatch-Little Two Part Fugue (Bach for the Marimba) 008 Bach/Hatch-Two Part Invention (Bach for the Marimba) 009 Bach, J./Goldenberg, M-Violin Concerto in A Minor (Modern School of Xylophone, Marimba, and Vibraphone) 010 Bach, J. S./Gastyne-Gigot (Vibe) (Partita in B Flat Major) 011 Bach, J. S./McMillan,-Sonata in e minor (Masterpieces for Marimba) 012 Bach, J. S/Moore, J.-Air for the G String (Bach for Marimba for 2, 3, and 4 Mallet Solos) 013 Bach, J. S./Moore, J.-Chorale-Kom Susser Tod (Bach for Marimba for 2, 3, and 4 Mallet Solos) 014 Bach, J. S./Payson-Two Part Invention No. 4 (Progressive Studies in Double Stops) 015 Bach, J. S.-Concerto in a minor (1st or 3rd mvt.) 016 Bach, J. S./Moore, J.-1st Mvt. from Brandenberg Concerto No. 2 (Bach for Marimba for 2, 3, and 4 Mallet Solos) 017 Bach, J. S/Moore, J.-Fugue from Sonata in a minor (Bach for Marimba for 2, 3, and 4 Mallet Solos) 018 Bach, J. S./Moore, J.-Jesu, Joy of Man’s Desiring (Bach for Marimba for 2, 3, and 4 Mallet Solos) 019 Bach, J. S./Moore, J.-Presto from Sonata in g minor (Bach for Marimba for 2, 3, and 4 Mallet Solos) 020 Bach, J. S./Moore, J.-Toccata from Toccata and Fugue in d minor 021 Bach/Stevens-Prelude and Fugue in B flat Major (perform either one) 022 Bach/Stevens-Prelude in g minor 023 Barnes, J./Maxey, L.-Yorkshire Ballad for Marimba and Piano 024 Basta, J.-Concerto for Marimba and Orchestra (any mvt.) 025 Bernadin, P.-Sonata for Vibes and Piano (any two mvts.) 026 Blume, B.-Like a Burden Too Heavy
STD ZIM MUF SCH KPP MUL MUL MUL CHP FER PRO KEN KEN PAY GSI
KEN KEN KEN KEN KEN KPP KPP SMC MFP MFP TSP
XYLO/MARIMBA/VIBR. SOLOS (Continued) 027 Blume, B.-Unforced Rhythms 028 Boo, M.-Pieces of R (a four mallet solo) 029 Breuer, H-Back Talk (From Mallet Solo Collection ) 030 Breuer, H.-Bit O’Rhythm (From Mallet Solo Collection) 031 Breuer, H.-Encore-Elise (From Mallet Solo Collection) 032 Breuer, H.-Happy Hammers (From Mallet Solo Collection) 033 Breuer, H.-The 1908 Rag (From Mallet Solo Collection) 034 Breuer, H.-On The Woodpile (From Mallet Solo Collection) 035 Breuer, H.-Powder Puff (From Mallet Solo Collection) 036 Brown, T.-Alone (Mallets in Mind) 037 Brown, T.-Cuernevaca (Mallets in Mind) 038 Brown, T.-Dahoon (Suite for Percussion) (With Piano) 039 Brown, T.-Inagua (Mallets in Mind) 040 Brown, T.-Latin Chiffon (Mallets in Mind) 041 Brown, T.-Marimbato (Mallets in Mind) 042 Brown, T.-Mexican Murals (any piece) 043 Brown, T.-Rhumballade (Mallets in Mind) 044 Brown, T.-Samba Sonic (Mallets in Mind) 045 Brown, T.-Summer Scene (Mallets in Mind) 046 Brown, T.-Sun Shadows (Vibe) 047 Brown, T.-Sunday Trolley (Mallets in Mind) 048 Brown, T.-Time Has Come (Mallets in Mind) 049 Burritt, M.-October Night (marimba solo) 050 Burton, G.-Ajax Men of Science (Vibe) 051 Burton, G.-Catapult (Vibe) 052 Burton, G.-(arr.)-Childhood (Vibe) 053 Burton, G.-Enihs (Vibe) 054 Burton, G.-A Singing Song (Vibe) (6 Unaccompanied Solos for Vibes) 055 Burton, G.-The Sunset Bell (Vibe) 056 Chopin/Musser-Valse Brillante 057 Clementi, M.-Spiritoso (Vibe) (Solos for the Vibraphone Player) 058 Davis,T.-Recital for Vibraharp (any one solo) 059 Creston, P.-Concertino for Marimba (any mvt.) 060 Debussy, C./Miller-First Arabesque for Vibes and Piano 061 Debussy, C./Miller-Second Arabesque for Marimba and Piano 062 Debussy, C./Pimentel, L.-Le Petit Negre 063 De Lancey, C.-Rosewood Blues 064 De Ponte, N.-Concertino for Marimba 065 De Pue, W.-Sonata Primitif 066 Diemer, E. L.-Toccata for Marimba (Unaccompanied) 067 Dinicu/Goldenberg-Hora Staccato 068 Dorn, B.-Step after Step 069 Eyles/Werle-The Golden Age of Xylophone 070 Feldman, V.-Danny Boy (Vibe) (All Alone by the Vibraphone) 071 Fieldman, G.-Northampton 072 Fink, S.-Concertino for Vibraphone (Vibe) 073 Frackenpohl, A.-Introduction and Romp for Marimba and Piano
TSP PPB ALF ALF ALF ALF ALF ALF ALF KEN KEN KEN KEN KEN KEN BEL KEN KEN KEN KEN KEN KEN LUD CMP CMP CMP CMP CMP CMP FOR GSI BAR GSI LUD LUD PPB MPM STD MFP MFP, PMC CFM ADL MED GWN TSP WRE GSI
18
074 Frazeur, T.-The Quiet Place for Marimba and Piano 075 Frazeur, T.-Rondo for Marimba and Piano 076 Gibson, Richard-Monograph IV 077 Gomez,A.-Etude in D minor 078 Gomez, A./Rife, M.-Rain Dance 079 Green, G. H.-Waltz Brillante 080 Green, G. H./Becker-Valse Brilliante 081 Green, G. H./Cahn-Dotty Dimples 082 Green, G. H./Cahn, W. L.-Fluffy Ruffles 083 Green, G. H./Eyles, R.-Chromatic Fox Trot (From Xylophone Rags) 084 Green, G. H./Eyles, R.-Cross Corners (From Xylophone Rags) 085 Green, G. H./Eyles, R.-Jovial Jasper (From Xylophone Rags) 086 Green, G. H./Eyles, R.-Log Cabin Blues (From Xylophone Rags) 087 Green, G. H./Eyles, R.-Rainbow Ripples (From Xylophone Rags) 088 Green, G. H./Eyles, R.-The Ragtime Robin (From Xylophone Rags) 089 Green, G. H./Eyles, R.-The Whistler (From Xylophone Rags) 090 Green, G. H./Eyles, R.-Triplets (From Xylophone Rags) 091 Green, J./Becker, B.-Xylophonia 092 Handel, G./Feldstein, S.-Sonata No. 3 (4th mvt.) 093 Hatch, E.-Furioso and Valse in D minor 094 Haydn, J./Finkel, I.-Divertimento (Vibe) (Solos for the Vibraphone Player) 095 Herold/Luscomb-Zampa Overture 096 Houllif, M.-Casper’s Dance 097 Houllif, M.-Contemplation for Vibraphone 098 Houllif, M.-Estudios #1-6 para marimba (any one) 099 Houllif, M.-Mist (Vibe) 100 Houllif, M.-Samba (marimba solo) 101 Hovhaness, A.-Fantasy on Japanese Woodprints 102 Hulling, C.-A Collection of Marimba Solos (any one) 103 Immerso, J.-Viaggo per Marimba 104 Irvin, L.-Two Etudes for Marimba (any one) 105 Kraus, P.-Jan 106 Kraus, P.-Just Flippin’ 107 Kreisler/Green-Caprice Vienois 108 Kreisler/Green-Tambourin Chinois 109 Kreisler/Green-Liebesfreud 110 Kuhlau, F./Finkel, I.-Allegro from Sonatina No. 1 (Vibe) (Solos for the Vibraphone Player) 111 Kurka, R.-Concerto for Marimba and Orchestra (any mvt.) 112 Kuzell, C.-Six Little Pieces for Marimba (any one or all) 113 Lang, M.-Etude #1 and 5 (Both) (14 Contemporary Etudes) 114 Lang, M.-Etude #2, 7, 9 (any two) (14 Contemporary Etudes) 115 Larrick, G.-Marie, A Four Mallet Rag for Marimba
KEN PMC STD SMC SMC CFM MED CAH CAH MER MER MER MER MER MER MER MER BEC ADL EHA GSI RUB KEN KEN KEN, PPB KEN STD EDP LUD PIO PPB BEL BEL FOL FOL FOL GSI WTB MTP ADL ADL PPB
XYLO/MARIMBA/VIBR. SOLOS (Continued) 116 Lecuona, E./Peterson, H.-Gitanerias 117 Lecuona, E./Peterson, H.-Malaguena 118 Lipner, A.-Solo Jazz Vibraphone Etudes (any one) 119 Liszt/Edwards-Rhapsodie Fantasie 120 Mayuzumi, T.-Concertino for Xylophone and Orchestra (1st or 3rd mvt.) 121 McConnell, Bruce-Various Sinful Dances (any one solo) 122 Miki, M.-”Time” (marimba solo from Modern Japanese Marimba Pieces) 123 Molenhof, B.-A Dancer At Heart 124 Molenhof, B.-From Music of the Day (any one) 125 Molenhof, B.-From New Works for New Times (any one-except Solo #1) 126 Molenhof, B.-Kleine Albstadt 127 Monkman, J.-Parody 128 Monti, V./Moore, J.-Csardas 129 Mozart, W./Scarmolin, A.-Allegretto for Marimba and Piano 130 Musser, C.-Etude in A Flat, Op. 6, No. 2 131 Musser, C.-Etude in C Major, Op. 6, No. 10 132 Musser, C.-Prelude, Op. 11, No. 3 133 Musser, C.-Etude in B, Op. 6, No. 9 134 Nearpass, J.-Border Song 135 Nearpass, J.-Childlike 136 Paganini/Daughtrey-24 Caprices, Op. 1, No.2 in b minor 137 Parthun, Jeff-Nora’s Nightmare 138 Peters, M.-Sonata Allegro for Marimba and Piano 139 Peters, M.-Theme and Variations 140 Peters, M.-Three Pieces for Three Mallets (any two mvts.) 141 Peters, M.-Waves (marimba solo) 142 Peters, M.-Yellow After the Rain for Marimba 143 Pitfield-Sonata (any mvt.) 144 Rimsky-Korsakov/Quick-The Flight of the Bumble Bee 145 Rosauro, N.-Concert for Marimba and Orchestra (any mvt.) 146 Rosauro, N.-Sonata-The Periods of Life (any mvt.) 147 Rosauro, N.-Suite Popular Brasileira (any mvt.) 148 Samuels, D.-Footpath (marimba solo) 149 Satei/Casella-Gymnopedie No. 1 150 Schubert/Quick-Marche Militaire 151 Schumann/Stevens-Album for the Young (any piece) 152 Sholle, E.-The Brook 153 Sifler, P.-Marimba Suite (any or all) 154 Skoog, D.-Water and Fire 155 Smadbeck, P.-Rhythm Song 156 Smith, S.-Suite Moderne (marimba solo) 157 Spencer, J.-After the Storm 158 Spencer, J.-Ask (vibraphone solo) 159 Spencer, J.-Fire Elves (marimba solo) 160 Spencer, J.-Icecream (marimba solo) 161 Spencer, J.-Mountain Stream 162 Steinquest, D.-Radford Rag
MAR MAR
163 Stout, G.-Andante and Allegro 164 Stout, C.-Astral Dance 165 Stout, G.-Elegy 166 Stout, G.-Two Mexican Dances for Marimba (any mvt.) 167 Tanner, P.-Sonata for Marimba and Piano (any two mvts.) 168 Tschaikowsky/Stevens-Album for the Young (any mvt.) 169 Ukena, T.-Tempest 170 Ulrich-Suite No. 1 (Marimba, Unaccompanied) 171 Verdi/Edwards-Il Trovatore Fantasie 172 Virich-Suite No. 1 (Finale) 173 Vivaldi/Moore-Concerto in a minor, Op. 3, No. 6 RV356 (1st mvt.) 174 Watson, W.-Recital Suite for Marimba 175 Weber, C. M./Sifert, C.-Invitation to Dance
LUD RUB CFP STD TPC KEN KEN KEN KEN TSP PPB LUD STD STD STD STD NEA NEA
STD, ALF ALF STD, ALF STD, ALF COP STD SMC MFP RUB PMC, MFP PPB MFP BMP
ORCHESTRA BELLS - BELL LYRA SOLOS EVENT NO. 101
ALP PPB
NO REQUIRED LIST
MTP MPM
Entries accepted only in Groups IV & V (Not a State Event)
MPM MPM SNARE DRUM SOLOS
MTP PET
EVENT NO. 102
RUB
001 Abel, A.-Hi Ho Simpson FMH 002 Abel, A.-Jennifer’s Jog PPB 003 Abel, A.-2040’s Sortie LUD 004 Angelis, N.-Train Wreck (from An Amazing Collection of Top Ranking Snare Drum Solos) TSP 005 Baker, J.-Lonely City Suite (Mvts. I,II,III) (from An Amazing Collection of Top Ranking Snare Drum Solos) TSP 006 Barrett, G.-Rudimental Heights PPB 007 Beck, J.-Advanced Solos for the Snare Drum (No. 2 or 3) KEN 008 Beck, J.-Colonial Capers KEN 009 Beddis, Lee-Igidibick (from Ziggadabuszz Collection) RLP 010 Benson, W.-Three Dances for Solo Snare Drum CHP 011 Berg, S.-Festival Capers BOU 012 Berg. S.-Rocky Rhythm BOU 013 Burns/Feldstein-Soloistic Studies (Intermediate Drum Method, Pp. 49, 50, 52, 55, 56, 57,58, 59, 60 - any two) ADL
POP ZIM ZIM TSP RUB MAP BPC WIM CNT MAL PPB SPP SPP SPP SPP SPP PIO
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SNARE DRUM SOLOS (Continued) 014 Cappio, A.-Lu-Lu 015 Casey, Mark-Casey Claw (from the Blue Book collection) 016 Ceroli-Trick Stickery 017 Cirone, Anthony-Portraits in Rhythm (a book collection) (play any selection) 018 Colgrass, M.-Six Unaccompanied Solos for Snare Drum (any one) 019 Corcoran Jr., James-7 Days & 7 Nights (from the Blue Book collection) 020 Delecluse, Jacques-12 Studies for Snare Drum (any one selection) with piano 021 DeLucia, Dennis-Five for Joe (from Just Desserts collection) 022 Dempsey, T.-Rodent Tomfoolery (from An Amazing Collection of Top Ranking Snare Drum Solos) 023 DiBona, E.-Celtic American, The 024 DiBona, E.-Latin Drum Sargent, The 025 Duggan, Stacey-Display (from Just Desserts collection) 026 Duggan, Stacey-First (The Rudimental Cookbook) 027 Duggan, Stacey-Method To My Madness (The Rudimental Cookbook) 028 Duggan, Stacey-Popeye (from The Just Desserts collection) 029 Firestone-Etudes for Drum 030 Firestone-Solo No. 11 031 Firestone-Tapology 032 Freytag, E.-And The Kitchen Sink (The Rudimental Cookbook) 033 Freytag, E.-Prattfalls (The Rudimental Cookbook) 034 Funnell, J.-Corps-Dially Yours 035 Gauger, T.-Snare Drum Solo No. 1 036 Gauthreaux, S.-Technica 9 037 Gilbert, K.-Barney the Pedantic Weasel 038 Gilbert, K.-Esoteric 6/8 039 Goldenberg, M.-Farfel’s Gavotte 040 Goldenberg, M.-5/8 Etude 041 Goldenberg, M.-5/8 Romp 042 Goldenberg, M.-Graduation Etude 043 Goldenberg, M.-Ramble Rumple 044 Goldenberg, M.-Rim Shot March 045 Goldenberg, M.-7/8 Romp 046 Goldenberg, M.-6/8 Etude 047 Hall, Jason-Invision (from Ziggadubuzz collection) 048 Hampton, Ellis-Aylesford Tonight (from The Blue Book collection) 049 Harber, S.-1/2 Way There 050 Harris, E. E.-Sonata (The Solo Drummer) 051 Harris, E. E.-Theme and Variations (The Solo Drummer) 052 Harris, E. E.-The Yankee Flamdoodle (The Solo Drummer) 053 Helm, D.-The Titan 054 Hoey, F.-Jet Age 6/8 055 Hoey, F.-Ruff Drag Strip 056 Hoey, F.-Unrolly Permutation 057 Hurley, M.-Crash Landing (Festival Snare Solos)
HMR
058 Hurley, M.-Mambo King, The (Festival Snare Solos) 059 Hurley, M.-The Phancy Phantom 060 Hurley, M.-Phantom of the Phield 061 Hurley, M.-Phantom Phire 062 Hurley, M.-Phantom Phrenzy 063 Hurley, M.-Scud Attack (Festival Snare Solos) 064 Hurley, M.-Tower of Terror (Festival Snare Solos) 065 Jenny, J.-At Odds (2nd & 4th mvts.) 066 Johnson, Scott-Cheese…Glorious Cheese (from Progression collection) 067 Johnson, Scott-Hercules (from Progression collection) 068 Johnson, Scott-Modulation (from Progression collection) 069 Johnson, Scott-Para-Dise (from Progression collection) 070 Johnson, Scott-Patty (from Progression collection) 071 Johnson, Scott-Red Five (from Progression collection) 072 Johnson, Scott-Seven (from Progression collection) 073 Johnson, Scott-Sticking (from Progression collection) 074 Kettle, R.-Three Etudes for Snare Drum (any one) 075 Leonard, S.-5 - 6 - 7 (Contemporary Album for the Snare Drum) 076 Lynch, Michael-It’s About Time (from Just Desserts collection) 077 Lynch, Michael-Odyssey II (The Rudimental Cookbook) 078 Lynch, Michael-On Parade (from Just Desserts collection) 079 Machamer, S.-Twenty-Four Swing Street 080 Maines, John-Git’n Jiggy With It (from Just Desserts colletion) 081 Mason, Brian-Penmoken (from the Blue Book collection) 082 Markovich, M.-Stamina 083 Markovich, M.-Tornado 084 Markovich, M.-The Winner 085 Marvin, H.-Variety 086 Marvin, H.-HaMaR’s Delight 087 McCoy, Scott-Guido’s Birthday (from The Blue Book collection) 088 McIntosh, M.-Three (from An Amazing Collection of top ranking Snare Drum Solos) 089 McMahan, J. W.-Hamiltonian 090 McMahan, J. W.-Lizard Thicket, The 091 McMahan, J. W.-Mueller’s Mazurka 092 Miller, D.-Four Marches for the Rudimental Snare Drummer (Nos. 1 & 3 or 3 & 4) 093 Moore, James-Six Solos for Snare Drum (any of the six) 094 Moore, Jeff-Rhythmic Incantation (from Ziggadabuzz collection) 095 Morey, C.-Jim Dandy 096 Morey, C.-A Real Drag 097 Morey, C.-Waltzing Hipster, The
TSP PDS ALF GSI, LGM TSP TPC RLP TSP RLP RLP RLP RLP RLP RLP OOP OOP OOP RLP RLP KEN PMC, MFP STD KGG KGG CHP CHP CHP CHP CHP MFP CHP CHP, MFP RLP TSP STD RIC RIC RIC PIO SMC SMC SMC RLP
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RLP MHA MHA RLP MHA RLP RLP PPB RLP RLP RLP RLP RLP RLP RLP RLP STD LUD RLP RLP RLP PPB RLP TSP CMP CMP CMP MFP HMR TSP TSP SPR SPR SPR LUD PER RLP KEN KEN KEN
SNARE DRUM SOLOS (Continued) 098 Morrell, Jonathan-3.28 Pie Squared (from Just Desserts collection) RLP 099 Morton, J.-One of a Kind STD 100 Mouse, J.-Accentric SPR 101 Mouse, J.-Conception SPR 102 Murray, Al-Ramma Jamma (from Ziggadabuzz collection) RLP 103 Payson, A.-Snare Drum Solo No. 1 MFP 104 Pepe, J.-Snare Drum Solo PPP 105 Petercsak, J.-Snare Drum Solo No. 1 MFP 106 Peters, Mitchel-Advanced Snare Drum Studies Nos. 2,4,5,7,9,10,11,12,17,21,25 (any one in orchestral style) MTP 107 Poole, Charles-Lancer (from Ziggadabuzz collection) RLP 108 Pratt, J.-Attaching the 4-Stroke Ruff (Rudimental Solos for the Accomplished Drummer) MED 109 Pratt, J.-Boston’s Drumming Crusader (Rudimental Solos for the Accomplished Drummer) MED 110 Pratt, J.-Buttermilk and Crackers (Rudimental Solos for the Accomplished Drummer) MED 111 Pratt, J. S.-Cider Jug (From The New Pratt Book) PPB 112 Pratt, J. S.-Conquering Legions of Rome, The (From The New Pratt Book) PPB 113 Pratt, J. S.-Coordination BMP 114 Pratt, J. S.-Drum Corps on Parade (14 Modern Contest Solos) BMP 115 Pratt, J.-Emperor Justinian at Constantinople (Rudimental Solos for the Accomplished Drummer) MED 116 Pratt, J. S.-Flamaque Quickstep BMP 117 Pratt, J. S.-Gladstone Cadets (14 Modern Contest Solos) BMP 118 Pratt, J. S.-Hodge Podge (14 Modern Contest Solos) BMP 119 Pratt, J. S.-My Friend Norman BEL, BMP 120 Pratt, J. S.-Sound Off (From The New Pratt Book) PPB 121 Pratt, J.-Swinging the Swiss Pataflafla (Rudimental Solos for the Accomplished Drummer) MED 122 Pratt, J. S.-Syncopating the Single Drag BEL, SMP 123 Pratt, J. S./Schinstine/Moore-The Solo Snare Drummer Vol. 1 (pp 11 & 12, or pp14 & 15) PPB 124 Prentice, H. F.-Richard’s Rampage BMP, SMC 125 Prentice H. F.-Santa Fe Chief BMP 126 Queen, J.-Tribute (from An Amazing Collection of Top Ranking Snare Drum Solos) TSP 127 Ratliff, David-Fear (from The Blue Book collection) TSP 128 Reichett, K.-Adagio (from An Amazing Collection of Top Ranking Snare Drum Solos) TSP 129 Rogers, Lisa-Kiwi (from Ziggadabuzz collection) RLP 130 Rogers, R. E.-Flamboyant STD 131 Roy, J. M.-Prestidigitation BAR 132 Schinstine, W. J.-Recital Suite for Solo Snare Drum KEN 133 Schinstine, W. J.-Beating the Blues SMC
134 Schinstine, W. J.-Contrary Computer, The 135 Schinstine, W. J.-Festival Drummer 136 Schinstine, W. J.-Hectic Hickorys 137 Schinstine, W. J.-Innovation in Two-Four 138 Schinstine, W. J.-Soliloquy 139 Schinstine, W. J.-Space Probe 140 Schinstine, W. J.-Synco-Stix 141 Schinstine, W. J.-Evocation #1 142 Schinstine, W. J.-Evocation #2 143 Schinstine, W. J.-Three Means To An End (any one) 144 Schletzer, Dustin & Derek-Googlyelemo’s Quest For Glory (from Just Desserts collection) 145 Spede, M.-Speed Trap 146 Stone, G. L.-Massachusetts Champion 147 Straight, E. B.-Drummer’s Downfall (Deluxe Drum Solos) 148 Street, G.-Steppin’ Out 149 Street, G.-Swingin’ Down the Street (The Drummer’s Heritage) 150 Tuthill, G.-Snare Drum Solo 151 Varner, M.-Punctuality 152 Wanamaker, J.-Bridgemen (From Championship Corps Style Contest Solos) 153 Wanamaker, J.-Crazy Army (From Championship Corps Style Contest Solos) 154 Wanamaker, J.-Drums Corps on the March (From Championship Corps Style Contest Solos) 155 Wanamaker, J.-4th of July (From Championship Corps Style Contest Solos) 156 Wanamaker, J.-Hurricane (From Championship Corps Style Contest Solos) 157 Wanamaker, J.-Main Street Strut (From Championship Corps Style Contest Solos) 158 Wanamaker, J.-Spirit of Sanchez (From Championship Corps Style Contest Solos) 159 Webster, C.-Bolero for Ed (from An Amazing Collection of Top Ranking Snare Drum Solos) 160 Whaley, G.-Essay for Snare Drum 161 Whaley, G.-Etude in 32nds 162 Whaley, G.-Recital Solos (any two) 163 White, E.-False Images 164 Whitlock, J.-Hit-N-Run (The Rudimental Cookbook) 165 Whitlock J.-In-Pulse (The Rudimental Cookbook) 166 Whitlock J.-Shala’ (The Rudimental Cookbook) 167 Whitlock J.-Tuo Kaerf (The Rudimental Cookbook) 168 Wilcoxon, C.-Battin’ ‘Em Out 169 Wilcoxon, C.-Heating the Rudiments 170 Wilcoxon, C.-Lake Woodite, The 171 Wilcoxon, C.-Swinging the Twenty-Six 172 Willmarth, John-Snare con Queso (from The Blue Book collection) 173 Wooten, J.-Africa Hot 174 Wooten, J.-Rudimental Clave
21
SMC SMC SMC SMC OOP SMC SMC KEN KEN KEN RLP PPB GBS CFM CFM CFM MFP PPB ALF ALF ALF ALF ALF ALF ALF TSP MER RAL MED KEN RLP RLP RLP RLP CHW CHW LUD CHW TSP WOO RPP
TIMPANI SOLOS
044 Mancini, D.-Suite for Timpani 045 Mancini, D.-Suite #2 for Timpani 046 McCormick, R.-Fanfare Variations for Solo Timpani 047 Peters, M.-Primal Mood for Four Timpani 048 Peters, M.-Randino 049 Peters, M.-The Storm 050 Ramey, P.-Sonata for Three Unaccompanied Timpani 051 Riley, S.-A Delivering 052 Schinstine, W.-Dresden Dance 053 Schinstine, W.-Artiste Sonata, The (I or III) 054 Steinhart-Dance (+ 4 Timbales or Rotos) 055 Tharichen, V.-Concerto for Timpani (any mvt.) 056 Vitto, B.-Scherzo 057 Whaley, G.-Scherzo for Timpani 058 Williams, J.-Variations for Solo Kettledrums (theme and any one variation) 059 Wuebold, E.-Fantasy for Timpani and Piano 060 Youhass-Four Pieces for Unaccompanied Kettledrums, Nos. I and II 061 Youhass-Four Pieces for Unaccompanied Kettledrums, Nos. III and IV
EVENT NO. 103
001 Ameele, D.-Cadenza No. 1 002 Ameele, D.-Cadenza No. 2 003 Beck, J.-Interaction for Music and Sounds (with CD recording) 004 Beck, J.-Sonata for Timpani (any mvt.) 005 Beck, J.-Three Episodes (II or III) 006 Beck, J.-Triptych Motif (no cut) 007 Beck, J.-Three Movements for Five Timpani (any one mvt.) 008 Bergamo, J.-Four Pieces for Timpani Nos. 1 & 4 009 Bergamo, J.-Four Pieces for Timpani Nos. 2 & 3 010 Britton, M.-Solo Piece for Timpani 011 Bigot-Timpaniana pour Timbales et Piano 012 Campbell, J.-Blue Hammers 013 Carter, E.-Eight Pieces for Four Timpani (any one) 014 Cheadle, R.-Melodic Movements for Timpani 015 Cirone, A.-Sonata No. 1 for Timpani and Piano 016 Curnow, J.-Fanfare and Scherzo 017 Erickson, K.-In the Valley of Kings (Mvts. 2 and 3) 018 Firth, V.-Solo Impressions for Two Timpani 019 Firth, V.-Solo Impressions for Three Timpani 020 Firth, V.-Solo Impressions for Four Timpani 021 Firth, V.-Solo Timpanist, The, Nos. 1, 2, 3, 7, 8, 10, 11, 15, 17, 22, 23, 25, 26 (any one) 022 Frock, G.-Seven Solo Dances (any one) 023 Gay, Kirk-Etude 31, Rock of the 80’s (from the Pedal To The Kettle collection) 024 Gay, Kirk-Etude 32(from the Pedal To The Kettle collection) 025 Gay, Kirk-Farfenmarch 026 Gay, Kirk-Fog (from The Pedal To The Kettle collection) 027 Gay, Kirk-Los Cinco de Clubs (from The Pedal To The Kettle collection) 028 Gay, Kirk-Overture for Timpani 029 Gomez, A./Rife, M.-International Style Etudes (any one etude) 030 Goodman, S.-Ballad for the Dance 031 Hinger, F.-Solos for the Virtuoso Timpanist (any one) 032 Holly, R.-Sonata for Timpani 033 Houliff, M.-Der Paukenmeister 034 Houllif, M.-3 Settings for Timpani (any two mvts.) 035 Houllif, M.-Suite for Timpani 036 Huston, S.-Suite for Solo Timpani 037 Igelsrud, D.-Soundings 038 Jones, D.-Sonata for Three Unaccompanied Kettle Drums 039 Kashanski, R.-Semi-Straight Jazz Waltz, A 040 Leonard, S.-Canticle 041 Leonard, S.-Ostinato (From Forms) 042 Leonard, S. Rondino (From Forms) 043 Leonard, S.-Solo Dialogue
KEN KEN KEN BMC KEN KEN MER MFP, PMC MFP, PMC MFP, PMC LED RLP AMP ALP CIR MDM INP CFM CFM CFM
KEN KEN KEN MTP MTP MTP MFP ALP SMC KEN LAN AMP FDS MER MFP PMC MMC MMC
MULTIPLE PERCUSSION SOLOS EVENT NO. 104
CFM SMC
001 Angelo, J.-Toccata for Solo Percussionist 002 Beck, J.-Episode for Solo Percussionist 003 Burritt, M.-Sticks of Eloquence 004 Campbell, J.-Engine Room 005 Campbell, J. -Tork 006 Campbell, J. -Sidewinder 007 Campbell, J. - Zoku 008 Christian, B.-Rondino 009 Christian, B.-Danze Espagnola 010 Combs, F.-Gesture for Solo Percussionist 011 Davis, T.-Multi-Percussion, Suite No. 1 012 Davis, T.-Soliloquy 013 Davis, T.-Spanish Dance 014 DeLancey, C.-Love of L’Histoire 015 Delecluse, J.-A La Maniere #3 016 Dervaux-Batterie-Sketch (any two mvts.) 017 Edgerton, M. -Songs of Vent 018 Frazeur, T.-Mood Piece 019 Frock, G.-Concert Etude for Solo Percussionist 020 Gaetano, M.-Multiple Episode No. 1 021 Glassock, L.-Motion 022 Glassock, L.-Statement for Solo Percussion 023 Goldenberg, M.-Studies in Solo Percussion (any solo, pp 36-72) 024 Guager, T.-Nomad 025 Holliden, D.-Six Ideas for Snare, Bass Drum and Cymbal 026 Jager, R.-Concerto for Percussion and Band 027 Johnson, W.-Five Words 028 Kastuck, S.-Dance I
TSP TSP TSP TSP TSP TSP SMC BEL JER KEN KEN STD POT GSI KEN HRS HMR VLK, LUD LUD LUD VLK, LUD
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MMC STD LUD RLP RLP RLP RLP CRE CMP MMC BAR CRE CMP PET LED LED MCP MFP HLN STD KEN KEN CHP GUA MCP MED SMC KAS
MULTIPLE PERC. SOLOS (Continued) 029 Kraft, W.-Da-Dit AMC 030 Kraft, W.-English Suite (play any one of the six mvts.) AVM, OOP 031 Kraft, W.-French Suite for Percussion Solo (any one of four) MEM, AVM, OOP 032 Kraft, W.-Morris Dance AVM 033 Lopez, R.-Two Days TSP 034 McCormick, R.-Homage to Harry Partch KEN 035 Milhaud, D.-Concerto Op.109 for Percussion and Small Orchestra (Condensed for Piano) UTP 036 Moore, J.-Sonata No. 1 for Percussion Soloist LUD 037 Payson, A.-Die Zwitschermaschine CMP 038 Payson, A.-Slavic Danse CMP 039 Peters, M.-Etude #2 MTP 040 Peters, M.-Perpetual Motion for Snare Drum and Four Tom-Toms MTP 041 Peters, M.-Rondo for Four Tom-Toms MPM 042 Pillin, B.-Duo for Percussion and Piano WIM 043 Ramey, P.-Capriccio MCP 044 Rosen, J.-Elegy for Solo Percussion MFP 045 Russell, A.-Sonata (any two mvts.) MFP 046 Schinstine, W.-Etude for Latin Instruments CMP 047 Schinstine, W.-Etude for Membranophones CMP 048 Starer, R.-Excursion MCA 049 Stern, R.-Adventures for One (any two mvts.) MFP, PMC 050 Tagawa, R.-Inspirations Diabolique (any one mvt.) WIM 051 Udow, M. W./Watts, C.-Contemporary Percussionist, The (any one EXCEPT: IV; VII; XI; XII; XV; XVII; XVIII) MER 052 Whaley, G.-Three Movements for Two Drums PRO
014 Hodges, Mike-Afrobeat (from The Violent Tenor Cream book) 015 Hunter, Mark-Floatmeal (from The Blue Book collection) 016 Hurley, M.-Crash Landing 017 Hurley, M.-The Phancy Phantom 018 Hurley, M/Hansen, L.-The Phantom of the Phield 019 Hurley, M./Hansen, L.-Phantom Phrenzy 020 Hysell, E./Bissell, P.-SVC (From Tenor Madness) 021 Johnson, S.-Cha-Da-Da-Cha-Cha (From Modern Multi-Tenor Techniques and Solos) 022 McNutt, Colin- Hot Dogs in a Canteen (from The Violent Tenor Cream book) 023 Murphy, Ian-Sca-Fa (from The Blue Book collection) 024 Perez, Brian-Grooves & Chops O’Plenty (from The Violent Tenor Cream book) 025 Rennick, P.-Backstreet Beat (From Modern Multi-Tenor Techniques and Solos) 026 Werth, Nick-Chocolate Cherry Bomb (from The Violent Tenor Cream book)
TSP RLP RLP RLP RLP GFM RLP TSP TSP TSP RLP TSP
PERCUSSION ENSEMBLES EVENT NO. 110 (Three to Six Performers) 001 Abel, A.-Allegro Muchacho (6 players) LUD 002 Abel, A.-Serenade To a Sand Dune (6) PPB 003 Alfeieri, J.-Fanfare for Tambourines (6) MUF 004 Artenziano, E.-El Muchacho Cinco (5) RLP 005 Bach, J.S./Slawson-Concerto in a minor (6) TSP 006 Bach, J. S./Moore, J.-Little Fugue in g minor (4) PPB 007 Beck, J.-Concerto for Timpani and Percussion Ensemble (6) KEN 008 Bellson, L.-Four Stories (4 drum sets) TRY 009 Benson, W.-Three Pieces for Percussion Quartet (any two mvts.) (4) GSI 010 Blount-Modulation (5) FMH,CFM 011 Brand, M.-Africantus (4) KEN 012 Breaux, T.-Ostinato-A-Koto (6) DSM 013 Brooks, C.-Triple Threat (3) RLP 014 Brown, T.-Morning Flower (5) BMP 015 Brown, T.-Particles (any two mvts.) (6) SMC 016 Carno, Z.-Sextet for Percussion (any one mvt.) MFP 017 Chavez, C.-Toccata (1st or 3rd mvt.) (6) BMP 018 Cirone, A.-5 Items for Solo Marimba and Percussion Ensemble (any two) (6) BMP 019 Cirone, A.-4/4 for Four (4) CIR 020 Cirone, A.-Japanese Impressions (5) BEL 021 Cirone, A.-Overture in Percussion (5) CIR 022 Cirone, A.-Percussionality (4 percussion + 1 student piano or 6 percussion) BEL 023 Cirone, A.-Triptych (1st mvt. or 2nd & 3rd mvts.) (4) BMP 024 Colgrass, M.-Chamber Piece for Percussion Quintet MFP, PMC
MULTI-TENOR SOLOS EVENT NO. 105 001 Altmire, Matt-Green Eggs & Flam (from The Violent Tenor Cream book) 002 Aungst, T.-It’s Time (From Modern Multi-Tenor Techniques and Solos) 003 Bachman, Bill-Ubiquitour Illin-ness (from The Violent Tenor Cream book) 004 Bailey, J.-Green Lightning (From Modern Multi-Tenor Techniques and Solos) 005 Bissell, P.-Bones (From Tenor Madness) 006 Carr, C.-Busy Frames (From Modern Multi-Tenor Techniques and Solos) 007 Davila, J.-Cruise Control (From Modern Multi-Tenor Techniques and Solos) 008 Davila, J.-Webster’s Rumble (From Modern Multi-Tenor Techniques and Solos) 009 Dekaney, Joshua-Slug Guts (from The Blue Book collection) 010 Flack, Brian-Bus Bowl (from The Blue Book collection) 011 Hansen, L.-Out House 012 Hansen, L.-Double Crossed 013 Hansen, L.-Twist It Up
TSP
TSP RLP TSP RLP GFM RLP RLP RLP TSP TSP RLP RLP RLP
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PERC. ENSEMBLES Ev. 110 (Continued) 025 Colgrass, M.-Fantasy, Variations for 8 Chromatic Drums and Percussion Sextet MFP 026 Colgrass, M.-Percussion Music (4) MFP 027 Cowell, H.-Pulse (5) MFP 028 Davis, T. L.-Greensleeves (5 players and string bass) CMP 029 Davis, T. L.-Fughetta Rock (6) BAR 030 Debussy/Reeves, D.-Bruyeres (from Three Preludes) (Orch. bells can be sub. for crotales) (3) TSP 031 Del Borgo, E.-Dimensions (4) KEN 032 Del Borgo, E. A.-Preludio for Percussion (6) KEN 033 Delp, R.-Announcement (4) KEN 034 DiBlasio, D, -Cancun (6) KEN 035 Elias, S.-Suite for Three Drum Sets EDI 036 Faberman, H.-Percussion Ensemble Collection Level III (any two) (6) BMP 037 Firestone, H.E.-Drummer’s Farewell (3) OOP 038 Foss, L.-Percussion Quartet (4) CFM 039 Frock, G.-Fanfare for Double Percussion Trio SMC 040 Frock, G.-Three Asiatic Dances (6) SMC 041 Gauger, T.-Gainsborough (any one mvt.) (5) SMC ALP 042 Gillingham, D.-Sacrificial Rite (5) MED 043 Glassock, L.-Between The Lines (5) 044 Glassock, L.-Music for Mallets (6) ALP BMP, MEM 045 Goodman, S.-Canon for Percussion (6) BMP 046 Goodman, S.-Scherzo (3) 047 Goodman, S.-Theme and Variations (4) BMP, MEN, CHP CHP 048 Gould, M.-Parade (3) KEN 049 Handy/Houliff-St. Louis Blues (5) 050 Hankins, J.-Drummers Five (5) (includes bass drum and cymbals) FMH 051 Hankins, J.-Five Up Front (5) (includes bass drum and cymbals) FMH FMH 052 Hankins, J.-Snares Forward (3) 053 Hanna, S.-Sonic Sauce (4) KEN, AKI 054 Haydn/Jeanne, R.-Rondo from String Quartet Op. 33 No. 3 (4) PPB 055 Hodkinson, S.-Drawings: Set No. 1 (any two mvts.) (4) MFP 056 Holly, R.-Battlestations II (4 ) KEN 057 Houliff, M.-Undercurrents (5) EDP 058 Hovhaness, A.-Bacchanale (5) 059 Jebe, P.-On The Horizon (6) RLP WIM 060 Jemison, D.-Quintession (5) 061 Jenny, J.-Pursuit for Solo Marimba and Percussion Ensemble (6) PPB 062 Jerger, J.-”36” Heads (4) OOP 063 Jerger, J.-”54” Heads (3 or 6) OOP 064 Joplin, S./Burkett, G.-Stoptime Ray (3) PPB 065 Joplin, S./Houllif, M.-Maple Leaf Rad (4) PPB 066 Karlin, F.-Repercussions (4) SFP 067 Keezer, R.-For Four Percussionists (4) KEN 068 Kosteck, G.-Counterpoint for Percussion Quartet (4) BMP 069 Kraft, W.-Suite for Percussion (any two mvts.) (4) BEL, MEM 070 LaRosa, M.-Good News, The (4) HMR 071 Leonard, S.-Four Images (6) LUD 072 Leonard, S.-Promenade (6) LUD 073 Lepper, K.-Boasphere (6) LEP 074 Mancini, D.-Exit 39 (4) KEN 075 Markovich, M.-Four Horsemen (4) CMP
076 Markovich, M.-Teamwork (4) CMP 077 McKenzie, J.-Introduction and Allegro (4) MFP 078 McKenzie, J.-Three Dances (3) MFP, PMC 079 McMahan, J.-Connecticut Overtime (6) SPR 080 McMahan, J.-Trio Con Brio (3) SPR 081 Meacham/Houliff -American Patrol (6) KEN 082 Meyer, R.-Ostinato (6) KEN 083 Miller, D.-5 Short Pieces (No. 1 plus any two mvts.) (5) LUD 084 Miller, D.-Prelude for Percussion (6) MFP, PMC 085 Mozart, W. A./Moore, J. L.-Eine Kleine Nachtmusik (Allegro Mvt.) (4) PPB 086 Mozart, W. A./Moore, J. L.-Ronda Ala Turk (4) PPB 087 Naito/Crowell,-Nanafushi (3) TSP 088 O’Gorman, P.-Fire (4) BAR 089 O’Mahoney, T.-Burundi Shuffle (5) PPB 090 O’Reilly-Three Episodes (5) SCN 091 Parchman, G.-Symphony for Percussion (any mvt.) (6) ELV 092 Parchman, G.-Fifth Symphony for Percussion Ensemble (any mvt.) (6) ELV 093 Peters, M.-A La Naningo (6) KSM 094 Peters, M.-A La Samba (6) MTP 095 Peters, M.-Piece for Percussion (4) MTP PDS, WIM 096 Peters, M.-Study in 5/8 (4) 097 Prentice-Batter Up, Snare Down (with drum set) (4) SMC 098 Prentice-Epic of Western Man (4) FMH 099 Proto/Akins-Protoplasm (4 percussion + 1 bass) KEN 100 Rauschenberg-Discussion (4) PDS, WIM 101 Rossini, G./Houllif, M.-William Tell Overture, The (6) KEN 102 Russo, W.-Music for Percussion (4) SFP ALP 103 Saint Seans/Moore-Aquarium (6) 104 Slayter-Breakdown (4) TSP 105 Snider, L.-Fixations (6) BAR 106 Spears, J.-Jubiloso (5) SMC 107 Starer, G.-Night Music for Percussion (6) BMP 108 Strang, G.-Percussion Music for Three Players TPC 109 Tatgenhorst, J.-Razzle-Dazzle and Rock (5) BIM 110 Tilles, D.-Blue Percussion (6) CMP 111 Williams, K.-African Sketches (4) LUD
MALLET ENSEMBLES EVENT NO. 111 (Three to Six Performers) 001 Adams-Sonata Ico (4) 002 Bach/Houliff-Double Concerto In d minor (4) 003 Bach/Houliff-Fugue In A Major (3) 004 Bach/Moore-Air (for the G String) (4) 005 Bach/Moore-Fugue in c minor (3) 006 Bach/Moore-Fugue in d minor from the Well Tempered Clavier (3) 007 Bach/Moore-Little Fugue in g minor (4)
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PPB PPB PPB PPB PPB PPB PPB
MALLET ENS. Ev. 111 (Continued) 008 Bach/Moore-Toccata & Fugue in d minor (4 or 5) 009 Bach/Schaefer-Brandenberg Concerto No. 2 (1st mvt.) (5) 010 Bartok/Jeanne-Rumanian Folk Dances (5) 011 Beethoven/Jeanne-The Metronome from 2nd Mvt., Symphony No. 8 (5) 012 Bizet/Janicki-Miacaela’s Aria (6) 013 Bizet/Jeanne-Farandole from L’Arleisienne Suite No. 2 (5) 014 Bizet/Musser-Selections from Carmen (5) 015 Brahms/Houllif-Hungarian Dance No.5 (4) 016 Breuer/Gipson-Back Talk (5) 017 Breuer/Gipson-Blue Tid Bit (4) 018 Breuer/Gipson-Four Stick Joe (4) 019 Breuer/Gipson-Minor Moment (4) 020 Breuer/Pershing-Balk Talk (3) 021 Breuer/Pershing-Bit O’ Rhythm (3) 022 Breuer/Pershing-Encore-Elise (3) 023 Breuer/Pershing-1908 Rag, The (3) 024 Breuer/Pershing-On the Woodpile (3) 025 Breuer/Pershing-Powder Puff (3) 026 Butov, G.-Russian Rag (3) 027 Cahn-La Negra (5) 028 Chabrier/Hatch-Espana Rhapsody (6) 029 Chandler/White/Cohn/Cahn-Canadian Capers (5) 030 Chopin/Hatch-Minute Waltz, The (3) 031 Chopin/Jeanne-Prelude Op. 28, No. 4 (5) 032 Dauwalder, L.-Ice Cream Suite Rag, The (4) 033 Debussy/Barton-La Fille Aux Cheveaux De Lin (The Girl With the Flaxen Hair) (6) 034 Debussy/Prince-Danse (6) 035 DeFalla/Hatch-Ritual Fire Dance (4) 036 Dinicu/Hatch-Hora Staccato (5) 037 Dvorak, A.-Finale from Quartet in F Major (4) 038 Dvorak, A./Musser-Largo from New World Symphony (5) 039 Ford, M.-Afta-Stuba! (3) 040 Ford, M.-Stubernic (3) 041 Fleck, B./Steinquest, D.-Metric Lips (4) 042 Gabrieli/Schaefer-Canzon Prima (5) 043 Glassock-Passage (6) 044 Green G. H./Becker, B.-Chromatic Fox Trot (5) 045 Green, G. H./Becker, B.-Charleston Capers (5) 046 Green, G. H./Becker, B.-Cross Corners (5) 047 Green, G. H./Becker, B.-Jovial Jasper (5) 048 Green, G. H./Becker, B.-Log Cabin Blues (5) 049 Green, G. H./Becker, B.-Stop Time (5) 050 Green, G. H./Becker ,B.-Triplets (5) 051 Green, G. H./Becker,B.-Whistler, The (5) 052 Green, G. H./Becker, B.-Xylophonia (5) 053 Green, G. H./Cahn, W. L.-Fluffy Ruffles (5) 054 Green, J./Schinstine-The Whirlwind (4) 055 Hatch, E.-Olivera Street, L. A. (any mvt.) (5) 056 Hatch, E.-Pliatan (4) 057 Hatch, E.-Three Concert Pieces for 8 Hands (5) 058 Haydn/Moore-Trio Sonata No. 1 (3) 059 Jeanne, R.-Paquita (5) 060 Johnson, C./Becker, B.-Dill Pickles (5) 061 Joplin/Burkett-Stoptime Rag (3) 062 Joplin/Freytag-The Easy Winners (4) 063 Joplin/Houllif-Maple Leaf Rag (4)
064 Joplin/Moore-The Entertainer Rag (4) 065 Joplin/Rauschenberg-Solace (4) 066 Kabalevsky/Peters-Comedians Gallop (5) 067 Kachaturian/Hatch-Sabre Dance (6) 068 LaRosa, M.-Creation and Rebirth (5) 069 Leonard-Prelude (for Four Marimbas) (4) 070 Leonard-Quarimba (4) 071 Mendelssohn-Bartholdy/Tanner-Consolation, Op. 30, No.3 (6) 072 Moszkowski/Tanner-Scherzino (6) 073 Moszkowski/Vigneron-Caprice Espagnol (5) 074 Moussorgsky/Moore-Gopak (4) 075 Mozart/Gilroy-Variations On “Ah, Vous Dirai-Je Maman” (Twinkle Twinkle Little Star) (4) 076 Mozart/Glassock-Allegro (from Quartet In C) (4) 077 Mozart/Glassock-Allegro Assai (from Quartet In E-flat) (4) 078 Mozart/Glassock-Andante (from Quartet In C) (4) 079 Mozart/Glassock-Rondo (from Quartet In B-flat) (4) 080 Mozart/Hatch-Overture to the Magic Flute (5) 081 Mozart/Hatch-Overture to the Marriage of Figaro (6) 082 Mozart/Janicki-Rondo (4th mvt. from Eine Kleine Nachtmusik) (4) 083 Mozart/Moore-Rondo Ala Turk (4) 084 Mozart/Musser-Marriage of Figaro (5) 085 Paine/Roy-Fuga Giocosa (3) 086 Palestrina/Tanner-Exultate Deo (5) 087 Prokofiev/Gipson-Field of the Dead (from Alexander Nevsky) (4) 088 Raff/Jeanne-The Mill 089 Rimsky-Korsakov/Hatch-Flight of the Bumble Bee (6) 090 Rimsky-Korsakov/Hatch-Scheherazade (6) 091 Rimsky-Korsakov/Janicki-Variazioni (from “Capriccio Espagnol”) (6) 092 Rosales/Musser-Bolera (5) 093 Rossini/Parthun-Toast to the New Year, A (4-5) 094 Rossini/Hatch-Overture to William Tell (6) 095 Sibelius/Musser-Finlandia (5) 096 Slater, J.-Suite for Keyboard Percussion (I and II, or II and III) (4) 097 Smetana/Musser-Dance of the Comedians (6) 098 Sousa/Hatch-Stars and Stripes Forever (6) 099 Sousa/Leaman-Stars and Stripes Forever (5) 100 Steinquest, arr.-County Claire (6) 101 Strauss/Hatch-Tales of the Vienna Woods (5) 102 Tchaikovsky/Hatch-Dance of the Candy Fairy (5) 103 Tchaikovsky/Hatch-Dance of the Flutes (6) 104 Tchaikovsky/Hatch-Overture Miniature (5) 105 Tchaikovsky/Hatch-Russian Dance (4) 106 Tchaikovsky/Hatch-Waltz of the Flowers (5) 107 Tchaikovsky/Jeanne-Album for the Young Suite (all three mvts.) (5) 108 Tchaikovsky/Jeanne-Arabian Dance (5) 109 Tchaikovsky/Musser-Andante from Symphony No. 5 (5)
PPB PPB PPB PPB PPB PPB FOR PPB MED MED MED MED ALF ALF ALF ALF ALF ALF STD CAH EHA CAH EHA PPB PPB PPB PPB EHA EHA PPB FOR INP INP RLP PPB INP BEC BEC BEC BEC BEC BEC BEC BEC BEC CAH SMC EHA EHA DSM PPB PPB BEC PPB RLP PPB
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PPB EXC FDS EHA KEN LUD LUD PPB PPB DSM PPB BMP PPB PPB PPB PPB EHA EHA PPB PPB EHA MDM PPB OPE PPB EHA EHA PPB FOR PPB EHA FGP OPE FOR EHA PPB RLP EHA EHA EHA EHA EHA EHA PPB PPB BHI
MALLET ENS. Ev. 111 (Continued) 110 Tignor-Enchanted Circus (4) 111 Texidor/Jeanne-Amparito Roca (Spanish March) (5) 112 Vivaldi/Gilroy-Vivo Vivaldi (4) 113 Wagner/Musser-Pilgrim’s Chorus from Tannhauser (5) 114 Wagner/Musser-Traume (4) 115 Whibley-Higuita! (4)
PPB
014 Beck, J.-Concerto for Tympani and Percussion Ensemble (6) 015 Beck, J.-Jazz Variants (8) 016 Beck, J.-Overture for Percussion Ensemble (8) 017 Beethoven/Miller-Pathetique (8) 018 Bencriscutto, F.-Rondeau for Percussion (7 percussion + 1 piano) 019 Bissonnette, M./Rennick, P.-Wildwood (11-12 percussion + 1 guitar and 1 bass) 020 Bizet, G./Brooks, C.-Instant Carmen (10-12) 021 Bizet, G./Houllif, M.-Excerpts from Carmen Suite (7) 022 Blume-Alarm! (7) 023 Brand, M.-Concerto for Percussion Ensemble (9) 024 Brand, M.-Tijuana Samba (8) 025 Brooks, C.-Echoes of Babylon (15) 026 Brooks, C.-Midnight in Tunisia (18-20) * 027 Brooks, C.-Millennium (14) 028 Brooks, C.-Ritual of the Tribe (9) 029 Brooks, C.-Shongaloo Ramble (9-11) 030 Brooks, C.-Valley of Nepal (14-15) 031 Brown, T.-Above and Beyond (10) 032 Brown, T.-Brazilian Street Dance (7 percussion + 1 synthesizer + 1 bass) 033 Brown, T.-Keystone Capers (8) 034 Brown, T.-Strike Force (9) 035 Brubeck, D./Kellis/Scheitroma-La Fiesta De la Posada (13) 036 Bruford, B./Smith, W.-Beelzebub (11 percussion + 1 bass, 1 piano, 1 guitar) 037 Byrd/Raush-The Bells (13) 038 Camillo, Eigenberg, Koski/Brooks, C.-Why Not! (9 percussion + 1 piano + 1 bass) 039 Campbell, J.-Batik (10) 040 Carr-Shock and Awe (13) 041 Casella, J.-Cop Drama (16) 042 Casella, J.-Cyclone (12) 043 Casella, J.-Dystopia (15) 044 Casella, J.-Joaquin on Sunshine (15) 045 Casella, J.-Katraterra (9) 046 Casella, J.-Technonlogy (8) 047 Cirone, A.-Dichotomy (8) 048 Cirone, A.-Symphony No. 1 (any mvt.) (8) 049 Cirone, A.-Symphony No. 2 (any mvt.) (9) 050 Coers-Swimmin’ in it (15) 051 Colgrass, M.-Three Brothers (9) 052 Creston, P.-Ceremonial for Percussion Ensemble (7) 053 Crockarell, C.-Circus Circus! (10-12) 054 Crockarell, C.-Glitzville (9-11) 055 Crockarell, C.-Gorsky’s Dream (12) 056 Crockarell, C.-Stratus (9) 057 Crockarell, C.-Sushi Funk (9-11 percussionists + 1 bass) 058 Daughtrey, N.-Ellipsis (8) 059 Daughtrey, N.-Limerick Daydreams (10) 060 Daughtrey, N.-Mercury Rising (7) 061 Daughtrey, N.-Power Struggle (8) 062 Daughtrey, N.-Spun (8) 063 Davila, L.-Cruzin’ (8-12 percussion + 1 bass)
PPB BMP BHI BHI TSP
LARGE MALLET ENSEMBLES EVENT NO. 112 (Seven to Twenty Performers) In addition to this list, any titles from event #111 may be used with appropriate doubling of parts. 001 Grainger/Ragsdale-Irish Tune (9 players) 002 Granados/Tanner-Moresque (7) 003 Handel/Janicki-Allegro (From Concerto Grosso In C) (7) 004 Houliff, M.-Octaphonics (8) 005 Saint-Saens/Gipson-Adagio from Symphony No. 3 (8) 006 Steinhort, W.-Two Movements For Mallets (Mvt. I or II) (8)
SMC PPB PPB PPB OPE OPE
LARGE CONCERT PERCUSSION ENSEMBLES EVENT NO. 113 (Seven to Twenty Performers) 001 Abujamra, A./Smith, W.-Alma Nao Tem Cor (17 percussion + 1 bass) 002 Arevalo, M.-Shadows (8) 003 Arevalo, M.-Shiva’s Dance (8) 004 Astrand, A.-Purge (7) 005 Bach, J. S. /Faini-Fuga Five (10) 006 Bach/Freytag, E.-Brandenburg Concerto No.2 (First Mvt.) (10) 007 Bach/Slawson-Brandenburg Concerto No.2: Allegro Moderato (10) 008 Bach/Jebe, P.-Sambach (6-7 percussion + 1 piano) 009 Barber, B./Ford, M.-Invention (11 percussion + 1 piano and 1 bass) 010 Barretto, R./Nearpass, J.-Song for Chano (8 percussion + 1 bass) 011 Bartok/Ancona, J.-The Miraculous Mandarin (8) 012 Bavicchi, J.-Music for Mallets and Percussion (12) 013 Beck, J.-Concerto for Drum Set and Percussion Ensemble (8)
DSM DSM DSM INP CMP RLP TSP RLP INP NEA TSP OUP KEN
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KEN BMC KEN TSP MFP DSM RLP KEN TSP BRA KEN RLP RLP RLP RLP RLP RLP BMP BMP KEN KEN RLP DSM DSM RLP RLP TSP TSP TSP TSP TSP TSP TSP BMP CIR CIR DSM MFP GSI RLP RLP RLP RLP RLP ALP ALP ALP ALP ALP RLP
LARGE PERC. ENS. Event 113 (Continued) 064 Davila, L.-Dun’t Be Blue Mon (8 percussion + 1 guitar and 1 bass) 065 Davila, L.-Fiesta Latina (8 percussion + 1 bass) 066 Davila, L.-Mo Java (7-8 percussion + 1 bass) 067 Davila, L.-Para Rafa (10-12 percussion + 1 bass) 068 Davila, L.-Ritmo Suave (8-9) 069 Davis, T.-El Races De La Camptown (8) 070 Davis, T.-Flat Baroque (7) 071 Davis, T.-Mau Mau Suite (8) 072 Davis, T.-Panda Pause (9) 073 Davis, T.-Stompin’ Thru the Rye (8) 074 Davis, T.-Taste of Brahms (8) 075 Debussy/Diko-Nocturnes No. 2, Fetes (8) 076 DiBlasio, D.-Outback (8) 077 Djavan & Fieger/Brooks, C.-The Zoo Blues (10 percussion + rhythm sections) (Do not use optional horn parts) 078 Douthit, M./Crockarell, C.-If You Please (9 percussion + 1 synthesizer + 1 bass) 079 Dutton, F.-Rondo Barock (8) 080 Dvorak, A./Rosener, D.-Carnival Overture, Op.92 (14) 081 Dvorak, A./Daugherty-Song to the Moon (8) 082 Dvorak, A./Hearnes-Slavonic Dance No. 5 in A (13) 083 Dvorak, A./Hearnes-Slavonic Dance No. 8 in G (13) 084 Erskine, P./McDonald, S.-Calypso (11 percussion + synthesizer and bass) 085 Fagen, D./Brooks, C.-The Goodbye Look (8 percussion + 1 bass) 086 Faini, P.-El Cumbanchero (10 percussion + 1 piano + 1 bass) 087 Firth, V.-Encore in Jazz (7) 088 Fleck, B./Steinquest, D.-Hurricane Camille (6 percussion + 1 bass) 089 Fleck, B./Steinquest, D.-Sinister Minister (7-9 percussion + 1 bass) 090 Fleck-Wooten/Hearnes,J.-Stompin’ Ground (11-12) 091 Flores, R.-Common Times (11) 092 Freytag, E.-Death by Oooga Booga (10) 099 Gaetano, M.-Mosaic, Op.30 (8) 093 Gaetano, M.-Undercurrents (7) 094 Gilbert, K.-Street Samba (14) 095 Glassock, L.-Consortium (10) 096 Glassock, L.-Dragoon (8) 097 Glassock, L.-Fractions (10) 098 Glassock, L.-Layers (8) 100 Glassock, L.-No Exit (8) 101 Glassock, L.-Teamwork (7) 102 Glassock, L.-Twisted Proverbs (8) 103 Gorecki/Kikta,P.-Concerto 104 Gottry-Shifting Waves (10) 105 Gottry-Unsettled Surface (9) 106 Grainger, P./Ragsdale, C.-Irish Tune From County Derry (9) 107 Grieg, E./Fyffe, D.-In the Hall of the Mountain King (12) 108 Hennagin, M.-Duo Chopinesque (10) 109 Henson-Conet, D./Nearpass, J.-California Calypso (7 percussion + 1 bass) 110 Herbert, V./Houllif, M.-March of the Toys (7)
111 Holst/Ancona, J.-Mercury (10) TSP 112 Horner/Campbell-Casper’s Lullaby (11) RLP 113 Houghton, S.-The Path (4-7 percussion + 1 piano and 1 bass) RLP 114 Houllif, M.-Blue Samba (8) SMC 115 Jacob, G.-Hava Nagila (8) MAR, HLN, OOP 116 Jebe, P.-Montunosis (9-12 percussion + 1 piano and 1 bass) RLP 117 Jebe, P.-Xylatin (7-8) RLP 118 Jenny, J.-Three Scenes from the Scioto (any two mvts.) (13 percussion + 1 piano) PPB 119 Johnson, C./Argenziano, E.-Dill Pickles (6-8) RLP 120 Jones, K.Schietroma, S.-Servitude (11 percussion + 1 bass and 1 guitar) DSM 121 Kastuck, S.-Components (all 3 movements) (10) KAS 122 Kastuck, S.-Ritual No.2 (8-16) KAS 123 Kennedy, J.-Odyssey: Concerto for Multiple Percussion and Percussion Ensemble (7) INP 124 Khachaturian/Moore-Sabre Dance (7-10) PPB 125 Kim, B.-Concertino for Percussion (7 percussion + 1 piano) MTP DSM 126 Leonard, S.-Antiphonies (8) 127 Leonard, S.-Ex Machina (8) DSM 128 Leonard, S.-Skies (10) DSM 129 Leonard, S.-Winter Fantasy (10 percussion and hand bell choir or piano) DSM 130 Lins/Martins/Nearpass-Leva E Traz (Elis) (11 percussion + 1 bass) NEA 131 Lipner, A./Steinquest, D.-Sweet Rio (12-14 percussion + 1 bass) RLP 132 Loya, M./Nearpass, J.-Rain: Weatherman (6 percussion + 1 bass) NEA 133 Lytle/Steinquest-Pogo Sticks (8) RLP 134 Mancini, D.-Caribbean Festival (7 percussion + piano and 1 bass) KEN 135 Mancini, D.-Extremes (7) KEN 136 Mancini, D.-Jubilee Concerto, Mvt.1: Legacy (8 percussion + 1 piano) KEN 137 Mancini, D.-Jubilee Concerto, Mvt.2: Retrospective (8 percussion + 1 piano) KEN 138 Mancini, D.-Jubilee Concerto, Mvt.3: Celebration (8 percussion + 1 piano) KEN 139 Mancini, D.-Song of Joy (9) KEN 140 Mancini, D.-Suite for Solo Drum Set and Percussion Ensemble (8) KEN 141 Manga, A./Nearpass, J.-Ekanga (8 percussion + 1 bass) NEA 142 Manring/Martin/Nearpass-Senegal Calling (9 percussion + 1 bass) NEA 143 Manring, M./Nearpass, J.-Life In the Trees (9 percussion + 1 bass) NEA 144 Mainieri, M./Rennick, P.-Beirut (12 percussion + 1 bass) DSM 145 McKenzie, J.-Introduction and Allegro (9) MFP 146 McKenzie, J.-Nonet (9) MFP 147 Mashina, T.-Conversation (10) NAK 148 Meister, S.-Taqsimn (7) ALP 149 Mendelssohn/Slawson-A Midsummer Night’s Dream: Intermezzo (16) TSP 150 Mendelssohn/Slawson-A Midsummer Night’s Dream: Scherzo (12) TSP 151 Metheny/Ancona, J.-Metheny Dream (10) TSP
RLP RLP RLP RLP RLP CMP CMP NME CMP CMP CMP DSM KEN RLP RLP MTP DSM ALP RLP RLP DSM RLP BMP CFM RLP RLP RLP RLP RLP ALP INP KGG ALP ALP ALP SMC SMC ALP ALP AGP DSM DSM SMC DSM OPE NEA KEN
27
LARGE PERC. ENS. Event 113 (Continued) 152 Metheny, P./Mays, L.-Phase Dance (6 percussion + 1 bass) 153 Metheny, P./Houghton & Warrington- (It’s Just) Talk (7 percussion + 1 bass) 154 Moore, D.-Game Over (9) 155 Moreira, A./Brochocki, D.-Tombo In 7/4 (12 percussion + 1 bass) 156 Moreira, A./McDonald, S.-Lua (13 percussion + 1 bass) 157 Moussorgsky/Peters-Ballet of the Unhatched Chicks (7) 158 Moussorgsky/Schietroma-Night on Bald Mountain (14) 159 Moussorgsky/Hannum-Pictures at an Exhibition (12) 160 Narell/Mayor/Rennick-Calabash (10 percussion + 1 piano + 1 bass) 161 Nearpass, J.-Blume’n Cuban (4-8) 162 Nearpass, J.-Looking Up (7 percussion + 1 bass) 163 Obiedo, R./Rennick, P.-Brasileiro (11 percussion + 1 bass) 164 O’Connor, T.-Orientale (8) 165 O’Mahoney, T.-Aruba Getaway (8) 166 O’Mahoney, T.-Aruba Roca (Spanish March) (8) 167 O’Mahoney, T.-Cha-Cha Rufus (7 percussion + 1 bass) 168 Pascole, H./Nearpass, J.-Pipoca (9 percussion + 1 bass) 169 Peters, G.-Greensleeves (7 mallets) 170 Peters, G.-Swords of Moda-Ling, The (Including student piano) (8) 171 Piazzolla/Smith/Schietroma-Oblivion (10 percussion + 1 piano + 1 string bass) 172 Piazzolla, A./Smith, W.-Tres Minutos Con La Realidad (12 percussion + 1 piano + 1 string bass) 173 Prokofiev, S./Maricle, S.-Troika (12) 174 Ravel/Ancona, J.-Alborada del Gracioso (9) 175 Ravel/Hardimon-Le Tombeau de Couperin Prelude (9) 176 Reeves-Pieces of Eight (8) 177 Riley, Jim-Legend (8, set feature) 178 Rimsky-Korsakov, N./Houliff, M.-Capriccio Espagnol (7) 179 Rimsky-Korsakov,N./Norfleet-Dance of the Tumblers (13) 180 Rimsky-Korsakov, N./Primatic-Russian Easter Overture (14) 181 Rossini/Kutz/Schietroma-Italian In Algiers (17) 182 Saint Seans/Diko-Carnival of the Animals (8-9) 183 Saint-Seans/Baker-Danse Bacchanale (13) 184 Samuels, D.-Rendezvous (8 percussion + 1 bass) 185 Sanchez/Mayor/Schietroma-Sin Timbal (10 percussion + 1 piano + 1 bass) (Do not use optional horn parts) 186 Santamaria/Kikta, P.-Afro Blue 187 Schietroma, T./Schietroma, S.-La Chiave (13 percussion + synthesizer + 1 bass) (Do not use optional vocal parts) 188 Schman/Kikta, P.-Conversations
189 Schubert/Hatch-Symphony No. 8 (Unfinished) (7 mallets) 190 Schubert/Primatic-Trout Scherzo (7) 191 Shorter, W./Nearpass, J.-Palladium (9 percussion + 1 bass) 192 Shostakovich/Peters-Polka from the Golden Age (7 mallets) 193 Shulze-Shades of Glass (14) 194 Sousa/Hatch-King Cotton (6 mallets + 1 snare) 195 Sousa/Hatch-The Thunderer (6 mallets + 1 snare) 196 Spears, J.-Blues & Chaser (8) 197 Spears, J.-Caprice Diabolique (8) 198 Spears, J.-Flight of the Falcon (8) 199 Spears, J.-Time for Jazz, A (8) 200 Spears, J.-Winstone Suite (any two mvts.) (8) 201 Spruance/Sipe/Schietroma-Ma Meeshka Mow Skwoz (14 percussion + 1 organ + 1 bass) 202 Steinquest, D.-Big Yellow Mambo (11 percussion + 1 bass) 203 Steinhort, W.-Two Movements for Mallets (8) 204 Stravinsky, I./Ancona, J.-The Devil’s Dance (8) 205 Stravinsky/Moss/Schietroma-Suite for Small Orchestra No.2 (12 percussion + 1 piano/celeste) 206 Strayhorn,B./Brooks, C-Take the “A” Train (9-11 percussion + 1 piano + 1 bass) 207 Tchaikovsky,P./Rath-Symphony No. 4: Scherzo (12) 208 Tchaikovsky, P./Fyffe, D.-Symphony No. 4: Finale (16 percussion + 1 bass) 209 Tchaikovsky, P./Houllif, M.-Trepak from the Nutcracker Suite (7) 210 Tompkins, M.-Islands of Fire (13) 211 Traugh-1812 Over-Easy (13) 212 Udow, M.-African Welcome Piece for Percussion Ensemble (7-12) 213 Vazquez/Warrington/Houghton-Pire (8 percussion + 1 bass + 1 piano) 214 Verdi/Aylsworth-La Forza del Destino (13-14) 215 Vivaldi/Slawson-Winter from the Four Seasons (10) 216 Whittaker, S./Schietroma, R.-Stumpy Meets the Firecracker In Stencil Forest (10 percussion + 1 piano, 1 guitar and 1 bass) 217 Witt-Cellar Door (12) 218 Yanni/Brooks, C.-Marching Season (14-15)
SIE SIE INP DSM DSM FDS DSM DSM DSM NEA NEA DSM BAR PPB PPB PPB NEA FDS FDS DSM DSM KEN TSP TSP TSP PER KEN DSM DSM DSM DSM DSM BMP DSM AGP DSM AGP
28
EHA TSP NEA FDS TSP EHA EHA SMC SMC SMC SMC BAR DSM RLP PLY TSP DSM RLP TSP DSM KEN TOM OAM UMM RLP TSP TSP DSM ALP RLP
LARGE MARCHING PERCUSSION ENSEMBLES EVENT NO. 115 (Seven to Twenty Performers) Selections marked with an asterisk (*) may double the snare and multiple tenor parts up to a maximum of 20 players in the entire ensemble. 001 Brecker, R./Freytag, E.-Some Skunk Funk (14-20) * 002 Brooks, C.-Midnight In Tunisia 003 Brooks, C.-Sans Rival 004 Camilo/West/McDonald-Caribe (20 percussion + 1 bass + opt. piano) 005 Clarke, S./Crockarell, C.-Dayride 006 Crockarell, C.-Helichopter 007 Crockarell, C.-Mo Better Groove 008 Crockarell, C.-Orca 009 Crockarell, C.-Pass the Salsa 010 Gusseck, M.-Electric Wheelchair (from Parking Lot Etudes) 011 Gusseck, M.-It’s In Four (from Parking Lot Etudes) 012 Gusseck, M.-Martian Mambo (from Parking Lot Etudes) 013 McNutt, C.-Red’s Rhumba (from the Vacant Lot Sessions) 014 McNutt, C.-Star ‘93 (from the Vacant Lot Sessions) 015 Reynolds/Davila/Davila-Cuban Dance (20 percussion + 1 bass and 1 synthesizer) 016 Shostakovich/Bovenschen-Symphony No.10, Movement 3 (20) 017 Thompson, C.-Vegas (17-20) 018 Watkins, K./Scheitroma, S.-Mr. Mirror’s Reflections on Dreams (20) 019 Webster, C.-Mr. Adamson’s Monkey 020 Zawinul, J./Delucia, D.-The Pursuit of the Lady in the Feathered Hat (19-20) *
RLP RLP RLP DSM RLP RLP RLP RLP RLP TSP TSP TSP TSP TSP DSM DSM RLP DSM TSP RLP
29
Audio Examples of Percussion Requirements Links to audio examples of the Drum Set Rhythmic Patterns (pages 31-37) and Snare Drum Rudiments (pages 39-41) can be found on the ISSMA website at: www.issma.net/percussionmanual.php
30
DRUM SET STYLE PATTERNS / Event No. 099 GROUP V
KEY
Hi-Hat
Bass Drum
Rim Click
High Tom-tom
Ride Cymbal
Snare
Crown Closed of Cymbal Hi-hat
Open Hi-hat
Crash Cymbal
Group V performers will play any three of the following Drum Set Rhythmic Patterns: one Rock Time; one Swing Time; and either Basic Latin or Show Style. (Student's choice)
2 - BEAT ROCK (snares on)
q=88-100
4 - BEAT ROCK (snares on) q=88-100
2 - BEAT SWING (snares on) q=88-100
3
3
3
3
4 - BEAT SWING (snares on) q=88-100
3
BASIC LATIN (snares off)
q=88-100
3
3
3
SHOW STYLE (snares on) q=166-200
31
DRUM SET STYLE PATTERNS / Event No. 099 GROUP IV & III KEY
HiHat
Bass Drum
Snare
Rim Click
High tom-tom
Ride Cymbal
Crown Closed of Cymbal HiHat
Open Hi-hat
Crash Cymbal
Group IV and III performers will play any three of the following Drum Set Rhythmic Patterns: Rock Time; Jazz Time; Brush Time; Bossa Nova; Cha Cha; Funk; Samba. (Student's choice - Group IV) (Judge's choice - Group III)
ROCK TIME (snares on)
q=112-120
JAZZ TIME (snares on) q=132-152
3 3 3
3
3
3
3
3
BRUSH TIME (snares on) q=132-152
3
BOSSA NOVA (snares off) q=128-138
3
Brush on Sn Dr. or Stick on Ride Cym.
32
GROUP IV & III CHA CHA (snares off)
q=104-116
(continued)
FUNK (snares on) q=112 - 120
Cowbell or Crown of Cym.
SAMBA (snares off) q=120 - 132
33
DRUM SET STYLE PATTERNS / Event No. 099 GROUP II KEY
Hi-Hat
Bass Drum
Rim Click
High Tom-Tom
Ride Cymbal
Snare
Crown Closed of Cymbal Hi-hat
Open Hi-hat
Crash Cymbal
Group II performers will play any three of the following Drum Set Rhythmic Patterns: Rock Time; Jazz Time; Brush Time; Jazz Waltz; Bossa Nova; Cha Cha; Mambo; Samba; Funk; Beguine. (Judge's choice)
ROCK TIME (snares on)
q=112-126
JAZZ TIME (snares on)
q=168-192
3
3
3
3
3
3
BRUSH TIME (snares on)
q=132-152
3
3
3
3
3
3
3
JAZZ WALTZ (snares on)
h.=60
3
34
3
3
GROUP II (continued)
BOSSA NOVA (snares off)
R.H. - Brush on SN Dr. / or stick on Ride Cym.
q=128-144
CHA CHA (snares off)
q=104-116
h=112-126
R.H. - Cowbell or Crown of Cym.
MAMBO ( snares off)
SAMBA (snares off)
h=104-116
R R L R R
R L R
q=84-96
FUNK (snares on)
R
R L R
R
R
B
R R L R R
L
R
BEGUINE (snares off)
q=128-144 R R
L R L R L
R L R L R L
R
35
DRUM SET STYLE PATTERNS / Event No. 099 GROUP I KEY
Bass Hi-Hat
Snare
Drum
Rim Click
High Tom-tom
Ride Cymbal
Crown of Cymbal
Closed Hi-hat
Open Hi-hat
Crash Cymbal
Group I performers will play these patterns in four bar phrases - the 4th measure being an ad lib "fill" in the style of the pattern. The purpose of the "fill" is to demonstrate the student's ability to keep time and maintain the style / flow of the pattern. Personal taste of the "fill" should not enter into the judging of the pattern. Students will play three patterns. (Judge's choice)
ROCK TIME (snares on)
q=112-126
Fill
JAZZ TIME (snares on)
q=168-192 3
3
3
3
3
3
3
3
Fill
BRUSH TIME (snares on)
q=132-152
3
3
3
3
3
3
3
3
3
Fill
3
JAZZ WALTZ (snares on)
h.=60
3
3
3
3
36
Fill
GROUP I BOSSA NOVA (snares off)
q=128-144
(continued)
R.H. - Brush on Snare or / Stick on Ride Cymbal
CHA CHA (snares off)
Fill
R.H. - Stick on Cowbell or / Stick on Ride Cymbal
q=104-116
Fill
MAMBO ( snares off)
Fill h=112-126
SAMBA (snares off)
Fill h=104-116
FUNK (snares on)
q=84-96 RRLRRRLRRRLR RR B RR RR LR RRLRRRLRRRLR
Fill BEGUINE (snares off)
q=128-144 R R
L R L R L R R L R L R L R R L R L R L Fill
37
Mallet Scales - Arpeggios / Timpani Roll Requirement Event No. 100 - 101
Event No. 103 V - - IV - - III - - II - - I
GROUP V & IV SCALE PATTERN
q = 60
L
R L R L R L
R
L R L R L R
L
R
L
72
84
92 104
R
L
R
L
VARIATION 1 GROUP V & IV - ALLOWED ALTERNATIVE SCALE PATTERN GROUP III - II - I - REQUIRED SCALE PATTERN
L R L R L R L R L R L R L R L R L R L R L R L R L R L R 3 3 3 3 L
R
L
R
L
R
L
R
L
R
L
R
L
VARIATION 2 GROUP V & IV - ALLOWED ALTERNATIVE SCALE PATTERN GROUP III - II - I - REQUIRED SCALE PATTERN
L R L R L R L R L R L R L R L R
L R L R L R L R
L R L R L R L R L R L R L
L R L R L R L R
R L R L R L R L
R L R L R L R L
R
TIMPANI ROLL REQUIREMENT - ALL GROUPS
q=60
mp
Single Stroke Roll
ff
38
mp
Snare Rudiment Required List with Minimum Tempos I. Roll Rudiments Group V Group IV Group III Group II Group I 1. Single Stroke Roll 40 50 60 70 80 2. Single Stroke Four 90 100 3. Single Stroke Seven 90 100 4. Multiple Bounce Roll 60 76 92 108 124 5. Triple Stroke Roll 90 100 6. Double Stroke Roll 92 108 124 7. Five Stroke Roll *60 *76 92 108 124 8. Six Stroke Roll 124 9. Seven Stroke Roll 92 108 124 10. Nine Stroke Roll *60 *76 92 108 124 11. Ten Stroke Roll 124 12. Eleven Stroke Roll 108 124 13. Thirteen Stroke Roll 92 108 124 14. Fifteen Stroke Roll 124 15. Seventeen Stroke Roll *60 *76 92 108 124 II. Diddle Rudiments 16. Single Paradiddle 70 90 110 130 150 17. Double Paradiddle 70 90 110 130 150 18. Triple Paradiddle 110 130 150 19. Single Paradiddle-diddle 130 150 III. Flam Rudiments 20. Flam [70] [90] [110] [130] [150] 21. Flam Accent 70 90 110 130 150 22. Flam Tap 52 66 82 98 112 23. Flamacue 66 82 98 112 24. Flam Paradiddle 52 66 82 98 112 25. Single Flammed Mill 82 98 112 26. Flam Paradiddle-diddle 90 100 27. Pataflafla 90 100 28. Swiss Army Triplet 80 29. Inverted Flam Tap 80 30. Flam Drag 80 IV. Drag Rudiments 31. Drag 90 110 130 150 32. Single Drag Tap 66 82 98 112 33. Double Drag Tap 82 98 112 34. Lesson 25 82 98 112 35. Single Dragadiddle 90 100 36. Drag Paradiddle #1 80 90 100 37. Drag Paradiddle #2 90 100 38. Single Ratamacue 80 90 100 39. Double Ratamacue 90 100 40. Triple Ratamacue 100 All tempos are based on the quarter with the exception of #20 Flam on the eighth note. [ ] Group V and IV student's choice, Groups III-I Judge's choice * Multiple Bounce accepted Group V and IV only
39
percussive Arts society internAtionAl drum rudiments All rudiments should be prActiced: open (slow) to close (fAst) to open (slow) And/or At An even moderAte mArch tempo.
I. Roll RudIments 10. nine stroke roll *
A. single stroke roll rudiments 1. single stroke roll *
œœœœœœœœ
œœœœ œœœœ
R L
R L R L L R L R
11
œœœœœœœ
RLRLRLR LRLRLRL
˙Z
Ͼ
13. thirteen stroke roll *
R
3
3
3
œœœœœœœœœœœœ
Ͼ
14. fifteen stroke roll *
R L
17
˙æ
RRRL L LRRRL L L
15. seventeen stroke roll c. double stroke open roll rudiments
˙æ
6. double stroke open roll *
RRLLRRLL
> 5> œ@ œ œ@ œ 5
7. five stroke roll *
R
R
L
R L
LR RL
> > 10 œ œ ‰ œæ RL LR
R L
RL LR
R L
> œ L
>> œœ‰ RL LR
> 11 œ!œ ‰ œæ
> œ!œ ‰
RL LR
> 13 > œ@ œ œæ œ@ œ L
L
> 15 > œ@. œ œæ œ@. œ LR RL
> 17 œ ˙æ R
L
> œ
L R
L
II. dIddle RudIments > > 16. single pArAdiddle * œ œ œ œ œ œ œ œ RLRRLRL L
L
> 6 >> 6 > œ œ@ œ œ œ@ œ
8. six stroke roll
R
L
R
15
3
5. triple stroke roll
R L
13
b. multiple bounce roll rudiments 4. multiple bounce roll
Ͼ
12. eleven stroke roll *
6
3. single stroke seven
Ͼ
11. ten stroke roll *
Ͼ 9
R
10
3
R L R L L R L R
Ͼ
R
R L R L R L R L
3
2. single stroke four
> œ
9
L R
> 7 > œ@. œ œ@. œ
17. double pArAdiddle * 18. triple pArAdiddle
7
> > œœœœœœœœœœœœ R L R L R R L R L R L L
> > œœœœœœœœœœœœœœœœ
> > œœœœœœœœœœœœ
RLRLRLRRLRLRLRL L
19. single R LR L pArAdiddle-diddle R L R R L L R L R R L L L RL R L R L L R R L R L L R R * These rudiments are also included in the original Standard 26 American Drum Rudiments.
9. seven stroke roll *
Copyright © 1984 by the Percussive Arts society™, 110 W. Washington street, suite A, Indianapolis, In 46204 International Copyright secured All Rights Reserved
Used by permission of the Percussive Arts Society. 40
pAs internAtionAl drum rudiments pAge 2
III. flAm RudIments j j œ œ œ œ 20. flAm * R L > > j j 21. flAm Accent * œ œ œ œ œœ œ œ L
L
R
R
L
R
R
L
R
> > > > j j j j œ œ œœ œ œœ œ œœ œ œ
22. flAm tAp *
L
> j j œ œ œ œ œ œ œ L R
j œ
24. flAm pArAdiddle *
L
25. single flAmmed mill 26. flAm pArAdiddlediddle * 27. pAtAflAflA
j œ L
L R
R L
L
32. single drAg tAp *
> > j œ œ œ œœ œ œ œ œ
29. inverted flAm tAp
j œ
30. flAm drAg
j œ
L
L
L L
R LLR
L L
R L R LLR L R L R L RRL R L
L RRL RRL
R
> > œ! œ œ œ œ! œ œ œ
R LLR L R R L RRL R L L
> > œœœœœœœœœœœœœœœœœœœœ
37. drAg pArAdiddle #2 *
R LLR LLR L R R L RRL RRL R L L
38. single rAtAmAcue *
3 > > œ œ œ œ œ œ œ œ œ œ œ œ 3
L L
R L R L RRL R L R
39. double rAtAmAcue *
R R L LR R L L L RR L L R
> > > > œ œ œj œ œ œj œ œ œj œ œ R LR L RL R LR L R
> > j œ œ œ œœ œ œ œ œ L L R R L
R
> > œœœœ œ œ œ œœœœ œ œ œ
36. drAg pArAdiddle #1 *
R L R R L LR L R R L
R
L RRL
RR L R R LL R L L
R L R R L L R L R L L R R
L R
R
35. single drAgAdiddle
R R L R R L L R L
> 3 > 3 œ œ œ œj œ œ œ
L L
RR
> > j œ œ œœœ œœœ œ œ œœœ
j œ
L
> > œ œ œ œ œ œ œ œ œ œ
R L R R R L R L L
> > > > j j j j œ œ œ œ œ œ œ œ œ œ œ œ
RR
> > œ œ œ œ œ œ œœœœœœœ œ
34. lesson 25 *
L L R R R L
> > j j œ œ œ œ œ œ œ œ œ œ
L
28. swiss Army triplet
R L
R
> > œ œ œ œ œ œ œ œ L L
33. double drAg tAp *
L R RR L L L R RR L L
23. flAmAcue *
Iv. dRAG RudIments œ œ œ œ œ œ 31. drAg *
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for more informAtion on becoming A member of the percussive Arts society contAct pAs At: 110 w. wAshington street, suite A, indiAnApolis, in 46204 • e-mAil:
[email protected] web site: www.pAs.org
Used by permission of the Percussive Arts Society. See page 39 for minimum tempos. 41
RECOMMENDED SUPPLEMENTARY MATERIAL Code: B = Beginner; I = Intermediate; A = Advanced
SNARE DRUM/RUDIMENTAL DRUMMING Accents and Rebounds George Lawrence Stone George B. Stone & Son Inc. B, I
Flams, Ruffs & Rolls John Beck Meredith Music Publications B, I
Primary Handbook for Snare Drum Garwood Whaley Meredith Music Publications B, I
Advanced Snare Drum Studies Mitchell Peters Mitchell Peters Publishing A
Fresh Approach To The Snare Drum, A Mark Wessels Mark Wessels Publishing B, I, A
Readin' Ritin' & Rudiments John W. McMahan Columbia Pictures Publications B, I
Alfred's Snare Drum Method Books 1 & 2 Sandy Feldstein & Dave Black Alfred Publishing B, I
Fundamental Studies for Snare Drum Garwood Whaley J. R. Publications B
Recital Solos for Snare Drum Garwood Whaley Meredith Music Publications I, A
International Drum Rudiments Book and Tape Wanamaker/Carson Alfred Publishing B, I, A
Rudimental Cookbook, The Edward Freytag Row-Loff Productions I, A
All American Drummer, The Charley Wilcoxon Ludwig Music Publishing I, A Contemporary Rudimental Studies & Solos Lalo Davila Row-Loff Productions B, I Contemporary Studies For the Snare Drum Fred Albright CPP Belwin Pub. A Douze Etudes pour Caisse-Claire (Twelve Studies for Snare Drum) Jacques Delecluse Alphonse Leduc I, A Drum Method for Band & Orchestra Bk 1 & 2 Haskell W. Harr M. M. Cole Publishing B Drummer's Rudimental Reference Book John Wooton Row-Loff Productions B, I, A
Life’s Little Rudiment Book David Steinquest Row-Loff Productions B, I, A Master Technique Builders for Snare Drum Compiled/Edited by: Anthony J. Cirone Belwin Mills Publishing I, A Modern School for Snare Drum Morris Goldenberg Hal Leonard Publishing B, I, A Musical Studies for the Intermediate Snare Drummer Garwood Whaley J. R. Publications I Portraits in Rhythm Anthony J. Cirone Belwin Mills Publishing A
42
Rudimental Primer for the Snare Drum Mitchell Peters Mitchell Peters B, I, A Simple Steps To Snare Drum Anthony J. Cirone CPP Belwin Pub. B Solos and Duets for Snare Drum Garwood Whaley Meredith Music Publications I Standard Snare Drum Method Benjamin Podemski Belwin Mills Publishing I Stick Control George Lawrence Stone George B. Stone & Son Inc. B, I, A 20th Century Orchestral Snare Drum Studies Thomas McMillan Creative Music A
MALLETS
Bar Percussion Notebook Vol. 1 & 2 Linda Lorren Pimentel Permus Publications B, I
Method of Movement for Marimba Leigh Howard Stevens Marimba Productions I, A
Percussion Keyboard Technique Thomas McMillan Pro Art Publications B, I
Fresh Approach To Mallet Percussion, A Mark Wessels Mark Wessels Publishing B,I,A
Modern Mallet Method: Vol. 1, 2, & 3 Phil Kraus CPP Belwin Pub. B, I, A
Primary Handbook for Mallets Garwood Whaley Meredith Music Publications B, I
Modern School for Xylophone/Marimba/Vibraphone Morris Goldenberg Hal Leonard Publishing I, A
Simply Four 4-Mallet Percussion Gifford Howarth Tapspace Publishing B, I, A
Musical Studies for the Intermediate Mallet Player Garwood Whaley Meredith Music Publications I
Simple Steps to Keyboard Percussion Anthony J. Cirone CPP Belwin Pub. B
Orchestral Mallet Player, The Anthony J. Cirone Belwin Mills Publishing I
Vibraphone Technique: Dampening and Pedaling David Friedman Berklee Press Pub. B, I, A
George Hamilton Green's Instruction Course for Xylophone Edited by: Randall Eyles & Garwood Whaley Meredith Music Publications I Mallet Percussion for Young Beginners Randall Eyles Meredith Music Publications B Master Technique Builders for Vibraphone and Marimba Compiled and Edited by: Anthony J. Cirone Belwin Mills Publishing I, A
4 Mallet Primer Neil Grover Meredith Music Pub. B
TIMPANI Modern Method for Tympani Saul Goodman Belwin Mills Publishing B, I, A
Orchestral Timpanist, The Anthony J. Cirone Belwin Mills Publishing I
Simple Steps to Timpani Anthony Cirone Belwin Mills Pub. B
Musical Studies For The Intermediate Timpanist Garwood Whaley J. R. Pub. I, A
Pedal To The Kettle Kirk J. Gay Tapspace Publications B, I, A
Technique for the Virtuoso Tympanist Fred D. Hinger Jerona Music Corporation I, A
Musical Timpanist, The Thomas N. Akins Kendor Music I, A
Primary Handbook for Timpani Garwood Whaley Meredith Music Publications B, I
Twenty One Etudes for Timpani Fred Begun Meredith Music Publications I, A Well Tempered Timpanist, The Charles Dowd Belwin Mills Pub. I, A
43
DRUMSET Advanced Techniques for the Modern Drummer Jim Chapin Pub. by: Jim Chapin I, A
Drum Improvising Studies for Jazz and Rock Joe Lambert Mel Bay Publications I
Logical Approach To Rock Coordination, The Phil Perkins Logical Pub. B, I, A
Alfred Master Tracks (w/CD) Latin Houghton, Warrington Alfred Publishing Company A
Drumset Reading Ron Fink Alfred Publishing Company I, A
Practical Approach to the Drum Set, A John Beck Belwin Mills Publishing B
Alfred Master Tracks (w/CD) Jazz Houghton, Warrington Alfred Publishing Company A Beats and Variations for Dance Band Drummers Joel Rothman J. R. Publications I
Drum Set Fundamentals-For Students and Educators (w/audio tape) Dave Mancini Dave Mancini Pub. B Essential Styles for the Drummer & Bassist: Vol. 1 & 2 (w/CD) Steve Houghton/Tom Warrington Alfred A
Dancin’ On The Time Royal Hartigan Tapspace Publications A
Essential Techniques for Drum Set: Book 1 Ed Soph Meredith Music Publications I
Double Bass Drumming Joe Franco D. C. Publications I
Fresh Approach To The Drum Set, A Mark Wessels Mark Wessels Publishing B,I,A
Drummers Cookbook, The John Pickering Mel Bay Publications I
Funk Drumming (book & tape) Jim Payne Mel Bay Publications I Killer - Fillers Drum Set Exercises for Today's Drummer James Morton Mel Bay Publications B, I, A
44
Primary Handbook for Drum Set George Sheppard Meredith Music Publications B, I Rockin' Bass Drum John Lombardo & Charles Perry Alfred Publishing I Stage Band Drummers Guide John Pickering Mel Bay Publications I Student’s Guide to the Drumset, A G.W. “Sandy” Schafer IMP Publishing B, I Studio/Jazz Drum Cookbook John Pickering Mel Bay Publications I Today's Sounds for Drum Set Murray Houllif Kendor Music B, I
CONCERT PERCUSSION INSTRUMENTS Art of Playing the Cymbals, The Sam Denov Henry Adler, Inc. I
Modern School for Snare Drum Morris Goldenberg Hal Leonard Publishing B, I, A
Bass Drum, Cymbals, and Accessories Al Payson Payson Percussion Products B, I
North Texas Percussion Methods Manual Schiertroma/Arevalo North Texas Percussion Press I
Percussion in the School Music Program Payson/McKenzie Payson Percussion Products B, I Percussion Symposium Vic Firth Carl Fischer I Triangle, Tambourine, & Castanets Paul Price Music for Percussion I
Logic of it All, The Anthony J. Cirone and Joe Sinai Belwin Mills Publishing I, A
MARCHING PERCUSSION (DRUM LINE) Building A Championship Drum Line Dennis DeLucia Hal Leonard Publishing B, I, A
Marching Percussion Ensemble Exercises Novice, Intermediate & Advanced Vols. Marty Hurley Rudimental Perc. Pub. B, I, A
Championship Concepts for Marching Percussion Thom Hannum & Robert Morrison Hal Leonard Publishing Corp. B, I, A
Total Marching Percussion Bk 1 & 2 Larry Snider C. L. Barnhouse Publishing I
Developing the Corps Style Percussion Section Larry Snider C. L. Barnhouse Publishing I
Visual Drum Line, The Staging the Contemporary Marching Percussion Section Will Rapp Jenson Publications B, I, A
Up Front Pit Ensemble Jim Casella and Jim Ancona Tapspace Publications B, I, A
LATIN AND ETHNIC INSTRUMENTS Authentic Bongo Rhythms Bob Evans Henry Alder Publishing Authentic Conga Rhythms Bob Evans Henry Alder Publishing
Brazilian Percussion Manual – Rhythms and Techniques Daniel Sabanovich Alfred Pub. How to Play Latin American Rhythm Instruments Humberto Morales/Henry Adler CPP Belwin Pub.
45
Let’s All Play Congas Jack Burger Robbins Music Publishing
REPAIR Percussion Repair and Maintenance Mark P. Bonfoey Belwin Mills Publishing B, I, A
Mallet Repair Arthur Press Belwin Mills Publishing I
COMPACT DISC RECORDINGS Various Recordings Keiko Abe
Virtuoso Percussion Music Rainer Kuisma
Various Recordings Julie Spencer
Various Recordings Gary Burton
Artistry of the Marimba, The Linda Maxey
Bach on Marimba Leigh Howard Stevens
Various Recordings David Friedman
Various Recordings Nexus
Marimba When... Leigh Howard Stevens
Various Recordings Evelyn Glennie
Various Recordings David Samuels
Pictures for Percussion Albrecht Voltz
VIDEO Concert Percussion: A Performer’s Guide Vol. 1 & 2 Cirone/Denov/Duff Yamaha Contemporary Rhythm Section, The Steve Houghton CPP Media Video Drummer’s Guide to Reading Drum Charts Steve Houghton CPP Media Video
Drumset (The): A Musical Approach Ed Soph/Horacee Arnold Yamaha
Living Art of Brushes, The Clayton Cameron DCI Music Video
Essence of Brushes Ed Thigpen Interworld Music
Mallet Keyboard Musicianship Steps to Excellence Vol. 1 & 2 Dave Samuels Yamaha
Everything is Time Keeping Peter Erskine DCI Music Video Fundamental Techniques for Marching Percussion Thom Hannum CPP Media Video
46
Percussive Arts Society www.pas.org Time Keeping II Peter Erskine DCI Music Video
EDUCATIONAL SOURCES Modern Drummer Magazine Modern Drummer Publications, Inc. 12 Old Bridge Rd. Cedar Grove, NJ 07009-1288 www.moderndrummer.com On Line Metronomes www.metronomeonline.com www.webmetronome.com Percussive Notes An Official Publication of the Percussive Arts Society 110 W. Washington St., Suite A Indianapolis, IN 46204 www.pas.org Tapspace Publications P.O. Box 55753 Portland, OR 97238-5753 www.tapspace.com Teaching Percussion Gary D. Cook Schirmer Books (2005 edition includes book and DVD’s) Vic Firth Education Vic Firth Company 65 Sprague St. Boston MA 02136 www.vicfirth.com/education
47
KEY TO PUBLISHERS AAM Afro-American Music ACA American Composers Alliance, 170 W. 74th St., New York, NY 10023 ACC Accura Music, Box 887, Athens, OH 45701 ADL Henry Adler (See BMP) ADV Advance Music, Rottenburg, West Germany AFL Affiliated Musicians, Inc., Los Angeles, CA 90046 (See EMU) AGP Agave Music Press, 3358 W. S.R. 40, Brazil, IN 47834,
[email protected] AGS Augsburg Publishing House 426 S. 5th St., Minneapolis, MN 55415 AJA Albert J. Andraud (See SMC) AKI AKI Publisher, 8141 N. Meridian, Indianapolis, IN 46260 ALF Alfred Publishing Co. Inc., P. O. Box 10003, 16380 Roscoe Blvd., Suite 200, Van Nuys, CA 91410 ALI Alliance Music Publications, P.O. Box 131977, Houston, TX 77219-1977 ALL M. W. Allen Music ALP C. Alan Publishing, P. O. Box 29323, Greensboro, NC 27429 Ph: 910/665-6116 ALR Alry Publications Etc., Inc., P. O. Box 36542, Charlotte, NC 28236 AMA Edition Amadeus (See FMD) AMB Amberson Enterprises, Inc. (See GSI & BHI) AMC Award Music Co., 136 W. 46th St. New York, NY 10036 AME American Music Edition, 9109 Sunset Blvd. Hollywood, CA 95069 AMP Associated Music Pub. Inc. (See GSI & HLN) ANT Antara Music Group, P. O. Box 210, Alexandria, IN 46001-0201 APL Alphonse Leduc (See KNG) ARR Arrow Music Press (See BHI) ART Artisan Press (See PHC) ASC Amsco Music Publishing Co. (See MSC) ATA ARTIA ATE Autograph Editions, Atlantic Music Supply (See CMC) AUL Aulos Music Publishers, Montgomery, NY 12549 AVM Avant Music Corp. (See WBR) B&H BAK BAR BBD BEC BEL BEM BER BFW BGZ BHC BHI BIM
Breitkoph & Haertel (See BRE, FMD, & HLN) Barenreiter Kassel (SEE FMD) C. L. Barnhouse, Inc., 205 Cowan Ave. West, Box 680, Oskaloosa, IA 52577 Broadbent & Dunn, www.broadbent-dunn.com Bob Becker, c/o Nexus, Box 100, Norland, Ontario, Canada KOM 2L0 Belwin-Mills, (See BMP) Bernadol Music Irving Berlin, 29 West 46th Street, New York, NY 10019 B. F. Wood Music Co., Inc. (See BMP) Bergez Music Pub., www.bergez.nl Baltimore Horn Club, www.poperepair.com Boosey-Hawkes, Inc., 52 Cooper Square, New York, NY 10003-7102 Birch Island Music Press (See BAR)
48
BLD BLF BMA BMC BMP BOO BOS BOT BOU BPC BRA BRD BRE BRH BRO BRP BRS BRV BSM BSO BTG BTM BTP BUD BYD
G. Billaudot Editor, 14 rue l’Echiquir, Paris (Xe) (See TPC) Belaieff (See CFP) Broadcast Music, Inc. (See HLN) Boston Music Co., 116 Boylston St. Boston, MA 02116 CPP/Belwin Music, 15800 N.W. 48th Ave., Miami, FL 33014 Boozey Music Publishing Co., 25 Clark St., Brooklyn, NY 11201 Bosworth & Co. (See BRD) Bote & Bock Bourne, Inc., 5 W. 37th St., New York, NY 10018 Brook Publishing Co., 4047 Meadowbrook Blvd. University Heights, OH 44118 Bramora, Box 71, St. Cloud, MN 56301 Brodt Music Co., Box 9345, 1409 E. Independence Blvd., Charlotte, NC 28299 Broude Bros., 141 White Oaks Rd., Williamstown, MA 01267 Breitkopf & Hartel, Germany (J.W.Pepper) www.breitkopf.com Brolga Music Publishing Co., www.brolgamusic.com The Brass Press BRS Music, 603 Chapel Hill W.Dr. Indianapolis, IN 46214 (317/248-9755) Barenreiter-Verlag, (See FMD) Black Squirrel Music, www.blacksquirrelmusic.com Basso Music Publications, 6716 W. Canal Point Lane, Fort Wayne, IN 46804, www.bassomusic.com Birch Tree Group (See SBP) Big Three Music Corp., 1350 Ave. of the Americas, New York, NY 10019 Benjamin Thomas, 4928 St. Elmo Ave., Bethesda, MD 20014 Editio Musica Budapest (See BHI & TPC) Byron Douglas, Box 565, Phoenix, AZ 85001 (See BMP)
CAH CAN CAP CAW CBC CBD CBL CCB CCP CFE CFM CFP CFS CHC CHL CHM
William L. Cahn, (See WBR) Canzona Publications Choral Arts Pub. (See SFP) Carl Anton Wirth, General Delivery, El Granada, CA 94018 Cundy-Bettony Co., (See CFM) CeBeDeM, www.cebedem.be Chamber Brass Library C. C. Birchard, 265 Secaucus Rd., Secaucus, NJ 07096-2037 (See WBR) Charles Colin, 315 W. 53rd St. New York, NY 10019 Composers Facsimile Edition (See ACA) Carl Fischer, 62 Cooper Square, New York, NY 10003 C. F. Peters Corp., 373 Park Ave. S., New York, NY 10016 (See SBP) John Church Co., (See TPC) Chester Ltd. (See MSC) Chant du Monde, 32 Rue Beaujon, Paris 8, France
CHN CHP CHR CHW CIM CIR CMC CMP CNM CNO CNT COL CON COP COR COS CPC CPI CPP CPR CRD CRE CRS CSD CUR CVR CWU
Chantry Music Press, Inc., 32 N. Center Street Springfield, OH 45502 Chappell & Co., (See HLN & TPC) Chart Music Pub., Co. (See WBR) Charles Wilcoxen, Box 2993, Cleveland, OH 44116 Cimarron Music & Productions, 8500 N. Stemmons Frwy (#2073) Dallas, TX 75247 Anthony Cirone (See BMP) Criterion Music Corp., 6124 Selma Ave., Hollywood, CA 90028 Creative Music Publishing, (See SBP & WBR) Concert Music Publishing Co., 5003 Ridgebury Blvd., Cleveland, OH 44124 Continuo MP (See BRE) Contemporary Music Project, 1186 15th N.W., Washington, D.C. 20005 Franco Colombo, Inc. (See BMP) Concordia Publishing House, 3558 S. Jefferson Ave., St. Louis, MO 63118 M. M. Cole Pub. Co., 823 S. Wabash Ave., Chicago, IL 60605 Core Publishing Co., (See WBR) Costallat (See TPC) Carousel Publishing Corp., 27 Union St. Brighton, MA 02135 Choral Press, Inc. (See SHP) Capitol Press Composers Press (See Raol Ronson, 177 E. 187th St., New York, NY 10018) Concord Music Pub., Co. (SEE HEM) Creative Music (See SBP & WBR) Crescendo Music Sales, (FEMA Music Publications) Box 395, Naperville, IL 60566 Consolidated Music Pub., Inc. (See MSC) Curwen Pub. (See GSI & HLN) Classical Vocal Reprints, P.O. Box 20263 Columbus Circle St., New York, NY 10023 Concert Works Unlimited, Delaware Water Gap, PA 18327
DEA DEL DER DES DFT DGO DIT DMC DOB DON DOR DOV DRM DSM DUR
Roger Dean Publishing (See LOR) Delkas (See MCA) Derby Music Service, 11007 N. 56th St., Suite N, Temple Terrace, FL 33617 DeSantis (See BMP) DFT Music, P.O. Box 53, Flemington, NJ 08822 David Gornston, 83-45 Broadway, Elmhurst, NY 11373 Ditson (See TPC) Dorabet Music Co., Dist. by CBC Pub. P.O. Box 29128, San Antonio, TX 78229 Doblinger (See FMD) Donemus (See TPC) Dorn Publications, Inc., P.O. Box 206, 5 West Mill St., Medfield, MA 02052 Dover Publishers, 31 E. Second St. Mineola, NY 11501 David A. Roth Music,
[email protected] Drop 6 Media, Inc., P.O. Box 81, Denton, TX 76202 Durand (See TPC)
49
DVL
Deutscher Verlag (See FMD, GSI & HLN)
EAC EAM EAR EBI ECK ECS EDB EDI EDM EDP EDS EDT EEL EHA EHM ELK ELL ELV EMA EMC EMB EMI EMR EMS EMT EMU ENC ENO ENP ENS ESA ESC ETH ETL EUL EXC
Edward Arnold & Co. (See BAM) European American Music Dist. Corp., P. O. Box 850, Valley Forge, PA 19482-0850 Earthsongs Publ., 220 NW 29th St. Corvallis, OR 97330 Elan Brass Impressions, 463 E. Deerfield, Mt. Pleasant, MI 48858 E. C. Kerby Ltd., 198 Davenport Rd., Toronto 5, Ontario, Canada E. C. Schirmer Music Co., 138 Ipswish St. Boston, MA 02215 Edition BIM, P.O. Box 576, CH-1360, BULLE 1 (Switzerland) Educational Ideas Edition Musica Budapest (See BHI) Edition Peters Publishing (See CFP) Edition Schuberth (Write Music Dealer Service, 243 Veterans Blvd., Carlstadt, NJ 07072) Editions Musicales Transatlantiques, Paris (See TPC) Emerson Ed. LTD, Windmill Farm, North Yorkshire, England YO6 4HF Earl Hatch Publications, 5140 Vinceland Ave., North Hollywood, CA 91601 Edwin H. Morris & Co. (See HMM) Elkin & Co., Ltd. (See ECS) Edition De L’Oisseau Lyre (See BRE) Elkan-Vogel Co. (See TPC) Editions Maurer, Bruxelles 15, Avenue Du Versea 7, Watermanlaan Embassy Music Corp., (See MSC) Education Music Bureau Elkin Music International, www.elkinmusic.com Editions Marc Reift, 8126 Zumikon, Switzerland Educational Music Service Editions Metropolis (See TPC) Edition Musicus, P. O. Box 1341, Stamford, CT 06924 Encore Music Pub. Eighth Note Publications, 25 Robinson St., Markham, Ontario, L3PIN5 CANADA Ensemble Publications, Box 98, Bidwell Sta., Buffalo, NY 14222 Ensemble Publications (See ENP) Edition Salabert, 22 Rue Chauchat, Paris, France, or 575 Madison Ave., New York, NY 10022 Eschig, 48 Rue de Rome, Paris 8, France (See GSI, HLN & TPC) Ethos Publications, P.O. Box 2043, Oswego, NY 13126 Etoile (See MMB) Eulenberg (See EAM) Excelsior Music Publ.
FAB FCI FCL FDS FER
Faber Music LTD. IK (see KNG) Frederick Charles, Inc. (See SHP) Franco Colombo, Inc. (See BMP) Frank’s Drum Shop, 226 S. Wabash Ave., Chicago, IL 60604 Fereol Pub., Box 6007, Alexandria, VA 22313
FET FHP FIN FLN FLW FMC FMD FMH FMI FOL FOR FOX FRB FRE FRN FRP FTR FTZ
Fentone Music LTD (See TPC) Falls House Press, P.O. Box 7121, Nashua, NH 03060 Fink Publishing Co., 1206 Piping Rock Lane, Denton, TX 76201 Flute.Net, 1301 S. Walter Reed Dr. Suite 204, Arlington, VA 22204 Flute World, P.O. Box 250248, Franklin MI 48025 www.fluteworld.com Frank Music Co., 119 W. 57th St. New York, NY 10019 (HLN) Foreign Music Distributors, 13 Elkay Drive, Chester NY 10918 Fillmore Music House Edition (See CFM) FEMA Music Publication, (See WJM) Charles Foley Co., 156 W. 44th St. New York, NY 10036 (See BMP, CFM) Forster Music Publishing Co., 216 S. Wabash Ave., Chicago, IL 60604 Fox Publishing Co. Forberg (See CFP) Forest R. Etling, 1790 Joseph Court, Elgin, IL 60120 Samuel French, 25 W. 45th St. New York, NY 10036 Fredonia Press, 3947 Fredonia Drive, Hollywood, CA 90068 Fetter (see RKC) H. T. FitzSimons Co. (See ANT)
GAV GBS GEN GFB GFM GHM GIA GMC GMP GMU GOL GPE GRD GRL GRM GSI GTM GUA GVT GWM GWN
Generally Available George B. Stone & Sons, Inc., 27 School St., Boston, MA 02106 Gentry Publications (See TPC) George F. Briegel, Inc. Go Fish Music Gamble Hinged Music Co. (See MPH) GIA Publications, 7404 South Mason Ave. Chicago, IL 60638 Galaxy Music Co., (See ECS) General Music Publishing Co. (See NAK) General Music Publishing Co., Hastings-on-Hudson, NY 13076 Goldsen (See CMC) Great Performance Edition (See BRE) Gordon Music Pub. Co., P. O. Box 2250, Canoga Park, CA 91307 Grahl Gehrmans Musicforlag (See BHI) G. Schirmer, Inc., (See HLN) Gene Thomas Music Group, 1451 Elm Hill Pike, Nashville, TN 37210 Guager, Thomas, Symphony Hall, Boston, MA 02115 Gordon V. Thompson Ltd. (See WBR) G. W. Music Co., 1614 Magnolia, South Bend, IN 46613 Gwyn Publishing Co., Box 5900, Sherman Oaks, CA 91413
HBI
Harold Branch, 42 Cornell Dr. Plainview, NY 11803
HED Hunt Edition, 40 Portland Rd., London, England W114LG HEM Henri Elkan Music Publisher, P. O. Box 7720, FDR Station, New York, NY 10150 HEU Heugel Inc. (See TPC & SMC) HFI Harold Flammer, Inc. (SEE SHP) HFM Hoffmeister (See FMD) HGP Highgate Press (See ECS) HIC Hickey’s Music, www.hickeys.com , 104 Adams St., Ithaca, NY 14850 HIM Hickman Music Editions, www.hickmanmusiceditions.com HIN Hinshaw Music Inc., P. O. Box 470 Chapel Hill, NC 27514 HIP Hip-Bone Music, Inc., 119 W. 71st St., #88, New York, NY 10023 HLM Henry Lemoine (See TPC) HLN Hal Leonard Music Inc., 7777 W. Bluemound Rd., P. O. Box 13819, Milwaukee, WI 53213 HMI Hinshaw Music Co., P. O. Box 470 Chapel Hill, NC 27514 HMM Charles Hansen Music Corp., 1804 West Ave., Miami Beach, FL 33139 HMP Heritage Music Publication, Inc. (See LOR) HMR HaMar Percussion Pub. (See BHI) HNA Hornarama, Australia, www.hornarama.com HNN Hornists’ Nest, P.O. Box 33, Buffalo, NY 14231 HOF Hoffman Music Publisher, 1615 Briggs, Wichita, KS HPC Hope Publishing Co., 380 South Main Place Carol Stream, IL 60188 HPE Hans Pizka Editions, www.pizka.de HRG Hargail Music Press, Hargail Music Inc., 28 W. 38th St., New York, NY 10018 HRI Harms, Inc. (See WBP) HRS Hinrichsen (See CFP) HUE Henle Urtext Editions, 2446 Centerline Industrial Drive, Maryland Heights, MO 63043-0753 HUG Hug & Co., Zurich (See MAG) HWG H. W. Gray Co. (See BMP) IMD International Music Diffusion, www.sheetmusicplus.com IMG Intrada Music Group, 2222 Hill St., Anderson, IN 46012 INO International Opus, P.O. Box 4852, Richmond, VA 23220 INP Innovative Percussion, Inc., 501 Metroplex Dr. Suite 109, Nashville, TN 37211 INT International Music Co., (See BOU) IRA Israeli Music Publications, Ltd., (See TPC) ITA International Trombone Association Press, 138 Fine Arts Bldg., University of Missouri Columbia, Columbia, MO 65211 ITG International Trumpet Guild, www.trumpetguild.org ITL Interlochen Press (See FMI) JBI JCS
50
Joseph Broonin, Inc., Box 2124, South Hackensack, NJ 07606 J. Curwen & Sons Ltd. (See GSI & HLN)
JEN Jenson Publications, Inc., (See HLN) JER Jerona Music Corp., P. O. Box 5010, Hackensack, NJ 07606-4210 (See MNM) JFB J. Fisher & Bro. (See BMP) JHL Julius Hainauer, Ltd. JOB Jobert Publishers, Paris 844, Rue Du Colisée, (See TPC) JPM Joseph Patelson Music House, 160 W. 56th St. New York, NY 10019 JSM Spratt Music Publishers (See PLY) JTL JTL Pub., 1405 Fox Knoll Dr. Colonial Heights, VA 23834 JWC J & W Chester, Ltd. (See MSC) KAL KAS KBE KEN KGG KNG KNZ KPM KPP KSM KSP
LPI LUD LWM LYC
Edwin F. Kalmus, P. O. Box 5011 Boca Raton, FL 33433-8011 Kastuck Percussion Studio, Inc. 1357 Senseny Rd., Winchester, VA 22602 Kagarice Brass Editions, www.kagarice.com Kendor Music Inc., P. O. Box 278, Main & Grove Sts., Delevan, NY 14042 Karl Gilbert Percussion Studio, www.kgpercussion.com 825 N. Carter, Greentown, IN 46936 Robert King Music Sales Inc., 140 Main St. North Easton, MA 02356 Edition Kunzelmann-USA (See FMD) Keith Prowse Music Pub. Co. Ltd. (See SFP) Keyboard Percussion Publications K S M Publishing Co., (See HIN) Kistner & Siegel (See CON)
LAN Lang Percussion, (See PLY) LAT Latham Music, Ltd., 145 Forest Drive, Winston-Salem, NC 27104 www.latham-music.com LAU Laudamus Press, Intrada Music Group, P.O. Box 1240, Anderson, IN 46012 LED Leduc (See DER, LIB, TPC, & SMC) LEM Edition Lemoine & Co. (see TPC) LEO Les Editions Ourvieres (See GAL) LEP Kevin Lepper, Advantage Network, 7163 Longmeadow Lane, Hanover Park, IL 60103 Ph: 800/779-0103 LEU Leuckart, Salomonstrasse, Leipzig, Germany (See HLN) LEY Leyerle Publishers, P.O. Box 384, Geneseo, NY 14454 LGM Lawson-Gould Music Pub., Inc. (See ALF) LIB Liben Music Publishers, 6265 Dawes Lane, Cincinnati, OH 45230 LKS Luck’s Music Library, Inc., P. O. Box 71397, 32300 Edward, Madison Heights, MI 48071-0397 LMC Leeds Music Corp. (See MCA & HLN) LMM Lemur Music, 32238 Paseo Adelanto, Suite B, San Juan Capistrano, CA 92675-3624, www.lemur-music.com LMP Lang Music Publications LMS Lilly Music Service, 980 Centennial Road, Martinsville, IN 46151 LNG Lengnick (See MSC) LOM Lombardo Music Publ., P.O. Box 3037, Trenton, NJ 08619 LOR Lorenz Publishing Co., 501 E. 3rd St. Dayton, OH 45401
51
LeBlanc Publications Inc., 7019 30th Ave., Kenosha, WI 53141 (See SMC) Ludwig Music Publishing Co. Laurence Wyman, Music Dept. SUNY, Fredonia, NY 14036 Lyceum Press, P.O. Box 747, Ithaca, NY 14850
MAG Magnamusic Distributors, Inc., Rte. 4 Sharon, CT 06069 MAL Mallet Arts, See KPP MAM Marvin Music MAN Manduca Music, P.O. Box 10550, Portland, ME 04104 MAP Marimba Productions, 487 West End Ave. New York, NY 10024 MAR Edward B. Marks Music Corp., (See HLN & TPC) MAS David Maslanka www.davidmaslanka.com MBC M. Baron Co., Box 149, Oyster Bay, NY 11771 MBP Mel Bay Publications, 107 W. Jefferson Ave., Kirkwood, MO 63122 MCA MCA Music, 1755 Broadway, 8th Floor New York, NY 10022 (See HLN) MCC McCoy’s Horn Library, Houston, Minn. MCL McLaughlin & Reilly, (See WBR & SBP) MCP McClaren Publication MDM Medici Music Press, 4206 Ridgewood Ave. Bellingham, WA 98226 MED Meredith (See PLY) MEM Merion Music Inc. (See TPC) MEN Mentor Music Co., Hempstead, L. I. NY (See PDP) MEP Merson Musical Products Corp. MER Mercury Music Corp. (see TPC) MET Metropolis (See HEM) MFM Mark Foster Music, Box 4012, Champaign, IL 61820 MFP Music for Percussion, (See PLY) MGB Magnamusic-Baton, Inc., 10370 Page Industrial Blvd., St. Louis, MO 63132 MGM McGinnis & Marx, 236 W. 26th St., #11S, New York, NY 10001-6736 MHA Marty Hurley and Associates, P. O. Box 8058 New Orleans, LA 70182 MIL Mills/Belwin (See BMP & TPC) MKV Moeck Verlag, Celle (See EAM) MMB M M B Music, Inc., 10370 Page Industrial Blvd., St. Louis, MO 63132 MMC M. M. Cole Publishing Co., 251 E. Grand Ave., Chicago, IL 60611 MMI Mills Music, Inc., 1790 Broadway, New York, NY 10019 (See BMP) MMP Modern Music MMU Masters Music Publications (See LUD) MNM Margun Music, 167 Dudley, Newton Centre, MA 02159 MOD Modern Editions MOL Molenaar (See HEM) MOP Marimba One Publ MOR Erik Morales Music, www.moralesmusic.com MOS Moseler (See DER) MPC Music Publishing Co., 5003 Ridgebury Blvd., Cleveland, OH 44124
MPH MPI MPM MPR MPT MSC MSD MSI MSS MTP MUC MUF MUL MUP MUR MUS MUX
Music Publishers Holding Corp. (See WBR) Music Press Inc. (See TPC) Mitchell Peters Music (See MTP) Merrymount Press (See TPC) Music Press (See TPC) Music Sales Corp., P. O. Box 572 Chester, NY 10918 Musikverlag Schwann, Dusseldorf, Germany Music 70 (See PLY) M. S. Publications, 946 S. Wesley, Oak Park, IL 60304 Mitchell Peters, 3231 Benda Place, Los Angeles, CA 90028 Music Corp. of America (See HLN & MCA) Music for Percussion, 17 W. 60th St. New York, NY 10023 Marimbas Unlimited, 5140 Vineland Ave., North Hollywood, CA Musicians Publications, 1076 River Rd., Trenton, NJ 08628 Music Arts Co. Musica Rara (France) Music Express
NAK NCI NEA NEM NGV NKV NME NMP NOE NOR NOV NSP NWM NWP
Neil A. Kjos Music Co., 4382 Jutland Drive, San Diego, CA 92117-0894 National Cello Institute, 956 Sentinel Dr. La Verne, CA 91750 Jeff Nearpass, 3514 E. 98th St. Carmel, IN 46033 National Educational Music (See VLK) Nagel Verlag (See FMD) Norsk Musicforlag, A. S. Osla (See MMB) New Music Edition (See TPC) National Music Publishers, Box 868, Tustin, CA 92680 Heinrichshofen’s-Verlag (See CFP) Northeastern Music Pub., P.O. Box 517, Glenmoore, PA 19343 Novello & Co. (See TPC) Nick Stamon Press, 4380 Middlesex Drive, San Diego, CA 92116 New World Music Corp. (See WBR) Nourse Wind Publ., 7 Ronan Ave., Toronto, Ontario, Canada M4N 2X8
PAU Paul-Mueller Studios, 3049 W. 71st. Indianapolis, IN 46268 PAX Paxman, www.paxman.com.uk PAY Albert Payson, 1478 Van Buren, Des Plaines, IL 60016 PDS Professional Drum Shop, Inc., 854 Vine St. Hollywood, CA PER PercMaster Publications, www.percmaster.com PET C. F. Peters Corp., 373 Park Ave. S., New York, NY 10016 PHC Philharmusica Corp., Box 180, West Nyack, NY 10994 PIC Peer International Corp., 810 Seventh Ave., New York, NY 10019 (See TPC, PSC) PIE Piedmont Music Co., Inc. (See HLN & MAR) PIO Pioneer Percussion, Box 10822, Burke, VA 22009 PIP Little Piper, P. O. Box 14038, Detroit, MI 48214 PLY Plymouth Music Co., Inc., 170 N. E. 33rd St. Fort Lauderdale, FL 33334 PMC Paramount Music Corp., 1619 Broadway, New York, NY PMP Phoenix Music Publ., www.hornarama.com PMS Presto Music Service (See DER) PNO P. Noel, 24 Bld. Poissoniere, Paris (1Xe) (See MBC) POD Podium Music Inc., 4 Broadway, Valhalla, NY 10595 POP Penn Oak Press, P. O. Box 20885, Philadelphia, PA 19141 POT Potsdam Publications PPB Permus Pub., Box 02033, Columbus, OH 43202 PPM PP Music PPP Paul Price Pub. (See PLY) PRO Pro- Art Publications (See HPC) PRP Preludio Publications c/o Shar Products Co., Ann Arbor, MI PVM Providence Music Press (See HPC) PYR Pyraminx, 358 Aldrich Rd., Fairport, NY 14450
OAK Oak Publications (See MSC) OAM O.A.M.E. Press, Box 806, Montebello, CA 90640 OME Omega Music Edition (See SFP) OOL Ooolitic Music, 1111 E. Wylie, Bloomington, IN 47401, www.oooliticmusic.com OOP Out of Print (permanently) OPE OU Percussion Press OPM Samuels Publication, Orient Point Music Publ., 143 W. 27th St., New York, NY 1001 OUP Oxford University Press, 170 N. E. 33rd Street, Ft. Lauderdale, FL 33334 PAC PAP PAT
Paris Conservatory Publishers Papagena Press, Box 20484 Park West Station, New York, NY 10025 Paterson’s Publications (See TPC)
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QCB
Queen City Brass (See MAN)
RAH RAL RBC RBO RCP RDC RDP RDR REC REM RGM RIC RLP RMC
R. A. Hoffman (See ANT) Raldon Music Corp., Jericho, L. I., NY 11753 RBC Music Co., P.O. Box 29128, San Antonio, TX 78229 Rebo Music Co., 842 S. Franklin, Denver, CO 80809 Roncorp, P. O. Box 724, Cherry Hill, NJ 08003 Rudall Carte (See BHI) Roger Dean Publishing Co., 324 W. Jackson, Macomb, IL 62455 Richard D. Row Music Co. (See CFM) Recital Publications, P.O. Box 1697, Huntsville, TX 77342, www.recitalpublications.com Remick Music Corp. (See MPH) Really Good Music, LLC, 121 E. Polk Ave., Eau Claire, WI 54701 G. Ricordi & Co. (See RMP, GSI) Row-Loff Productions, P. O. Box 292671, Nashville, TN 37229 Robbins Music Corp. (See BTM, BMP)
RMP RMW RNH ROC RON ROS RPP RPR RUB
Rochester Music Pub. Inc., 358 Aldrich Rd., Fairport, NY 14450 R.M. Williams, www.rmwpublishing.com Ernest Reinhardt, Basel (See MGM) Roncorp Inc., P.O. Box 724, Cherry Hill, NJ 08003 Rongwen Music (See BRE) Rosehill Publications Rudimental Percussion Publications, P. O. Box 17163, Hattiesburg, MS 39404-7163 Richmond Music Press, Box 465-PP Sta., Richmond, IN 47374 Rubank, Inc., (See HLN)
STP
Standard Music Pub. Inc., Box 1043, Whitman Square, Tunerville, NJ 08012
TAP Tap Music Sales, 1992 Hunter Ave. Newton, Iowa 50208 www.tapmusic.com TBI The Bass Project, Inc., 8908 Eastbourne Lane, Laurel, MD 20708 TBP The Brass Press, 136 Eighth Ave. North Nashville, TN 37203 TEM Tempo Music Publications, Inc., Box 392, Chicago, IL 60690 TEN Tenuto Pub. (See TPC) TEP Tuba-Euphonium Press, www.tubaeuphoniumnpress.com TET Tetra Music Corporation (See PLY) TEZ Mark Tezak (Germany) THE Thompson Edition, Inc. (see KNG) TIE Tieroliff Muziekcentarle (Nederland) TMC Transcontinental Music Corp., 838 Fifth Ave., New York, NY 10021 TOM M. Tompkins, Publisher 42821 Woodvale Ln., Columbiana, OH 44408 TOU Touch of Brass (Canada) TPC Theodore Presser Co., 1 Presser Place, New York, NY 10021 TPL Triplo Press, 806 White Oak Drive, Oxford, OH 45056 TRI Trigram Music Inc., 1801 Century Park East, Suite 2400, Los Angeles, CA 90067 TRM Tromba Publications TRN TRN Music Publisher,
[email protected] TRO TRO Music (See PDS) TRP Tritone Press (See TPC) TRY Try Pub. (See PDS) TSP Tap Space Publications, P.O. Box 55753, Portland, OR 97238-5753 TTF To The Fore Pub., www.totheforepublishers.com TUB Tuba Press Editor, David Miles, TUBA, 3811 Ridge Road, Annandale, VA 22003 TUS Tuskeegee Music
SAI Sweet Adelines, Inc., 5334 E. 46th St. P. O. Box 45168, Tulsa, OK 74145 SAL Editions Salabert, (See HLN & GSI) SAN Sansone (See SMC) SBC Silver Burdett Co., Park Ave. & Columbia Rd., Morristown, NJ 07960 SBP Summy-Birchard Pub. Inc., (See WBR) SBR Shapiro-Bernstein (See PLY) SCH Schott & Co. (See EAM) SCI Sprague-Coleman, Inc. (See MCA & HLN) SCN Schneider, 60 Avenue Poincare, Paris 16, France SCP Scott Publications SEE Seesaw Music Corp., 2067 Broadway, New York, NY 10023 SFP Sam Fox Publishing Co. (SEE PLY) SHM Schmitt, Hall & McCreary Co. (See BMP) SHP Shawnee Press Inc., Waring Drive, Delaware Water Gap, PA 18327 SHU Schumann Music Co. (See BOU) SIE Sierra Music, P. O. Box 543, S. 1210 Star Lane, Liberty Lake, WA 99019 Ph: 509/255-6551 SIK Sikorski, Hamburg (See HLN & GSI) SIS Simon & Schuster, Inc., Rockefeller Center, 630 Fifth Ave., New York, NY 10020 SKD Skidmore Music Inc. (See SBR) SLP Slingerland Pub., 6633 N. Milwaukee Ave., Niles, IL 60648 SMC Southern Music Co., P. O. Box 329, 1100 Broadway, San Antonio, TX 78292 SMP Southern Music Pub. Co., 1619 Broadway, New York, NY 10025 (See TPC & SBP) SMR Simrock (See TPC) SMS Somerset Music Press, Inc. (See CFM) SNB Santa Barbara Music Publishing, P.O. Box 41003, Santa Barbara, CA 93140 SOM Somers Music Publications, 45 Kibbe Dr. Somers, CT 06071 SPE S.P.E.B.S.Q.S.A., Inc., Box 575, Kenosha, WI 53141 SPP Spencer Blume Pub., 1717 Broadview Lane, #214, Ann Arbor, MI 48105 Ph: 313/662-4497 SPR Studio P/R, Inc. (See BMP) STB Stainer & Bell, Ltd. (See ECS) STD Studio 4 (See ALF) STI STIM-Swedish Performing Rights Society Email
[email protected]
UED Universal Editions (Austria) UME Union Musical Espagnola (See MCS, GSI & HLN) UMI University of Miami Pub., Coral Gables, FL (See SFP) UMM University of Miami Music Publications, (SEE PLY) UMP University Music Press, Box 1267, Ann Arbor, MI 48106 UNI Universal Edition, Inc., 254 W. 31st St., 15th floor NY, NY 10001 www.universaledition.com UNV Universal Musical Instrument Co., 732 Broadway, New York, NY 10019 UTP Universal Edition (See EAM) VIR VLK VMP VOR
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Virgo Music Publishing, 9018 Waldon Rd. Silver Springs, MD 20901 Volkwein Bros., Inc., (See BMP) Viola World Publications, 14 Fenwood Rd., Huntington Station, NY 11746 Voice of the Rockies, P.O. Box 1043, Boulder, CO 80306 (see IMG)
WAL Walton Music Corp., 170 N. E. 33rd. St. Fort Lauderdale, FL 33334 (See PLY) WAR Warwick Music U.K., Holloway House The Market Place, Warwick, England CV34 4SJ WAT Waterloo, 3 Regina St., N. Waterloo, Ontario, Canada WBM Whitney Blake Music Pub. (Out of Business) WBR Warner Bros., Inc., 265 Secaucus Rd., Secaucus, NJ 07096-2037 WDM Watchdog Music www.watchdogmusic.com WEH Wehr’s Music House, 3533 Baxter Dr., Winter Park, FL 32792, www.wehrs-music-house.com WEI Josef Weinberger (See BHI) WFL William F. Ludwig Drum Co., 1827-40 N. Damon Ave., Chicago, IL 60647 WHH Wilhelm Hansen, Copenhagen (See MSC) WHL Whaling Music Publishers (See CIM) WHM William Holab Music WIB Wimbledon Music, Inc. (See TRI) WIL Williams Music Publishing Co. WIM Western International Music, 3707 65th Ave., Greeley, CO 80634-9626, www.wiminc.com WIT M. Witmark & Sons (See WBR) WJM Wingert-Jones Music, 2026 Broadway, Box 419878, Kansas City, MO 64141 WLC Jos. Williams Co. (See ECS) WLD Wilder Music (See PLY & TPC) WLE Weaner Levant (See TPC) WLM Willis Music Co., 7380 Industrial Rd., Florence, KY 41042 WLS Willis Music Corp., (See WLM) WMI Williamson Music Inc. (See HLN) WNT Weintraub Music Co. (See MSC) WOO John Wooten, Southern Station Box 5032, Hattiesburg, MS 39406-5032 WPU Wick Publishing Co., 3936 43rd St. Minneapolis, MN 55400 WRE Otto Wrede, Wiesbade, W. Germany WTB Weintraub (See MSC) YBM YED
Ybarra Music, Box 665, Lemongrove, CA 92045 Yorke Edition (See ECS)
ZAN ZIM
Zanibon, Piazza del Signori 24, 35100 Padore, Italy Zimmerman (See CFP)
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