VLZ4 4•Bus
24-/32-Channel 4•Bus FX Mixer with USB
2404VLZ4 and 3204VLZ4 In pursuit of the ultimate “do-it-all” Live Sound Mixer, we threw in the kitchen sink and packed this bad boy with a full set of processors allowing you to travel “rack free” while still making professional sounding mixes. For starters, we added not one, but TWO, of our patented Running Man FX processors (RMFX+™) featuring 24 “gigready” effects right into the board. This does not include useless effects such as “the warbler” or the “insanity delay”, but rather a suite of quickly accessible and useable reverbs, choruses and delays that make coloring your mix a breeze. Additionally, both FX processors feature a tap delay, typically only available on an outboard rack. Delays may easily be sync’d with the song at the tap of a finger. And because we love flexible routing (hehe), the processed signal may be sent direct to the mains and monitors from the effects section or re-routed to the two stereo channels to bring them through the EQ and aux section, utilizing the 60mm fader to draw them into the mix. But wait, there’s more! The VLZ4 4•Bus has eight (yes, eight!) single knob compressors to stop the dynamic signals from poking out of the mix. Four compressors are located on the last four mic inputs so that the most critical signals (such as vocals, snare drum, the occasional jaw harp or mountain goats) may be addressed. Plus, there are single knob compressors on each of the four subgroups so that grouped signals (such as a drum set or a choir of didgeridoos) may be blended together for paramount smoothness. The VLZ4 4•Bus Series Mixers also feature a 4x2 USB recording and playback function. This means that up to four signals may be recorded simultaneously and a stereo mix returned to the mixer for playback. Bottom line? You have an awesome mixer with VLZ4 sound quality, “built-like-a-tank” build quality and a recording and processing feature set that is unparalleled. Congratulations... and happy mixing!
Like us Follow us Watch our dang videos
APPLICATIONS: Live sound mixing, houses of worship, clubs, gymnasiums, banquet halls, conference rooms, boardrooms, multitrack studio and field recording, video post-production, multimedia applications, broadcast and many, many more.
1/6 PAGES
VLZ4 4•Bus FEATURES:
■ “Built-Like-A-Tank” rugged steel chassis with powder-coat finish
■ 4•Bus mixer featuring our signature high-headroom, low-noise design
■ High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback
■ Boutique-quality Onyx mic preamps • Ultra-wide 60 dB gain range • 128.5 dB dynamic range • +22 dBu line input handling • Extended frequency response • Distortion under 0.0007% [20 Hz – 50 kHz]
■ Universal power supply for worldwide use
VLZ4 4•Bus SPECIFICATIONS Main Mix Noise
■ Improved RF rejection, perfect for broadcast applications
(20 Hz–20 kHz bandwidth, 1/4" main out, channel gains @ unity, channel EQs flat, all channels assigned to main mix, odd channels panned left, even channels panned right.)
■ Phantom power for condenser mics ■ Dedicated inline channel compression for critical inputs
24-/32-Channel 4•Bus FX Mixer with USB
■ High-headroom line inputs with dedicated inserts
Main mix fader unity, channel faders down: –87.0 dBu (–91.0 dB Signal to Noise Ratio, ref +4 dBu) [2404VLZ4] –84.5 dBu (–88.5 dB Signal to Noise Ratio, ref +4 dBu) [3204VLZ4] Main mix fader @ unity, channel faders @ unity: –81.5 dBu [2404VLZ4] –80.0 dBu [3204VLZ4]
■ 3-band EQ with sweepable midrange ■ 18 dB/oct 100 Hz low-cut filter on mic input channels
Total Harmonic Distortion (THD)
■ Level, pan, solo and overload/mute LEDs on each channel
(1 kHz @ 15 dB gain, 20 Hz–20 kHz bandwidth) Mic in to insert send Mic in to main out
<0.001% <0.005%
■ Four subgroups featuring dedicated inline compressors for total dynamic control ■ Six aux sends with inserts, pre/post fader and internal/external FX send options ■ Two stereo returns and four group outs with inserts ■ Dual 32-bit RMFX+™ processors featuring 24 “Gig Ready” reverbs, choruses and tap delay for live applications
Attenuation / Crosstalk (1 kHz relative to +10 dBu, 20 Hz–20 kHz bandwidth, mic in, 1/4" main out, gain @ unity) Channel mute switch engaged
–90 dBu
Channel fader down
–88 dBu
Frequency Response
■ Integrated 4x2 24-bit USB interface • Stream subgroups or master L/R to your PC or Mac for recording • Use your favorite plug-in live via auxes 5/6 • Convenient stereo return to mains for music playback or return to channel to implement EQ, auxes and more
Mic input to main output (gain @ unity) +0, –1 dB, 20 Hz to 50 kHz +0, –3 dB, <10 Hz to >100 kHz
■ PFL/AFL solo modes
150
Equivalent Input Noise (EIN) (Mic input to insert send out, max gain) termination
–128.5 dBu 20 Hz–20 kHz
■ 60 mm long-wearing log-taper faders ■ High-resolution 12-segment stereo meters ■ Sealed rotary controls resist dust and grime
Common Mode Rejection Ratio (CMRR) 1 kHz
better than –70 dB
2/6 PAGES
VLZ4 4•Bus Maximum Levels
24-/32-Channel 4•Bus FX Mixer with USB
Physical Properties (product)
Mic in
+21 dBu
All other inputs
+21 dBu
Front Height Rear Height
Main mix XLR out
+27 dBu
Depth
19.1 in / 486 mm [Both]
+21 dBu
Width
29.4 in / 748 mm [2404VLZ4] 38.0 in / 964 mm [3204VLZ4]
Weight
31.0 lb / 14.1 kg [2404VLZ4] 39.0 lb / 17.7 kg [3204VLZ4]
All other outputs
1.8 in / 46.3 mm [Both] 6.0 in / 153 mm [Both]
Impedances Mic in
2.7 k
Channel insert return All other inputs
2.5 k 10 k
or greater
Physical Properties (packaged product) Height
10.6 in / 269 mm [Both]
Tape out
<10
Depth
23.0 in / 584 mm [Both]
All other outputs
120
Width
33.9 in / 861 mm [2404VLZ4] 42.5 in / 1080 mm [3204VLZ4]
Weight
37.0 lb / 16.8 kg [2404VLZ4] 44.0 lb / 20.0 kg [3204VLZ4]
3-Band EQ (mono channels) High Shelving Mid Peaking
±15 dB @ 12 kHz ±15 dB sweep 100 Hz – 8 kHz
Low Shelving
±15 dB @ 80 Hz
Low Cut Filter
18 dB/octave, –3 dB @ 100 Hz
4-Band EQ (stereo channels) High Shelving
±15 dB @ 12 kHz
Hi Mid Peaking
±15 dB @ 2.5 kHz
Low Mid Peaking
±15 dB @ 400 Hz
Low Shelving
±15 dB @ 80 Hz
USB Format I/O A/D/A
Options 2404VLZ4 Mixer Cover
P/N 093-008-00
3204VLZ4 Mixer Cover
P/N 093-008-01
Ordering Information 2404VLZ4 24-Channel 4•Bus FX Mixer with USB, US
P/N 2040769-00
2404VLZ4 24-Channel 4•Bus FX Mixer with USB, EU
P/N 2040769-01
2404VLZ4 24-Channel 4•Bus FX Mixer with USB, AU
P/N 2040769-04
2404VLZ4 24-Channel 4•Bus FX Mixer with USB, CN
P/N 2040769-05
2404VLZ4 24-Channel 4•Bus FX Mixer with USB, BZ
P/N 2040769-06
3204VLZ4 32-Channel 4•Bus FX Mixer with USB, US
P/N 2040770-00
3204VLZ4 32-Channel 4•Bus FX Mixer with USB, EU
P/N 2040770-01
USB 1.1
3204VLZ4 32-Channel 4•Bus FX Mixer with USB, AU
P/N 2040770-04
Stereo Input, 4 Channel Output
3204VLZ4 32-Channel 4•Bus FX Mixer with USB, CN
P/N 2040770-05
24 bit, 44.1 kHz / 48 kHz
3204VLZ4 32-Channel 4•Bus FX Mixer with USB, BZ
P/N 2040770-06
AC Power Requirements Power Consumption
55 watts [2404VLZ4] 65 watts [3204VLZ4]
US, JP
100 – 120 VAC, 50 – 60 Hz
EU, UK, AU, CN
200 – 240 VAC, 50 – 60 Hz
Operating Temperature
0˚ – 40˚C 32˚ – 104˚F
3/6 PAGES
VLZ4 4•Bus
24-/32-Channel 4•Bus FX Mixer with USB
VLZ4 4•Bus DIMENSIONS 3204VLZ4 NOTES: 1. WEIGHT APPROX. 39.0 lb [17.7 kg] 2. SHIPPING WEIGHT APPROX. 44.0 lb [20.0 kg] 6.0 [153]
19.1 [486]
38.0 [964]
1.8 [46]
2404VLZ4 NOTES: 1. WEIGHT APPROX. 31.0 lb [14.1 kg] 2. SHIPPING WEIGHT APPROX. 37.0 lb [16.8 kg]
6.0 [153]
19.1 [486]
29.4 [748]
THIRD ANGLE PROJECTION
UNLESS OTHERWISE SPECIFIED: ALL DIMENSIONS ARE IN INCHES DUAL [MM] DIMENSIONS FOR REF ONLY TOLERANCE IN INCHES LINEAR ± 0.13 in / ± 3.3 mm ANGLES ± 1°
THE INFORMATION CONTAINED HEREIN IS PROPRIETARY AND CONFIDENTIAL PROPERTY OF LOUD TECHNOLOGIES, INC. ALL RIGHTS RESERVED
(X.XX) = REF DIMS NO TOLERANCE IMPLIED TSC = THEORETICAL SHARP CORNER DIMENSIONS ACROSS CENTERLINES TO BE SYMMETRICAL
1.8 [46]
4/6 PAGES
VLZ4 4•Bus
Phantom Power
Mic Line Phantom Power
Line
Mic
+
-
-
+
-20dB pad
-
+
Gain
bypass HPF In
HPF
HPF
100Hz
bypass HPF In
100Hz Mic: 0 ~ +60dB Line: -15 ~ +45dB
+
Gain
-
Gain
Mic: 0 ~ +60dB Line: -15 ~ +45dB
(Second stereo channel only)
Comp
Insert
100~8K
MID 12K
HI
2.5K
MID
12K
HI
12K
HI
OL (flicker) mute (on)
OL (flicker) mute (on)
Mute
Level
Level
post pre
Pan
Pan
Assign L/R
3/4
1/2
FX2 Aux 6 FX1 Aux 5 Aux 4 Aux 3 Aux 2 Aux 1 Solo
Assign L/R
3/4
1/2
FX1 Aux 6 FX2 Aux 5 Aux 4
Aux 1
Aux 3 Aux 2
Solo
Solo
Aux 3
PFL Solo PFL solo
FX 1 FX 2 FX1 FX 2
AFL solo L
-20 Sig (flicker) solo (on)
80
LO
MID
3-Band EQ w/ Swept Mid
400
MID
2.5K
-20 Sig (flicker) solo (on)
80
LO
400
MID
4-Band EQ
80
LO
Mute
post pre
2 track Input Level
Aux 2 (pre) Aux 3 (pre/post) Aux 2
Phantom Power (To All Mics)
Line FX 1 USB
-20 ~ +20dB
Tape USB
To Main Mix Solo
3 4
Global 48v 48V Switch/LED
Mono Channels 1-16 (2404) 1-24 (3204)
Mono Channels 17-20 (2404) 25-28 (3204)
L
R
Int FX 1 Out L
-
+
+
-
To Aux 1 To Aux 2 To Aux 3
Aux1-4
To Aux 4
L-R
AFL solo L AFL solo R
Comp
Meter Select
Sub 1 Sub 2
Sub 4
Sub 3
Insert
Insert
Solo Level
L Insert
Solo Solo Logic
L sum
Sub 1 sum
Aux 1 sum Solo
L
R
Internal FX 1
(Internal FX 2 identical except returns to second stereo channel)
(To first stereo channel)
Main
Aux2
Aux1
Sub Assign To Main Mix L R Solo (1&3) Solo (2&4)
Solo mode
R Insert
AFL PFL
R sum
AFL Solo L R
PFL Solo
AFL solo R
Int FX 1 Out R (FX2 on 2 nd st ch.)
Stereo Channels 21/22 & 23/24 (2404) 29/30 & 31/32 (3204)
L R
L
Tape Input USB In Stereo Return 1 & 2 R
Hudson River
Central Park
Talkback Level
Talkback Assign
Sub 3 4 Aux 1 (pre) Aux 1
M ain R 1 2
R 1 2
Sub
L L
Main
24-/32-Channel 4•Bus FX Mixer with USB VLZ4 4•Bus BLOCK DIAGRAM
Aux 6 (post)
Aux 4
Aux 4 (pre/post) Aux 5 Aux 6
Aux 5 (post)
to USB 3-4
Sub 3-4 Aux 5-6
Monitor Level
Sig/OL
Phones Level
In
Out R
FX 1
Out L
RUDE SOLO LED
Mono level
Mono Insert
Sub 1-2 Main L-R
to USB 1-2
Main level
Aux 5
Aux 6
Sub 1 level
Aux 1 Level
FX 1 master level
Active FX Mute
FX 1 Bypass Logic
R
Main Out
L
Mono Out
L
R
Tape Out
USB Out
Mono
L
Monitor Out
R
Phones
Sub 1 Out
(Sub 2-4 identical)
Aux 1 Out
(Aux 2-6 identical)
Preset select
Tap
FX Preset Display
5/6 PAGES
VLZ4 4•Bus
24-/32-Channel 4•Bus FX Mixer with USB
VLZ4 4•Bus FRONT AND REAR PANEL (2404VLZ4 shown) MONITOR
21/22
SUBGROUP INSERTS
TIP SEND, RINGRETURN
L
4
3
2
23/24
BAL / UNBAL
1
MONO
4
R
BAL / UNBAL
3
2
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
STEREO RETURNS
TIP SEND, RING RETURN
4
LINE (BAL / UNBAL)
19
20
R
5
1
LINE (BAL / UNBAL)
1
AUX INSERTS
6
INSERTS (TIP SEND, RING RETURN)
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
MONO
SUBGROUP OUTS
MONITOR
INSERTS (TIP SEND, RING RETURN)
BAL / UNBAL
L
3
2
1
BAL / UNBAL
2
1
ONYX MIC PREAMPS
ONYX MIC PREAMPS
L MONO
AUX SENDS BAL / UNBAL
6
5
4
3
2
2
1
1
R
POWER ON
PHANTOM ON
RIGHT INSERT
LEFT
MAIN OUT
LINE
INSERT
MONO
MAIN OUT
LINE
INSERT
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20 100 - 240 V 50 - 60 Hz 55W
TALKBACK MIC
TAPE
MAIN OUT
IN
LINE
OUTPUT
L
U
REVISION
SERIAL NUMBER
OUT
USB
L
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC
R
+6
TIP SEND RING RETURN
TIP SEND RING RETURN
BAL / UNBAL
LEVEL
TIP SEND RING RETURN
BAL / UNBAL
REPLACE WITH THE SAME TYPE FUSE AND RATING. DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE
1
2
GAIN
30
U -20dB
60 +40dB
40
U -20dB
60 +40dB
40
U -20dB
60 +40dB
40
U -20dB
60 +40dB
40
U -20dB
60 +40dB
40
U -20dB
60 +40dB
40
U -20dB
60 +40dB
40
U -20dB
60 +40dB
40
U -20dB
60 +40dB
40
U -20dB
60 +40dB
40
U -20dB
60 +40dB
40
U -20dB
60 +40dB
40
U -20dB
60 +40dB
40
U -20dB
60 +40dB
40
U -20dB
60 +40dB
40
U -20dB
60 +40dB
LOW CUT 100 Hz
LOW CUT 100 Hz
LOW CUT 100 Hz
LOW CUT 100 Hz
LOW CUT 100 Hz
LOW CUT 100 Hz
LOW CUT 100 Hz
LOW CUT 100 Hz
LOW CUT 100 Hz
LOW CUT 100 Hz
LOW CUT 100 Hz
LOW CUT 100 Hz
LOW CUT 100 Hz
LOW CUT 100 Hz
LOW CUT 100 Hz
LOW CUT 100 Hz
PAD -20dB
PAD -20dB
PAD -20dB
PAD -20dB
PAD -20dB
PAD -20dB
PAD -20dB
PAD -20dB
PAD -20dB
PAD -20dB
PAD -20dB
PAD -20dB
PAD -20dB
PAD -20dB
PAD -20dB
PAD -20dB
40
U -20dB
60 +40dB
AUX U
AUX U
U
+15
U
U
2
2
U
U
2
U
U
2
U
U
2
U
U
2
U
U
2
U
U
2
U
U
2
U
U
2
U
U
U
U
2
U
2
U
U
U
3
+15
U
U
U
U
60 +40dB
-20
+20
-20
U
23 24
SUCK 50%
12V 0.5A
+20
+15
U
U
U
2
U
U
2
U
3
+15
U
U
U
3
+15
U
4
U
U
U
FX1
U
+15
+15
EQ
+15
EQ
U
-15
U
+15
-15
800
-15
U
+15
-15
2k 100
U
800
-15
U
-15
2k 100
U
800
-15
LOW 80Hz
U
+15
-15
2k 100
U
800
-15
LOW 80Hz
U
-15
2k 100
U
800
-15
LOW 80Hz
U
+15
-15
2k 100
U
800
-15
LOW 80Hz
U
-15
2k 100
U
800
-15
LOW 80Hz
U
+15
-15
2k 100
U
800
-15
LOW 80Hz
U
-15
2k 100
U
800
-15
LOW 80Hz
U
-15
2k 100
U
800
-15
LOW 80Hz
U
+15
-15
2k 100
U
800
-15
LOW 80Hz
U
2k 100
U
-15
800
-15
U
U
-15
800
-15
LOW 80Hz
U
+15
-15
U
800
-15
LOW 80Hz
U
+15
-15
2k 100
U
800
-15
LOW 80Hz
U
-15
2k 100
U
800
LOW 80Hz
U
+15
-15
800
-15
U
2k 100
8k
LOW 80Hz
U
U
-15
800
-15
+15
-15
800
-15
U
U
-15
800
+15
-15
FREQ 200
8k
2k 100
U
EQ
U
U
LOW 80Hz
U
-15
-15
+15
-15
+15
-15
PAN
+15
-15
PAN
+15
-15
PAN
+15
-15
PAN
+15
-15
PAN
+15
-15
PAN
+15
-15
PAN
+15
-15
PAN
+15
-15
PAN
+15
-15
PAN
+15
-15
PAN
+15
-15
PAN
+15
-15
PAN
+15
-15
PAN
-15
+15
+15
-15
PAN
PAN
+15
-15
PAN
+15
-15
PAN
U
U
TAP DELAY
+15
-15
-15
R
L
1
R
L
2
MUTE
R
L
3
MUTE
R
L
4
MUTE
R
L
5
MUTE
R
L
6
MUTE
R
L
7
MUTE
R
L
8
MUTE
R
L
9
MUTE
R
L
10
MUTE
R
L
11
MUTE
R
L
12
MUTE
R
L
13
MUTE
R
L
14
MUTE
R
L
15
MUTE
R
L
R
L
17
16
MUTE
R
L
18
MUTE
MUTE
R
L
19
MUTE
R
L
-15
R
U
MUTE
5
OL
dB 10
-20
5
U 5 10
40 50 60 OO
dB 10
-20
5
U
SOLO
1-2
20 30
OL
5 10
30
LR
40 50 60 OO
dB 10
-20
5
U
SOLO
1-2
20
3-4
OL
5 10
30
LR
40 50 60 OO
dB 10
-20
5
U
SOLO
1-2
20
3-4
OL
5 10
30
LR
40 50 60 OO
dB 10
-20
5
U
SOLO
1-2
20
3-4
OL
5 10
30
LR
40 50 60 OO
dB 10
-20
5
U
SOLO
1-2
20
3-4
OL
5 10
30
LR
40 50 60 OO
dB 10
-20
5
U
SOLO
1-2
20
3-4
OL
5 10
30
LR
40 50 60 OO
dB 10
-20
5
U
SOLO
1-2
20
3-4
OL
5 10
30
LR
40 50 60 OO
dB 10
-20
5
U
SOLO
1-2
20
3-4
OL
5 10
30
LR
40 50 60 OO
dB 10
-20
5
U
SOLO
1-2
20
3-4
OL
5 10
30
LR
40 50 60 OO
dB 10
-20
5
U
SOLO
1-2
20
3-4
OL
5 10
30
LR
40 50 60 OO
dB 10
-20
5
U
SOLO
1-2
20
3-4
OL
5 10
30
LR
40 50 60 OO
1-2
5 10
-20
5
3-4
30
LR
40 50 60 OO
“Mackie” and the “Running Man” figure are registered trademarks of LOUD Technologies Inc. All other brands mentioned are trademarks or registered trademarks of their respective holders, and are hereby acknowledged.
OL
dB 10
-20
5
U
SOLO
1-2
20
LOUD Technologies Inc. is always striving to improve our products by incorporating new and improved materials, components, and manufacturing methods. Therefore, we reserve the right to change these specifications at any time without notice.
©2013 LOUD Technologies Inc. All rights reserved.
dB 10
U
SOLO
20
3-4
OL
5 10
30
LR
40 50 60 OO
dB 10
-20
5
U
SOLO
1-2
20
3-4
OL
5 10
30
LR
40 50 60 OO
dB 10
-20
5
1-2
5 10
SOLO
30
LR
40 50 60 OO
5 10
1-2
dB 10
-20
5
3-4
30
LR
40 50 60
OL
dB 10
-20
5
U
SOLO
1-2
20
20
3-4
OL
U
U
SOLO
20
3-4
OL
5 10
30
LR
40 50 60
OO
OO
dB 10
-20
5
U
SOLO
1-2
20
3-4
OL
5 10
30
LR
40 50 60
dB 10
-20
5
U
SOLO
1-2
20
3-4
OL
5
L
10
1-2
20
3-4
30
LR
40 50 60
OO
OO
5 10
OL
dB 10
-20
5
30
LR
40 50 60 OO
+15
MONITOR
U
U
MUTE +15
Owner’s Manual
PHONES
TALKBACK U
MAX COMP
OFF
STEREO
MAX COMP
OFF
MAX COMP
OFF
STEREO
MAX COMP
R
1-2
5 10
+15
LEVEL
LEFT
LEFT
LEFT
LEFT
RIGHT
RIGHT
RIGHT
RIGHT
30
LR
40 50 60 OO
2
PUSH TO TALK
SOLO
3
4
AUX 1-4
MAIN
MAIN MIX
OL
dB 10
dB 10
dB 10
dB 10
dB 10
-20
5
5
5
5
5
U
U
U
U
U
5
5
5
5
5
10
10
10
10
10
20
20
20
20
20
3-4
30
30
30
30
30
LR
40 50 60
40 50 60
40 50 60
40 50 60
40 50 60
OO
OO
OO
OO
OO
SOLO
1-2
20
3-4
SOLO
SOLO
VLZ4_4BUS_SS.PDF VLZ4_4BUS_OM.PDF
www.mackie.com 16220 Wood-Red Road NE Woodinville, WA 98072 USA 800-898-3211, Fax 425-487-4337 Part No. SW0996 Rev. A 08/13
+15
TO LR
Electronic files for this product are available at: www.mackie.com Specification Sheet
+15
TO AUX 2
SUBGROUPS
+15
U
SOLO
20
3-4
TAP DELAY
+15
MUTE ALT 3-4
U
SOLO
U
TO LR
1
dB 10
U
+15
23/24
MUTE ALT 3-4
MUTE
+15
SOLO
BAL
21/22
20
MUTE
U
+15
TO AUX 1
U
SOLO
L
+15
FX MASTER
LOW 80Hz
+15
BAL
+15
TO AUX 2
HI MID 2.5k +15
LOW 80Hz
+15
PAN
U
U
OFF -15
PAN
+15
TO AUX 1
LOW MID 400Hz
+15
LOW 80Hz
FX 2 U
SIG/OL
+15
LOW MID 400Hz -15
8k
PFL AFL
SOLO
SOLO
U
U
HI MID 2.5k +15
2k 100
SOLO MODE
HI 12k
+15
FREQ 200
8k
LOW 80Hz
U
SOLO
SIG/OL
FX MASTER
HI 12k
+15
RUDE SOLO +15
2
+15
U
MID
+15
FREQ 2k 100
LOW 80Hz
LOW 80Hz
U
MID
+15
200
8k
EQ
+15
U
LR
+15
FX 1
FX AUX 5/6
HI 12k
+15
U
SOLO
U
6
+15
U
+15
+15
FX2
FX AUX 5/6
HI 12k
+15
FREQ 200
2k 100
EQ
U
MID
+15
FREQ 200
8k
EQ
MID
-15
+15
+15
FX AUX 5/6
HI 12k
U
6
FX2
20 30
1
FX1
+15
6
+15
U
U
7 10
LEVEL SET
6
5
FX1
+15
2 4
+15
U
AUX 4
SOLO
U
FX2
FX AUX 5/6
HI 12k
+15
FREQ 200
8k
EQ
U
U
U
AUX 3 +15
U
+15
U
5
FX1
+15
6
+15
MID
+15
FREQ 200
8k
EQ
U
FX2
FX AUX 5/6
HI 12k
MID
+15
FREQ 2k 100
+15
U
U
6
PRE
5
FX1
+15
FX2
FX AUX 5/6
HI 12k
MID
+15
200
8k
EQ
U
U
6
+15
U
2
+15
5
+15
PRE
5
FX1
+15
FX2
FX AUX 5/6
HI 12k
+15
FREQ 2k 100
EQ
U
U
6
+15
MID
+15
200
8k
LOW 80Hz
EQ
U
+15
FX2
FX AUX 5/6
HI 12k
+15
FREQ 200
8k
+15
MID
+15
FREQ 200
8k
EQ
U
6
U
4
+15
PRE
5
FX1
FX1
+15
FX2
FX AUX 5/6
HI 12k
MID
+15
U
6
+15
U
FX1
+15
FX2
FX AUX 5/6
HI 12k
+15
FREQ 200
8k
EQ
U
U
6
U
4
+15
PRE
5
5
4
+15
PRE
U
U
4
+15
PRE
5
FX1
+15
FX2
+15
MID
+15
U
FX AUX 5/6
HI 12k
+15
FREQ 200
8k
EQ
U
U
4
+15
+15
PRE
5
FX1
+15
6
+15
MID
+15
FREQ 200
8k
EQ
U
4
4
+15
PRE
5
FX2
FX AUX 5/6
HI 12k
MID
+15
U
6
+15
U
U
FX1
+15
4
+15
PRE
5
FX2
FX AUX 5/6
HI 12k
+15
FREQ 200
8k
EQ
U
U
6
+15
MID
+15
FREQ 200
8k
EQ
U
FX1
+15
4
+15
PRE
5
FX2
FX AUX 5/6
HI 12k
MID
+15
U
6
+15
U
U
FX1
+15
4
+15
PRE
5
FX2
FX AUX 5/6
HI 12k
+15
FREQ 200
8k
EQ
U
U
6
+15
MID
+15
FREQ 200
8k
EQ
U
FX1
+15
4
+15
PRE
5
FX2
FX AUX 5/6
HI 12k
MID
+15
U
6
+15
U
U
FX1
+15
4
+15
PRE
5
FX2
FX AUX 5/6
HI 12k
+15
FREQ 200
8k
EQ
U
U
6
+15
MID
+15
FREQ 200
EQ
U
FX1
+15
4
+15
PRE
5
FX2
FX AUX 5/6
HI 12k
MID
+15
U
6
+15
U
U
FX1
+15
4
+15
PRE
5
FX2
FX AUX 5/6
HI 12k
MID
-15
U
6
FX2
FX AUX 5/6
HI 12k
U
FX1
+15
4
+15
PRE
5
FX1 U
6
FX AUX 5/6
U
U
FX2
4
+15
PRE
5
+15
6
FX2
FX AUX 5/6
EQ
U
FX1
+15
4
+15
PRE
5
FX1 U
6
FX2
4
+15
PRE
5
+15
4
+15
PRE
5
U
4
+15
PRE
U
+15
U
4 +15
PRE
4
0
4
+15
7
+15
U
+15
SOLO
+15
U
20 10
3
+15
3
+15
U
2
PRE
+15
PWR
48V
LEFT RIGHT 0 dB=0 dBu
U
AUX 2
SOLO
+15
CH 3-4
SUBS 3-4 AUX 5-6
+15
U
2
+15
PRE
+15
3
+15
U
CH 1-2
SUBS 1-2 MAIN
STEREO RETURNS AUX 1
SOLO
+15
U
1
PRE
+15
PRE
+15
3
+15
U
U
1
U
1
PRE
+15
2
U
AUX U
PRE
+15
3
+15
U
2
U
TO LR U
AUX
1
PRE
USB OUT
TAPE USB
SOLO
+20
USB
U
+15
100%
2-TRACK RETURN
AUX MASTER
AUX
1
75%
0%
FX 2
MAX
PRE
PRE
+15
OFF
U
2
U
FX 1
COMP
MAX
1
+15
3
+15
LINE GAIN
25%
LOW CUT 100 Hz
PRE
PRE
+15
3
+15
U -20dB
AUX U
2
U
60 +40dB
OFF
AUX
PRE
+15
21 22
40
COMP
MAX
1
U
2
U
20
LOW CUT 100 Hz
PRE
+15
PRE
+15
3
+15
U
2
U
OFF
U
1
PRE
+15
PRE
+15
3
+15
U
U -20dB
COMP
MAX
AUX
1
PRE
+15
PRE
+15
3
+15
+15
PRE
+15
3
+15
U
40
LOW CUT 100 Hz
COMP
U
1
PRE
60 +40dB
U
U
20
U
AUX U
1
PRE
+15
PRE
+15
3
+15
U
AUX U
1
PRE
+15
PRE
+15
3
+15
U
AUX U
1
PRE
+15
PRE
+15
3
+15
U
AUX U
1
PRE
+15
PRE
+15
3
+15
U
AUX U
1
PRE
+15
PRE
+15
3
+15
U
AUX U
1
PRE
+15
PRE
+15
3
+15
U
AUX U
1
PRE
+15
PRE
+15
3
+15
U
AUX U
1
PRE
+15
PRE
+15
3
+15
U
AUX U
1
PRE
+15
PRE
+15
3 U
U
AUX U
1
PRE
+15
PRE U
AUX U
1
PRE
+15
2
+15
AUX U
1
PRE
PRE U
AUX U
1
PRE
U -20dB
LOW CUT 100 Hz
OFF
AUX
40
LINE GAIN
30
U
20
20
GAIN
30
U
20
19
GAIN
30
U
20
18
GAIN
30
U
20
17
GAIN
30
U
20
16
GAIN
30
U
20
15
GAIN
30
U
20
14
GAIN
30
U
20
13
GAIN
30
U
20
12
GAIN
30
U
20
11
GAIN
30
U
20
10
GAIN
30
U
20
9
GAIN
30
U
20
8
GAIN
30
U
20
7
GAIN
30
U
20
6
GAIN
30
U
20
5
GAIN
30
U
20
4
GAIN
30
U
40
3
GAIN
30
U
20
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES FOR THE U.S. AND THE ICES-003 FOR CANADA. OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY CAUSE UNDESIRED OPERATION.
UNBALANCED
GAIN
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
R
BAL / UNBAL
6/6 PAGES
