La Douleur - Journal de la moderne tyrannie

Selon ses déclarations, Marguerite Duras publie en 1985 ce journal tenu pendant la capture et l'attente du retour, à la libération, de Robert Antelme,...

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Fondateur du Grenier Théâtre et directeur du Théâtre du Pavé, comédien, metteur en scène, professeur au conservatoire, Francis Azéma vit par et pour le théâtre, il enseigne, dirige, créé, joue… avec la même passion. Depuis 1994, il met en scène et interprète des textes des répertoires classique et contemporain au sein de sa compagnie, les Vagabonds. En 2001, Paul Berger lui confie la direction artistique du Théâtre du Pavé. Bien que le Théâtre du Pavé soit destiné à l'accueil des créations de la compagnie résidente, les Vagabonds, Francis Azéma en ouvre les portes à d'autres compagnies de théâtre et danse-théâtre essentiellement midi-pyrénéennes et à d'autres formes d'expression artistique. Depuis sa reprise du lieu, il y crée ses spectacles : "Outrage au public" de Peter Handke, puis "Les oranges" d’Aziz Chouaki, "Les justes" d’Albert Camus, "La mouette" d’Anton Tchekhov puis un cycle ambitieux consacré à Jean-Luc Lagarce en 2005 avec "Derniers remords avant l'oubli", "Juste la fin du monde", "Les règles du savoir-vivre dans la société moderne", "L'apprentissage" et "Le bain". Ses créations remportent l’adhésion d’un public qui lui devient fidèle. En 2006, il crée avec les Vagabonds « Le misanthrope » de Molière, qui sera un succès critique et public. Pour la saison 2006-2007, il crée deux pièces de Marguerite Duras, "La musica deuxième" et "La douleur" qui seront assorties de plusieurs lectures dans la ville de Toulouse. Il met également en scène "Mademoiselle Julie" d'August Strindberg. En 2007-08, il monte "Adieu Monsieur Tchekhov" de Céline Monsarrat et "Andromaque" de Racine. La saison 2008-2009 est marquée par le cycle autour de l'auteur contemporain Jon Fosse, où il met en scène avec Sylvie Maury "Violet", "Hiver", "Visites" et "Le nom". Pour les fêtes de fin d'année, c'est une création, "Le plus heureux des trois" de Labiche, qui réunit Les vagabonds. Pour cette nouvelle saison 2009/2010, il présente un projet audacieux conçu comme une quête de simplicité et d'authenticité, de dépouillement et de modernité : « Noir Lumière » avec « Dom Juan », « Antigone » de Sophocle, « Antigone » d'Anouilh et « Bérénice » : un véritable succès. Au mois de mars, il partage la scène du Théâtre du Pavé avec Denis Rey dans la création "Dans la solitude des champs de coton" de Bernard-Marie Koltès mis en scène par Arnaud Rykner. M",(#=

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Dire la Douleur pour taire les cris de rage qui pourraient vous étouffer et vous anéantir à jamais. Dire la Douleur pour rester encore debout, vivante alors que la mort rôde et peut vous enlever à tout moment,l'être que vous aimez. Dire la Douleur, la sienne, celle de l'autre qui ne peut pas parler, qui ne peut plus parler, qui ne veut pas parler. Dire la Douleur pour éviter le silence. Comment dire la Douleur en restant digne, c'est l'exploit qu'accompli Sylvie Maury sur scène. Dans une mise en scène dépouillée, où les mots de Duras, dits par Sylvie Maury qui dégage une émotion d'une grande intensité et qui saisit la salle et les spectateurs. Sylvie Maury est bouleversante d'humilité, d'humanité, de dignité. Elle vit le texte avec toute sa sensibilité et mettant son talent au service de l'auteur, comme seules savent le faire les grandes actrices.

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Quelle belle émotion et quel grand moment de théâtre. Merci Sylvie. Amitiés Myriam Bonet »

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