VLZ4 4•Bus - Mackie

VLZ4 •Bus VLZ4 4•Bus 24-/32-Channel 4•Bus FX Mixer with USB Like us Follow us Watch our dang videos 2404VLZ4 and 3204VLZ4 In pursuit of the ultimate “...

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VLZ4 4•Bus

24-/32-Channel 4•Bus FX Mixer with USB

2404VLZ4 and 3204VLZ4 In pursuit of the ultimate “do-it-all” Live Sound Mixer, we threw in the kitchen sink and packed this bad boy with a full set of processors allowing you to travel “rack free” while still making professional sounding mixes. For starters, we added not one, but TWO, of our patented Running Man FX processors (RMFX+™) featuring 24 “gigready” effects right into the board. This does not include useless effects such as “the warbler” or the “insanity delay”, but rather a suite of quickly accessible and useable reverbs, choruses and delays that make coloring your mix a breeze. Additionally, both FX processors feature a tap delay, typically only available on an outboard rack. Delays may easily be sync’d with the song at the tap of a finger. And because we love flexible routing (hehe), the processed signal may be sent direct to the mains and monitors from the effects section or re-routed to the two stereo channels to bring them through the EQ and aux section, utilizing the 60mm fader to draw them into the mix. But wait, there’s more! The VLZ4 4•Bus has eight (yes, eight!) single knob compressors to stop the dynamic signals from poking out of the mix. Four compressors are located on the last four mic inputs so that the most critical signals (such as vocals, snare drum, the occasional jaw harp or mountain goats) may be addressed. Plus, there are single knob compressors on each of the four subgroups so that grouped signals (such as a drum set or a choir of didgeridoos) may be blended together for paramount smoothness. The VLZ4 4•Bus Series Mixers also feature a 4x2 USB recording and playback function. This means that up to four signals may be recorded simultaneously and a stereo mix returned to the mixer for playback. Bottom line? You have an awesome mixer with VLZ4 sound quality, “built-like-a-tank” build quality and a recording and processing feature set that is unparalleled. Congratulations... and happy mixing!

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APPLICATIONS: Live sound mixing, houses of worship, clubs, gymnasiums, banquet halls, conference rooms, boardrooms, multitrack studio and field recording, video post-production, multimedia applications, broadcast and many, many more.

1/6 PAGES

VLZ4 4•Bus FEATURES:

■ “Built-Like-A-Tank” rugged steel chassis with powder-coat finish

■ 4•Bus mixer featuring our signature high-headroom, low-noise design

■ High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback

■ Boutique-quality Onyx mic preamps • Ultra-wide 60 dB gain range • 128.5 dB dynamic range • +22 dBu line input handling • Extended frequency response • Distortion under 0.0007% [20 Hz – 50 kHz]

■ Universal power supply for worldwide use

VLZ4 4•Bus SPECIFICATIONS Main Mix Noise

■ Improved RF rejection, perfect for broadcast applications

(20 Hz–20 kHz bandwidth, 1/4" main out, channel gains @ unity, channel EQs flat, all channels assigned to main mix, odd channels panned left, even channels panned right.)

■ Phantom power for condenser mics ■ Dedicated inline channel compression for critical inputs

24-/32-Channel 4•Bus FX Mixer with USB



■ High-headroom line inputs with dedicated inserts

Main mix fader unity, channel faders down: –87.0 dBu (–91.0 dB Signal to Noise Ratio, ref +4 dBu) [2404VLZ4] –84.5 dBu (–88.5 dB Signal to Noise Ratio, ref +4 dBu) [3204VLZ4] Main mix fader @ unity, channel faders @ unity: –81.5 dBu [2404VLZ4] –80.0 dBu [3204VLZ4]

■ 3-band EQ with sweepable midrange ■ 18 dB/oct 100 Hz low-cut filter on mic input channels

Total Harmonic Distortion (THD)

■ Level, pan, solo and overload/mute LEDs on each channel

(1 kHz @ 15 dB gain, 20 Hz–20 kHz bandwidth) Mic in to insert send Mic in to main out

<0.001% <0.005%

■ Four subgroups featuring dedicated inline compressors for total dynamic control ■ Six aux sends with inserts, pre/post fader and internal/external FX send options ■ Two stereo returns and four group outs with inserts ■ Dual 32-bit RMFX+™ processors featuring 24 “Gig Ready” reverbs, choruses and tap delay for live applications

Attenuation / Crosstalk (1 kHz relative to +10 dBu, 20 Hz–20 kHz bandwidth, mic in, 1/4" main out, gain @ unity) Channel mute switch engaged

–90 dBu

Channel fader down

–88 dBu

Frequency Response

■ Integrated 4x2 24-bit USB interface • Stream subgroups or master L/R to your PC or Mac for recording • Use your favorite plug-in live via auxes 5/6 • Convenient stereo return to mains for music playback or return to channel to implement EQ, auxes and more

Mic input to main output (gain @ unity) +0, –1 dB, 20 Hz to 50 kHz +0, –3 dB, <10 Hz to >100 kHz

■ PFL/AFL solo modes

150

Equivalent Input Noise (EIN) (Mic input to insert send out, max gain) termination

–128.5 dBu 20 Hz–20 kHz

■ 60 mm long-wearing log-taper faders ■ High-resolution 12-segment stereo meters ■ Sealed rotary controls resist dust and grime

Common Mode Rejection Ratio (CMRR) 1 kHz

better than –70 dB

2/6 PAGES

VLZ4 4•Bus Maximum Levels

24-/32-Channel 4•Bus FX Mixer with USB

Physical Properties (product)

Mic in

+21 dBu

All other inputs

+21 dBu

Front Height Rear Height

Main mix XLR out

+27 dBu

Depth

19.1 in / 486 mm [Both]

+21 dBu

Width

29.4 in / 748 mm [2404VLZ4] 38.0 in / 964 mm [3204VLZ4]

Weight

31.0 lb / 14.1 kg [2404VLZ4] 39.0 lb / 17.7 kg [3204VLZ4]

All other outputs

1.8 in / 46.3 mm [Both] 6.0 in / 153 mm [Both]

Impedances Mic in

2.7 k

Channel insert return All other inputs

2.5 k 10 k

or greater

Physical Properties (packaged product) Height

10.6 in / 269 mm [Both]

Tape out

<10

Depth

23.0 in / 584 mm [Both]

All other outputs

120

Width

33.9 in / 861 mm [2404VLZ4] 42.5 in / 1080 mm [3204VLZ4]

Weight

37.0 lb / 16.8 kg [2404VLZ4] 44.0 lb / 20.0 kg [3204VLZ4]

3-Band EQ (mono channels) High Shelving Mid Peaking

±15 dB @ 12 kHz ±15 dB sweep 100 Hz – 8 kHz

Low Shelving

±15 dB @ 80 Hz

Low Cut Filter

18 dB/octave, –3 dB @ 100 Hz

4-Band EQ (stereo channels) High Shelving

±15 dB @ 12 kHz

Hi Mid Peaking

±15 dB @ 2.5 kHz

Low Mid Peaking

±15 dB @ 400 Hz

Low Shelving

±15 dB @ 80 Hz

USB Format I/O A/D/A

Options 2404VLZ4 Mixer Cover

P/N 093-008-00

3204VLZ4 Mixer Cover

P/N 093-008-01

Ordering Information 2404VLZ4 24-Channel 4•Bus FX Mixer with USB, US

P/N 2040769-00

2404VLZ4 24-Channel 4•Bus FX Mixer with USB, EU

P/N 2040769-01

2404VLZ4 24-Channel 4•Bus FX Mixer with USB, AU

P/N 2040769-04

2404VLZ4 24-Channel 4•Bus FX Mixer with USB, CN

P/N 2040769-05

2404VLZ4 24-Channel 4•Bus FX Mixer with USB, BZ

P/N 2040769-06

3204VLZ4 32-Channel 4•Bus FX Mixer with USB, US

P/N 2040770-00

3204VLZ4 32-Channel 4•Bus FX Mixer with USB, EU

P/N 2040770-01

USB 1.1

3204VLZ4 32-Channel 4•Bus FX Mixer with USB, AU

P/N 2040770-04

Stereo Input, 4 Channel Output

3204VLZ4 32-Channel 4•Bus FX Mixer with USB, CN

P/N 2040770-05

24 bit, 44.1 kHz / 48 kHz

3204VLZ4 32-Channel 4•Bus FX Mixer with USB, BZ

P/N 2040770-06

AC Power Requirements Power Consumption

55 watts [2404VLZ4] 65 watts [3204VLZ4]

US, JP

100 – 120 VAC, 50 – 60 Hz

EU, UK, AU, CN

200 – 240 VAC, 50 – 60 Hz

Operating Temperature

0˚ – 40˚C 32˚ – 104˚F

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VLZ4 4•Bus

24-/32-Channel 4•Bus FX Mixer with USB

VLZ4 4•Bus DIMENSIONS 3204VLZ4 NOTES: 1. WEIGHT APPROX. 39.0 lb [17.7 kg] 2. SHIPPING WEIGHT APPROX. 44.0 lb [20.0 kg] 6.0 [153]

19.1 [486]

38.0 [964]

1.8 [46]

2404VLZ4 NOTES: 1. WEIGHT APPROX. 31.0 lb [14.1 kg] 2. SHIPPING WEIGHT APPROX. 37.0 lb [16.8 kg]

6.0 [153]

19.1 [486]

29.4 [748]

THIRD ANGLE PROJECTION

UNLESS OTHERWISE SPECIFIED: ALL DIMENSIONS ARE IN INCHES DUAL [MM] DIMENSIONS FOR REF ONLY TOLERANCE IN INCHES LINEAR ± 0.13 in / ± 3.3 mm ANGLES ± 1°

THE INFORMATION CONTAINED HEREIN IS PROPRIETARY AND CONFIDENTIAL PROPERTY OF LOUD TECHNOLOGIES, INC. ALL RIGHTS RESERVED

(X.XX) = REF DIMS NO TOLERANCE IMPLIED TSC = THEORETICAL SHARP CORNER DIMENSIONS ACROSS CENTERLINES TO BE SYMMETRICAL

1.8 [46]

4/6 PAGES

VLZ4 4•Bus

Phantom Power

Mic Line Phantom Power

Line

Mic

+

-

-

+

-20dB pad

-

+

Gain

bypass HPF In

HPF

HPF

100Hz

bypass HPF In

100Hz Mic: 0 ~ +60dB Line: -15 ~ +45dB

+

Gain

-

Gain

Mic: 0 ~ +60dB Line: -15 ~ +45dB

(Second stereo channel only)

Comp

Insert

100~8K

MID 12K

HI

2.5K

MID

12K

HI

12K

HI

OL (flicker) mute (on)

OL (flicker) mute (on)

Mute

Level

Level

post pre

Pan

Pan

Assign L/R

3/4

1/2

FX2 Aux 6 FX1 Aux 5 Aux 4 Aux 3 Aux 2 Aux 1 Solo

Assign L/R

3/4

1/2

FX1 Aux 6 FX2 Aux 5 Aux 4

Aux 1

Aux 3 Aux 2

Solo

Solo

Aux 3

PFL Solo PFL solo

FX 1 FX 2 FX1 FX 2

AFL solo L

-20 Sig (flicker) solo (on)

80

LO

MID

3-Band EQ w/ Swept Mid

400

MID

2.5K

-20 Sig (flicker) solo (on)

80

LO

400

MID

4-Band EQ

80

LO

Mute

post pre

2 track Input Level

Aux 2 (pre) Aux 3 (pre/post) Aux 2

Phantom Power (To All Mics)

Line FX 1 USB

-20 ~ +20dB

Tape USB

To Main Mix Solo

3 4

Global 48v 48V Switch/LED

Mono Channels 1-16 (2404) 1-24 (3204)

Mono Channels 17-20 (2404) 25-28 (3204)

L

R

Int FX 1 Out L

-

+

+

-

To Aux 1 To Aux 2 To Aux 3

Aux1-4

To Aux 4

L-R

AFL solo L AFL solo R

Comp

Meter Select

Sub 1 Sub 2

Sub 4

Sub 3

Insert

Insert

Solo Level

L Insert

Solo Solo Logic

L sum

Sub 1 sum

Aux 1 sum Solo

L

R

Internal FX 1

(Internal FX 2 identical except returns to second stereo channel)

(To first stereo channel)

Main

Aux2

Aux1

Sub Assign To Main Mix L R Solo (1&3) Solo (2&4)

Solo mode

R Insert

AFL PFL

R sum

AFL Solo L R

PFL Solo

AFL solo R

Int FX 1 Out R (FX2 on 2 nd st ch.)

Stereo Channels 21/22 & 23/24 (2404) 29/30 & 31/32 (3204)

L R

L

Tape Input USB In Stereo Return 1 & 2 R

Hudson River

Central Park

Talkback Level

Talkback Assign

Sub 3 4 Aux 1 (pre) Aux 1

M ain R 1 2

R 1 2

Sub

L L

Main

24-/32-Channel 4•Bus FX Mixer with USB VLZ4 4•Bus BLOCK DIAGRAM

Aux 6 (post)

Aux 4

Aux 4 (pre/post) Aux 5 Aux 6

Aux 5 (post)

to USB 3-4

Sub 3-4 Aux 5-6

Monitor Level

Sig/OL

Phones Level

In

Out R

FX 1

Out L

RUDE SOLO LED

Mono level

Mono Insert

Sub 1-2 Main L-R

to USB 1-2

Main level

Aux 5

Aux 6

Sub 1 level

Aux 1 Level

FX 1 master level

Active FX Mute

FX 1 Bypass Logic

R

Main Out

L

Mono Out

L

R

Tape Out

USB Out

Mono

L

Monitor Out

R

Phones

Sub 1 Out

(Sub 2-4 identical)

Aux 1 Out

(Aux 2-6 identical)

Preset select

Tap

FX Preset Display

5/6 PAGES

VLZ4 4•Bus

24-/32-Channel 4•Bus FX Mixer with USB

VLZ4 4•Bus FRONT AND REAR PANEL (2404VLZ4 shown) MONITOR

21/22

SUBGROUP INSERTS

TIP SEND, RINGRETURN

L

4

3

2

23/24

BAL / UNBAL

1

MONO

4

R

BAL / UNBAL

3

2

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

STEREO RETURNS

TIP SEND, RING RETURN

4

LINE (BAL / UNBAL)

19

20

R

5

1

LINE (BAL / UNBAL)

1

AUX INSERTS

6

INSERTS (TIP SEND, RING RETURN)

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

MONO

SUBGROUP OUTS

MONITOR

INSERTS (TIP SEND, RING RETURN)

BAL / UNBAL

L

3

2

1

BAL / UNBAL

2

1

ONYX MIC PREAMPS

ONYX MIC PREAMPS

L MONO

AUX SENDS BAL / UNBAL

6

5

4

3

2

2

1

1

R

POWER ON

PHANTOM ON

RIGHT INSERT

LEFT

MAIN OUT

LINE

INSERT

MONO

MAIN OUT

LINE

INSERT

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20 100 - 240 V 50 - 60 Hz 55W

TALKBACK MIC

TAPE

MAIN OUT

IN

LINE

OUTPUT

L

U

REVISION

SERIAL NUMBER

OUT

USB

L

WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC

R

+6

TIP SEND RING RETURN

TIP SEND RING RETURN

BAL / UNBAL

LEVEL

TIP SEND RING RETURN

BAL / UNBAL

REPLACE WITH THE SAME TYPE FUSE AND RATING. DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE

1

2

GAIN

30

U -20dB

60 +40dB

40

U -20dB

60 +40dB

40

U -20dB

60 +40dB

40

U -20dB

60 +40dB

40

U -20dB

60 +40dB

40

U -20dB

60 +40dB

40

U -20dB

60 +40dB

40

U -20dB

60 +40dB

40

U -20dB

60 +40dB

40

U -20dB

60 +40dB

40

U -20dB

60 +40dB

40

U -20dB

60 +40dB

40

U -20dB

60 +40dB

40

U -20dB

60 +40dB

40

U -20dB

60 +40dB

40

U -20dB

60 +40dB

LOW CUT 100 Hz

LOW CUT 100 Hz

LOW CUT 100 Hz

LOW CUT 100 Hz

LOW CUT 100 Hz

LOW CUT 100 Hz

LOW CUT 100 Hz

LOW CUT 100 Hz

LOW CUT 100 Hz

LOW CUT 100 Hz

LOW CUT 100 Hz

LOW CUT 100 Hz

LOW CUT 100 Hz

LOW CUT 100 Hz

LOW CUT 100 Hz

LOW CUT 100 Hz

PAD -20dB

PAD -20dB

PAD -20dB

PAD -20dB

PAD -20dB

PAD -20dB

PAD -20dB

PAD -20dB

PAD -20dB

PAD -20dB

PAD -20dB

PAD -20dB

PAD -20dB

PAD -20dB

PAD -20dB

PAD -20dB

40

U -20dB

60 +40dB

AUX U

AUX U

U

+15

U

U

2

2

U

U

2

U

U

2

U

U

2

U

U

2

U

U

2

U

U

2

U

U

2

U

U

2

U

U

U

U

2

U

2

U

U

U

3

+15

U

U

U

U

60 +40dB

-20

+20

-20

U

23 24

SUCK 50%

12V 0.5A

+20

+15

U

U

U

2

U

U

2

U

3

+15

U

U

U

3

+15

U

4

U

U

U

FX1

U

+15

+15

EQ

+15

EQ

U

-15

U

+15

-15

800

-15

U

+15

-15

2k 100

U

800

-15

U

-15

2k 100

U

800

-15

LOW 80Hz

U

+15

-15

2k 100

U

800

-15

LOW 80Hz

U

-15

2k 100

U

800

-15

LOW 80Hz

U

+15

-15

2k 100

U

800

-15

LOW 80Hz

U

-15

2k 100

U

800

-15

LOW 80Hz

U

+15

-15

2k 100

U

800

-15

LOW 80Hz

U

-15

2k 100

U

800

-15

LOW 80Hz

U

-15

2k 100

U

800

-15

LOW 80Hz

U

+15

-15

2k 100

U

800

-15

LOW 80Hz

U

2k 100

U

-15

800

-15

U

U

-15

800

-15

LOW 80Hz

U

+15

-15

U

800

-15

LOW 80Hz

U

+15

-15

2k 100

U

800

-15

LOW 80Hz

U

-15

2k 100

U

800

LOW 80Hz

U

+15

-15

800

-15

U

2k 100

8k

LOW 80Hz

U

U

-15

800

-15

+15

-15

800

-15

U

U

-15

800

+15

-15

FREQ 200

8k

2k 100

U

EQ

U

U

LOW 80Hz

U

-15

-15

+15

-15

+15

-15

PAN

+15

-15

PAN

+15

-15

PAN

+15

-15

PAN

+15

-15

PAN

+15

-15

PAN

+15

-15

PAN

+15

-15

PAN

+15

-15

PAN

+15

-15

PAN

+15

-15

PAN

+15

-15

PAN

+15

-15

PAN

+15

-15

PAN

-15

+15

+15

-15

PAN

PAN

+15

-15

PAN

+15

-15

PAN

U

U

TAP DELAY

+15

-15

-15

R

L

1

R

L

2

MUTE

R

L

3

MUTE

R

L

4

MUTE

R

L

5

MUTE

R

L

6

MUTE

R

L

7

MUTE

R

L

8

MUTE

R

L

9

MUTE

R

L

10

MUTE

R

L

11

MUTE

R

L

12

MUTE

R

L

13

MUTE

R

L

14

MUTE

R

L

15

MUTE

R

L

R

L

17

16

MUTE

R

L

18

MUTE

MUTE

R

L

19

MUTE

R

L

-15

R

U

MUTE

5

OL

dB 10

-20

5

U 5 10

40 50 60 OO

dB 10

-20

5

U

SOLO

1-2

20 30

OL

5 10

30

LR

40 50 60 OO

dB 10

-20

5

U

SOLO

1-2

20

3-4

OL

5 10

30

LR

40 50 60 OO

dB 10

-20

5

U

SOLO

1-2

20

3-4

OL

5 10

30

LR

40 50 60 OO

dB 10

-20

5

U

SOLO

1-2

20

3-4

OL

5 10

30

LR

40 50 60 OO

dB 10

-20

5

U

SOLO

1-2

20

3-4

OL

5 10

30

LR

40 50 60 OO

dB 10

-20

5

U

SOLO

1-2

20

3-4

OL

5 10

30

LR

40 50 60 OO

dB 10

-20

5

U

SOLO

1-2

20

3-4

OL

5 10

30

LR

40 50 60 OO

dB 10

-20

5

U

SOLO

1-2

20

3-4

OL

5 10

30

LR

40 50 60 OO

dB 10

-20

5

U

SOLO

1-2

20

3-4

OL

5 10

30

LR

40 50 60 OO

dB 10

-20

5

U

SOLO

1-2

20

3-4

OL

5 10

30

LR

40 50 60 OO

dB 10

-20

5

U

SOLO

1-2

20

3-4

OL

5 10

30

LR

40 50 60 OO

1-2

5 10

-20

5

3-4

30

LR

40 50 60 OO

“Mackie” and the “Running Man” figure are registered trademarks of LOUD Technologies Inc. All other brands mentioned are trademarks or registered trademarks of their respective holders, and are hereby acknowledged.

OL

dB 10

-20

5

U

SOLO

1-2

20

LOUD Technologies Inc. is always striving to improve our products by incorporating new and improved materials, components, and manufacturing methods. Therefore, we reserve the right to change these specifications at any time without notice.

©2013 LOUD Technologies Inc. All rights reserved.

dB 10

U

SOLO

20

3-4

OL

5 10

30

LR

40 50 60 OO

dB 10

-20

5

U

SOLO

1-2

20

3-4

OL

5 10

30

LR

40 50 60 OO

dB 10

-20

5

1-2

5 10

SOLO

30

LR

40 50 60 OO

5 10

1-2

dB 10

-20

5

3-4

30

LR

40 50 60

OL

dB 10

-20

5

U

SOLO

1-2

20

20

3-4

OL

U

U

SOLO

20

3-4

OL

5 10

30

LR

40 50 60

OO

OO

dB 10

-20

5

U

SOLO

1-2

20

3-4

OL

5 10

30

LR

40 50 60

dB 10

-20

5

U

SOLO

1-2

20

3-4

OL

5

L

10

1-2

20

3-4

30

LR

40 50 60

OO

OO

5 10

OL

dB 10

-20

5

30

LR

40 50 60 OO

+15

MONITOR

U

U

MUTE +15

Owner’s Manual

PHONES

TALKBACK U

MAX COMP

OFF

STEREO

MAX COMP

OFF

MAX COMP

OFF

STEREO

MAX COMP

R

1-2

5 10

+15

LEVEL

LEFT

LEFT

LEFT

LEFT

RIGHT

RIGHT

RIGHT

RIGHT

30

LR

40 50 60 OO

2

PUSH TO TALK

SOLO

3

4

AUX 1-4

MAIN

MAIN MIX

OL

dB 10

dB 10

dB 10

dB 10

dB 10

-20

5

5

5

5

5

U

U

U

U

U

5

5

5

5

5

10

10

10

10

10

20

20

20

20

20

3-4

30

30

30

30

30

LR

40 50 60

40 50 60

40 50 60

40 50 60

40 50 60

OO

OO

OO

OO

OO

SOLO

1-2

20

3-4

SOLO

SOLO

VLZ4_4BUS_SS.PDF VLZ4_4BUS_OM.PDF

www.mackie.com 16220 Wood-Red Road NE Woodinville, WA 98072 USA 800-898-3211, Fax 425-487-4337 Part No. SW0996 Rev. A 08/13

+15

TO LR

Electronic files for this product are available at: www.mackie.com Specification Sheet

+15

TO AUX 2

SUBGROUPS

+15

U

SOLO

20

3-4

TAP DELAY

+15

MUTE ALT 3-4

U

SOLO

U

TO LR

1

dB 10

U

+15

23/24

MUTE ALT 3-4

MUTE

+15

SOLO

BAL

21/22

20

MUTE

U

+15

TO AUX 1

U

SOLO

L

+15

FX MASTER

LOW 80Hz

+15

BAL

+15

TO AUX 2

HI MID 2.5k +15

LOW 80Hz

+15

PAN

U

U

OFF -15

PAN

+15

TO AUX 1

LOW MID 400Hz

+15

LOW 80Hz

FX 2 U

SIG/OL

+15

LOW MID 400Hz -15

8k

PFL AFL

SOLO

SOLO

U

U

HI MID 2.5k +15

2k 100

SOLO MODE

HI 12k

+15

FREQ 200

8k

LOW 80Hz

U

SOLO

SIG/OL

FX MASTER

HI 12k

+15

RUDE SOLO +15

2

+15

U

MID

+15

FREQ 2k 100

LOW 80Hz

LOW 80Hz

U

MID

+15

200

8k

EQ

+15

U

LR

+15

FX 1

FX AUX 5/6

HI 12k

+15

U

SOLO

U

6

+15

U

+15

+15

FX2

FX AUX 5/6

HI 12k

+15

FREQ 200

2k 100

EQ

U

MID

+15

FREQ 200

8k

EQ

MID

-15

+15

+15

FX AUX 5/6

HI 12k

U

6

FX2

20 30

1

FX1

+15

6

+15

U

U

7 10

LEVEL SET

6

5

FX1

+15

2 4

+15

U

AUX 4

SOLO

U

FX2

FX AUX 5/6

HI 12k

+15

FREQ 200

8k

EQ

U

U

U

AUX 3 +15

U

+15

U

5

FX1

+15

6

+15

MID

+15

FREQ 200

8k

EQ

U

FX2

FX AUX 5/6

HI 12k

MID

+15

FREQ 2k 100

+15

U

U

6

PRE

5

FX1

+15

FX2

FX AUX 5/6

HI 12k

MID

+15

200

8k

EQ

U

U

6

+15

U

2

+15

5

+15

PRE

5

FX1

+15

FX2

FX AUX 5/6

HI 12k

+15

FREQ 2k 100

EQ

U

U

6

+15

MID

+15

200

8k

LOW 80Hz

EQ

U

+15

FX2

FX AUX 5/6

HI 12k

+15

FREQ 200

8k

+15

MID

+15

FREQ 200

8k

EQ

U

6

U

4

+15

PRE

5

FX1

FX1

+15

FX2

FX AUX 5/6

HI 12k

MID

+15

U

6

+15

U

FX1

+15

FX2

FX AUX 5/6

HI 12k

+15

FREQ 200

8k

EQ

U

U

6

U

4

+15

PRE

5

5

4

+15

PRE

U

U

4

+15

PRE

5

FX1

+15

FX2

+15

MID

+15

U

FX AUX 5/6

HI 12k

+15

FREQ 200

8k

EQ

U

U

4

+15

+15

PRE

5

FX1

+15

6

+15

MID

+15

FREQ 200

8k

EQ

U

4

4

+15

PRE

5

FX2

FX AUX 5/6

HI 12k

MID

+15

U

6

+15

U

U

FX1

+15

4

+15

PRE

5

FX2

FX AUX 5/6

HI 12k

+15

FREQ 200

8k

EQ

U

U

6

+15

MID

+15

FREQ 200

8k

EQ

U

FX1

+15

4

+15

PRE

5

FX2

FX AUX 5/6

HI 12k

MID

+15

U

6

+15

U

U

FX1

+15

4

+15

PRE

5

FX2

FX AUX 5/6

HI 12k

+15

FREQ 200

8k

EQ

U

U

6

+15

MID

+15

FREQ 200

8k

EQ

U

FX1

+15

4

+15

PRE

5

FX2

FX AUX 5/6

HI 12k

MID

+15

U

6

+15

U

U

FX1

+15

4

+15

PRE

5

FX2

FX AUX 5/6

HI 12k

+15

FREQ 200

8k

EQ

U

U

6

+15

MID

+15

FREQ 200

EQ

U

FX1

+15

4

+15

PRE

5

FX2

FX AUX 5/6

HI 12k

MID

+15

U

6

+15

U

U

FX1

+15

4

+15

PRE

5

FX2

FX AUX 5/6

HI 12k

MID

-15

U

6

FX2

FX AUX 5/6

HI 12k

U

FX1

+15

4

+15

PRE

5

FX1 U

6

FX AUX 5/6

U

U

FX2

4

+15

PRE

5

+15

6

FX2

FX AUX 5/6

EQ

U

FX1

+15

4

+15

PRE

5

FX1 U

6

FX2

4

+15

PRE

5

+15

4

+15

PRE

5

U

4

+15

PRE

U

+15

U

4 +15

PRE

4

0

4

+15

7

+15

U

+15

SOLO

+15

U

20 10

3

+15

3

+15

U

2

PRE

+15

PWR

48V

LEFT RIGHT 0 dB=0 dBu

U

AUX 2

SOLO

+15

CH 3-4

SUBS 3-4 AUX 5-6

+15

U

2

+15

PRE

+15

3

+15

U

CH 1-2

SUBS 1-2 MAIN

STEREO RETURNS AUX 1

SOLO

+15

U

1

PRE

+15

PRE

+15

3

+15

U

U

1

U

1

PRE

+15

2

U

AUX U

PRE

+15

3

+15

U

2

U

TO LR U

AUX

1

PRE

USB OUT

TAPE USB

SOLO

+20

USB

U

+15

100%

2-TRACK RETURN

AUX MASTER

AUX

1

75%

0%

FX 2

MAX

PRE

PRE

+15

OFF

U

2

U

FX 1

COMP

MAX

1

+15

3

+15

LINE GAIN

25%

LOW CUT 100 Hz

PRE

PRE

+15

3

+15

U -20dB

AUX U

2

U

60 +40dB

OFF

AUX

PRE

+15

21 22

40

COMP

MAX

1

U

2

U

20

LOW CUT 100 Hz

PRE

+15

PRE

+15

3

+15

U

2

U

OFF

U

1

PRE

+15

PRE

+15

3

+15

U

U -20dB

COMP

MAX

AUX

1

PRE

+15

PRE

+15

3

+15

+15

PRE

+15

3

+15

U

40

LOW CUT 100 Hz

COMP

U

1

PRE

60 +40dB

U

U

20

U

AUX U

1

PRE

+15

PRE

+15

3

+15

U

AUX U

1

PRE

+15

PRE

+15

3

+15

U

AUX U

1

PRE

+15

PRE

+15

3

+15

U

AUX U

1

PRE

+15

PRE

+15

3

+15

U

AUX U

1

PRE

+15

PRE

+15

3

+15

U

AUX U

1

PRE

+15

PRE

+15

3

+15

U

AUX U

1

PRE

+15

PRE

+15

3

+15

U

AUX U

1

PRE

+15

PRE

+15

3

+15

U

AUX U

1

PRE

+15

PRE

+15

3 U

U

AUX U

1

PRE

+15

PRE U

AUX U

1

PRE

+15

2

+15

AUX U

1

PRE

PRE U

AUX U

1

PRE

U -20dB

LOW CUT 100 Hz

OFF

AUX

40

LINE GAIN

30

U

20

20

GAIN

30

U

20

19

GAIN

30

U

20

18

GAIN

30

U

20

17

GAIN

30

U

20

16

GAIN

30

U

20

15

GAIN

30

U

20

14

GAIN

30

U

20

13

GAIN

30

U

20

12

GAIN

30

U

20

11

GAIN

30

U

20

10

GAIN

30

U

20

9

GAIN

30

U

20

8

GAIN

30

U

20

7

GAIN

30

U

20

6

GAIN

30

U

20

5

GAIN

30

U

20

4

GAIN

30

U

40

3

GAIN

30

U

20

UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE

THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES FOR THE U.S. AND THE ICES-003 FOR CANADA. OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY CAUSE UNDESIRED OPERATION.

UNBALANCED

GAIN

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR

R

BAL / UNBAL

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